78. Just read that number and it stopped me, I didn't even know his name until this week but I'd seen his prints in a dozen photos of Valparaiso without knowing who made them. Sending condolences to his family.
Their story
Thierry Defert, known in Chile as Loro Coirón, was a French engraver and illustrator who spent three decades portraying the hills, streets, trades and people of Valparaíso. Working from a studio on Cerro Cordillera, he made linocuts, woodcuts, drawings and murals that became part of the everyday look of the…
Thierry Defert, known in Chile as Loro Coirón, was a French engraver and illustrator who spent three decades portraying the hills, streets, trades and people of Valparaíso. Working from a studio on Cerro Cordillera, he made linocuts, woodcuts, drawings and murals that became part of the everyday look of the port city, found on postcards, in books, cafés, restaurants and homes.
Defert was born in Paris on 29 April 1948 and grew up in Dakar, Senegal, where he lived from the age of three until he was seventeen. He returned to Paris in 1965 to study graphic arts and in 1967 entered the École nationale supérieure des arts décoratifs. In France he worked in illustration, poster design and advertising, contributed to the television programme Ouvrez les guillemets and to projects at the Centre Georges Pompidou, and wrote for publications including Zoom, a magazine about the image, between 1981 and 1989. In 1984 he received the Elie Faure prize for his book on the illustrator Georges Lepape and became head of graphic design at the national industrial design school ENSCI-Les Ateliers.
He first saw Valparaíso in 1988 on a journey to Tierra del Fuego and Cape Horn. He later recalled that it seemed a forgotten city, far from fashion and the media, but with its own dignity and identity. In 1995, while waiting for a ship to Europe, he made his first sketches of the port, and by the late 1990s he had settled there for good. The name Loro Coirón came from Chile too: a friend called him "loro", parrot, because he talked constantly, and children compared his bushy eyebrows to coirón grass.
His black and white prints showed dock workers, children, street dogs, dancers and the steep neighbourhoods of the port. He worked on a fresco of the bay of Valparaíso more than 300 metres long and exhibited at the Museo Nacional de Bellas Artes, the Biblioteca Nacional, Matucana 100 and the Parque Cultural de Valparaíso, which showed more than a hundred of his works in 2020, as well as in France and Portugal. He insisted that art about ordinary people should be affordable to them, and the Universidad de Playa Ancha holds a collection of a hundred works he donated.
Thierry Defert died on 23 October 2026, aged 78. The Municipality of Valparaíso announced his death, saying he had found in the city "much more than a place to live: a city to love, portray and share with the world". The cause of death was not made public.
Biography adapted from Wikipedia (CC BY-SA 4.0, Spanish), BioBioChile, The Clinic, ADN Radio and El Mostrador. Wikipedia ↗
In their own words
“Llegué a Valparaíso y fue como ver a una ciudad olvidada, lejos de los medios, de la moda y de todo en la época. Pero que tenía su dignidad.”
Interview with The Clinic, 2021, on first seeing Valparaíso

same, had no idea who was behind those hillside prints until today