68 is no age. I only knew him through No Country for Old Men and a clip of Ochre House someone sent me years back, but that image of a storefront theatre staging its own new plays every few weeks stuck with me. Thinking of Suzanne Thomas today.
Their story
Matthew Posey was an American actor, director and playwright who founded Ochre House Theater in Dallas, a tiny storefront stage near Fair Park that became one of the most original and unpredictable theater companies in Texas. Over more than 35 years he also worked as a character actor in more…
Matthew Posey was an American actor, director and playwright who founded Ochre House Theater in Dallas, a tiny storefront stage near Fair Park that became one of the most original and unpredictable theater companies in Texas. Over more than 35 years he also worked as a character actor in more than 60 film and television productions, from Lonesome Dove and Oliver Stone's JFK to No Country for Old Men and The Magnificent Seven. To the Dallas arts community he was a towering, bearded, larger-than-life presence: a writer who filled bound notebooks with plays, a director who gave young performers their first chances, and a survivor who returned to the stage five weeks after being shot in the face.
Matthew Devon Posey was born on July 31, 1958, in Houston, Texas, the youngest of five children of Marvin R. Posey and Mary Louise Wrba Posey. His family liked to say that his gift for performance showed itself at the age of four, when he staged "interviews" with vegetables, most memorably the "Carrot" series. As a sophomore at Coronado High School in Lubbock he found a bigger audience as Click Dark, the emcee of a class play based on American Graffiti. He went on to earn a bachelor's degree in theater at Texas Tech University, where he studied under George Sorenson, and then interned at the Alley Theatre in Houston.
In the 1980s Posey moved to Deep Ellum in Dallas, then becoming a haven for edgy art, and built and founded the Deep Ellum Theatre Garage. The venue hosted boundary-pushing work, including Sexual Mythology Part 1: The Underworld, a collaboration with the performer Fred Curchack. He also worked in an experimental group called On the Edge, and it was Posey who introduced Undermain Theatre co-founder Katherine Owens to her future husband, Bruce DuBose.
Posey then spent about 12 years in Los Angeles, working in the film industry, ghostwriting, and earning a master's degree in film from the American Film Institute. His screen career ran alongside his stage work for the rest of his life. His credits included Places in the Heart, Lonesome Dove, JFK, the Coen brothers' Oscar-winning No Country for Old Men, The Final and the 2016 remake of The Magnificent Seven. On television he appeared in Rectify, AMC's The Son with Pierce Brosnan, HBO's Love and Death, and Brothers, the series starring Matthew McConaughey and Woody Harrelson. One of his last films was the independent feature El Tonto Por Cristo.
Back in Dallas he became a company member at Undermain Theatre. In 2008, on a lunch break from Undermain, he noticed an empty storefront on Exposition Avenue with a statue of the Hindu god Shiva over the door. "It was calling to me," he later said. He named the theater Ochre House after the red ochre pigment used to make the blessing worn as a dot on the forehead. The 45-seat room at 825 Exposition Avenue, between Deep Ellum and Fair Park, put audiences almost in the actors' faces.
Posey and his core company called themselves the "Pioneers of the Suavant-Garde." Ochre House staged only work it had written itself, in a deconstructed, musical-narrative style built on live music, magic-realist imagery, ornate costumes and makeup, and intricate puppetry inspired by Japanese Bunraku. Posey wrote, directed and produced more than 40 original plays there, including Mrs. Haggardly, Bill, Original Man, Soft Noodle Map, Moving Creatures, Opera Box and Kaput: The Show. His plays explored love, family, social class, addiction, violence, forgiveness, greed and the search for one's place in the universe, and he staged them so quickly that the theater often responded to current events almost as they happened. For 15 years he also partnered with the Dallas-based Flame Foundation on full-length plays that fused experimental theater with authentic flamenco, taking that work to stages in Dallas and New York.
In January 2017 his Holocaust-era play Dr. Bobaganush, inspired by family stories of his Romani relatives in his great-grandparents' native Czechoslovakia and by The Diary of Anne Frank, opened to a packed house. Two days later, as Posey left the Cold Beer Company bar in Deep Ellum with a friend, a young man opened fire and hit him in the face and leg. The bullets nearly severed his tongue and knocked out all but six of his teeth. His theater family raised about $40,000 for his dental reconstruction through a GoFundMe campaign and a benefit at Club Dada, and in March 2017 he returned to the Ochre House stage as the title character. "The world is good," he told The Dallas Morning News. "I'm not stepping down, I'm stepping up."
Posey died at his home on October 2, 2026, at the age of 68. No official cause of death was announced, though Ochre House managing director Carla Parker told The Dallas Morning News that the family believes he had a heart attack. At the time of his death he was preparing a new musical play, Bathtub Full of Milk, set among bohemian artists on Manhattan's Lower East Side in 1969, which was due to open in November 2026 and was canceled. He was survived by his life partner, Suzanne Thomas, his sisters Marlis Hodges and Candis Posey, his brothers William Marvin Posey and Richard Daniel Posey, numerous nieces and nephews, and his cats Chet and Etta. Instead of flowers, his family asked for donations to Ochre House Theater, and a celebration of life is being planned.
Biography adapted from Sources: Ochre House Theater obituary 'Matthew Devon Posey, July 31, 1958 to October 2, 2026' (ochrehousetheater.org, October 2026) and Dignity Memorial obituary; The Dallas Morning News, 'Ochre House. Wikipedia ↗
In their own words
“It was calling to me.”
On first seeing the empty Exposition Avenue storefront in 2008, The Dallas Morning News, March 2017
“It was very important for me to get up and get going.”
On returning to the stage after the 2017 shooting, The Dallas Morning News, March 2017
“The person who stopped me was not going to rob me of my life. I'm not going to be a victim.”
On the 2017 shooting, The Dallas Morning News, March 2017
“The world is good.”
After his theater family raised money for his recovery, The Dallas Morning News, March 2017
“I'm not stepping down, I'm stepping up. I feel like I've grown up.”
Backstage at Ochre House before Dr. Bobaganush reopened, March 2017
“It was absolutely the only laugh I had that day.”
To critic Jerome Weeks about the unsigned hospital flowers, as recalled by Weeks in October 2026
“He was a unique and unforgettable person whose humor, creativity, stories, and larger-than-life personality made an impression on everyone who knew him.”
Ochre House Theater obituary, October 2026

Same, that clip is what got me looking into Ochre House in the first place.