"Keine tote Materie, sondern Natur, Wachstum, Leben." Stone was never dead matter to him.
Their story
Nikolaus Gerhart was a German sculptor who spent his career working in stone, and who led the Academy of Fine Arts in Munich as its rector and then president from 2004 to 2010. He was regarded as one of the few leading stone sculptors of his generation, and his large…
Nikolaus Gerhart was a German sculptor who spent his career working in stone, and who led the Academy of Fine Arts in Munich as its rector and then president from 2004 to 2010. He was regarded as one of the few leading stone sculptors of his generation, and his large opened and split blocks of granite and basalt stand in public spaces across Germany.
He was born in Starnberg, Bavaria, on 30 November 1944 and grew up in Munich, which remained his home. He first trained as a stonemason and stone sculptor, then studied from 1969 to 1975 at the Academy of Fine Arts in Munich under the sculptor Georg Brenninger, becoming his master student. As one of Brenninger's students he worked on the modern figure group that in 1972 replaced the lower pediment of the Munich National Theatre, destroyed in the Second World War.
Gerhart's work explored the material itself. He often hollowed and cut stone to the limits of what it would bear, opening up its interior so that the heavy mass seemed lighter and the inside of the block became visible. He once described stone as not dead matter but nature, growth and life. His early prizes included the Schwabing Art Prize of the City of Munich in 1973, a Bavarian state fellowship at the Cité Internationale des Arts in Paris in 1977 and the Munich Prize for the Visual Arts in 1983. In 1978 and 1979 he was the first visual arts fellow of the Märkische Kulturkonferenz in Lüdenscheid, a town that bought his granite Komposition mit Keil and later acquired his Zwei geöffnete Rundschnitte. His work was shown at the Neue Nationalgalerie in Berlin in 1985 and the Sprengel Museum in Hannover in 1989.
In Munich his public works include the split stone sculpture at the Gasteig cultural centre, Geöffnete Granite II outside the European Patent Office and the large sculpture Ort der Weltreligionen in the Riem landscape park. Altars and other liturgical furnishings formed a significant part of his output, among them the altar, ambo and font in Kelheim limestone for St Oswald's Church in Traunstein in 2020.
He was appointed professor of sculpture at the Munich academy in 1998 and became its rector in 2004, a post later renamed president. His years in charge saw the academy's bicentenary in 2008, for which he co-wrote a history of the institution, and he retired at the end of March 2010. He was a member of the Bavarian Academy of Fine Arts and the Deutscher Künstlerbund.
The Süddeutsche Zeitung reported on 13 October 2026 that Gerhart had died in Munich at the age of 81. The exact date and cause of death were not published.
Biography adapted from Wikipedia (de, CC BY-SA 4.0); Süddeutsche Zeitung obituary (Andreas Kühne, 13 October 2026); Lüdenscheider Nachrichten / come-on.de (Jutta Rudewig, 17 October 2026); Abendzeitung München (10 March 201. Wikipedia ↗
In their own words
“keine tote Materie, sondern Natur, Wachstum, Leben”
Gerhart on stone (for him it was not dead matter but nature, growth and life), as quoted in his Süddeutsche Zeitung obituary, 13 October 2026

That line stuck with me too, saw it quoted in an old catalogue once.