I don't really know what to say here, I only came across the Barekamutyun ensemble a couple of years ago on a documentary about diaspora culture and spent an evening falling down a YouTube hole. 85 years old, more than sixty years of this. I'm not the right person to eulogize him but I wanted to mark that someone like that existed.
Their story
Norayr Mehrabyan (Armenian: Նորայր Մեհրաբյան, known to friends and colleagues as Norik) was an Armenian ballet dancer, choreographer, ballet master and teacher who spent more than six decades shaping Armenian dance on stage, in the classroom and across the diaspora. He is best remembered as the founder and longtime artistic…
Norayr Mehrabyan (Armenian: Նորայր Մեհրաբյան, known to friends and colleagues as Norik) was an Armenian ballet dancer, choreographer, ballet master and teacher who spent more than six decades shaping Armenian dance on stage, in the classroom and across the diaspora. He is best remembered as the founder and longtime artistic director of the Barekamutyun ("Friendship") State Dance Ensemble of Armenia, which he created in 1987 and led for 38 years.
Born in Yerevan on 4 January 1941, Mehrabyan trained at the Yerevan Choreographic School (today the Yerevan State College of Dance). He joined the Alexander Spendiaryan Opera and Ballet Theatre in Yerevan as a soloist and between 1959 and 1969 danced a wide range of roles: Karen in Aram Khachaturian's Gayane (1959), the Jester in Swan Lake and the Bridegroom in Spendiaryan's Khandut (1960), a comrade of Spartacus in Spartacus (1962), Nurali in The Fountain of Bakhchisarai (1962), Paolo in Francesca da Rimini (1964), the Jester in Prokofiev's Cinderella (1965), Basilio in Don Quixote (1966), Vrezh in Grigor Hakhinyan's Akhtamar (1967) and Tybalt in Romeo and Juliet (1968).
In 1970 he was invited to Leningrad to join Leonid Yakobson's Choreographic Miniatures company, where he danced in miniatures set to Mozart, Bach, Rossini and Stravinsky. In 1973 he returned to Yerevan and became artistic director of the Choreographic School, a post he held until 1983 while also teaching classical dance. In those years he created his first stagings, among them the fourth movement of Mozart's Symphony No. 40, Bizet's Youthful Symphony, Khachaturian's Russian Dance, Khachatur Avetisyan's Awakening, Vivaldi's Concerto Grosso and the children's ballet Chopchopik. Some of these were shown on tour in the Netherlands and on the stage of the Bolshoi Theatre in Moscow. He also danced with the State Dance Ensemble of Armenia, and from 1984 to 1986 he was artistic director of the ballet company of the Yerevan Opera and Ballet Theatre.
In 1987 he founded the Barekamutyun State Dance Ensemble of Armenia. Under his direction it built a repertoire of around 100 works, most of them his own stagings, mixing Armenian folk and national dance with classical technique. Signature pieces included Komitas's The Apricot Tree and Krunk, Babajanyan's Nocturne, Khachaturian's Sabre Dance, Pink Girls and Mountaineers, and settings of Sayat-Nova. He also choreographed dances for rock and pop operas such as Jesus Christ Superstar, Gregory the Illuminator and Lilith, and for national celebrations including the 1700th anniversary of Christianity in Armenia. From 2022 to 2023 he remained artistic director of Barekamutyun within the National Center of Folk Music and Dance, and from 2023 to 2024 he served as the Center's artistic adviser for dance.
Mehrabyan's influence stretched far beyond Armenia. He formed dance groups and ensembles in Armenian communities in Beirut, Cyprus (at the Melkonian school), Aleppo (Hamazkayin's Sardarapat) and Los Angeles (Hamazkayin's Ani), and worked with the Yeraz group in France. Barekamutyun collaborated with the Ani group for around two decades.
He was named Honoured Artist of the Armenian SSR in 1976 and People's Artist of Armenia in 2006, and received the Movses Khorenatsi medal, the Komitas medal of the Ministry of Diaspora (2011), the title of Honorary Citizen of Yerevan (2020), the gold medal of the Ministry of Education, Science, Culture and Sport (2024) and the Mesrop Mashtots order (2026). His 85th birthday on 4 January 2026 was marked by the ministry and by a jubilee concert of Barekamutyun.
Norayr Mehrabyan died on 13 November 2026 at the age of 85. His death was announced by the National Center of Folk Music and Dance and by the Yerevan State College of Dance, which called it an irreparable and profound loss for Armenian dance art. Prime Minister Nikol Pashinyan said his contribution to the development of Armenian dance art was invaluable, and the government announced that a state funeral commission would be formed. The cause and place of death were not made public in the first reports.
Biography adapted from Armenpress (2026-11-13); Prime Minister of Armenia condolence message (2026-11-13); Ministry of Education, Science, Culture and Sport via A1+ (2026-11-13); Public Radio of Armenia (2026-11-13); 1lurer. Wikipedia ↗
In their own words
“If there is no culture in what you do, it is meaningless.”
Interview with Aravot, December 2012, on Barekamutyun's 25th anniversary (translated from Armenian)
“Wherever we have been, we have represented our state, art and culture at a high level.”
Aravot interview, December 2012 (translated from Armenian)
“At this age I would like to have my own theatre, to stage performances, hang scenery, set the lights.”
Aravot interview, December 2012, on the ensemble lacking its own stage (translated from Armenian)
“You must always keep your head held high. In general, global problems can always be solved.”
Aravot interview, December 2012 (translated from Armenian)

From social media
3Posts by Norayr, and posts about them, kept here so they are not lost.