A director who understood that the stage is a living canvas. Thirty-three years at one theatre speaks to a deep commitment to craft and community. His legacy will endure through the productions he shaped.
Their story
Alexander Yakovlevich Sharovsky was an Azerbaijani actor and theatre director whose name, for more than thirty years, meant the Azerbaijan State Academic Russian Drama Theatre named after Samad Vurgun. He died on 9 September 2026 in Baku. He was 78. Trend reported the death the same day, and the Ministry…
Alexander Yakovlevich Sharovsky was an Azerbaijani actor and theatre director whose name, for more than thirty years, meant the Azerbaijan State Academic Russian Drama Theatre named after Samad Vurgun. He died on 9 September 2026 in Baku. He was 78. Trend reported the death the same day, and the Ministry of Culture announcement was noted that morning in the Azerbaijani press. Russian Wikipedia records the date as 9 September 2026 and the place as Baku. This profile is that man: the Baku People's Artist. It is not the Russian children's writer Alexander Sharov, and it is not Yeruham Scharovsky.
He was born in Baku on 10 February 1948, when the city was the capital of the Azerbaijan Soviet Socialist Republic. Russian Wikipedia records that he took part in a school drama circle. The path was not the one his parents wanted. He later told Day.Az that they would not hear of a theatrical future and hoped he would become a doctor. Their names are not given in the sources used here.
He entered the company at 18, and he told the start of it as a love story. He was in love with a pianist at the Azerbaijan State Theatre of Young Spectators. Without saying so, he went to the chief director, Zafar Pashayevich Neymatov, and to the theatre director, and announced that he wanted to be an actor. They told him to prepare a poem and a fable and to come back in a week. He did. He said his first rehearsal appearance struck her, and that they soon married, in secret. They lived together for 14 years and then separated. He did not name her in the Day.Az interview used here. The theatre, he said, had already bewitched him. Each year he told his parents he would leave. He never did.
To meet them halfway he enrolled in the evening faculty of the Azerbaijan State Institute of Foreign Languages. He graduated in 1973, trained as a teacher. By then the stage was the centre of his life. From 1967 he was an actor at the Young Spectators Theatre under Neymatov. In the mid-1970s he moved to the Russian Drama Theatre. English-language and Azerbaijani summaries date that move to 1976. Russian Wikipedia says 1974. He played leading roles there and assisted on four productions by Rustam Ibrahimbayov. He taught himself directing. He told Day.Az he turned to direction because many of the directors he worked with did not satisfy him, and because he was curious to feel what it was like to make living pictures on a stage.
English Wikipedia records the formal steps: assistant director from 1978 to 1990, production director from 11 June 1991, chief director from 3 February 1993. Russian Wikipedia dates the chief-director appointment to March 1993 and says he held the post until February 2026. Either way, the job defined him. News in his last days still described him as a People's Artist, director, and actor of that house. Trend's death notice called him one of the prominent figures of Azerbaijani theatre and cinema, particularly known for his work at the Azerbaijan State Russian Drama Theatre. September 2026 reports do not say he died in the chief-director chair. Russian Wikipedia is the source for the February 2026 end of that post. No source used here gives a reason for the step-down.
The volume of the work is what the obituaries lean on. English Wikipedia, citing theatre sources, says he played more than 50 roles, appeared in four films, and staged 54 plays. The theatre's own page and Russian Wikipedia list a repertoire that runs from Chekhov's The Seagull and The Cherry Orchard through Samad Vurgun's Farhad and Shirin, Mirza Fatali Akhundov's The Vizier of the Lankaran Khanate, Grigory Gorin's Kin IV and Royal Games, Arthur Miller's A View from the Bridge, Tennessee Williams's Summer and Smoke, Moliere, Eduardo De Filippo, Somerset Maugham, and a long run of Vadim Neverov entertainments that kept a popular house. He also worked away from Baku. In 1992 he staged two Igor Pikovsky plays, Golden Times and It's Terribly Restless in the City, at the Odessa Russian Drama Theatre named after A. Ivanov. In 2005 he staged The Dowryless Man at the Rostov Drama Theatre. He also directed variety miniatures, Adventures of Caucasians in Russia, for the Moscow theatre of Afag Bashirgyzy.
On screen he did not claim a second profession. Russian Wikipedia names one credit: engineer Petrov in the musical comedy Don't Be Afraid, I'm with You. He told Day.Az that he filmed from time to time, but that he did not like the film process. In the theatre he was used to playing from the first scene to the last. In cinema, the middle might be shot before the beginning. He said the two crafts were different structures, and that the screen had not changed how he worked on stage. English Wikipedia says four films. Only that one title is named in the sources used here, so no further film titles are added.
Honours accumulated around the job rather than instead of it. He was named Honored Artist of the Azerbaijan SSR on 20 March 1987 and People's Artist of Azerbaijan on 24 May 1998. Later came the Shohrat Order on 5 February 2008, for services to theatrical art, and the Sharaf Order on 9 February 2018, for services to Azerbaijani culture. Russia awarded him the Medal of Pushkin on 19 January 2013 and the Order of Friendship on 11 May 2021, the latter for strengthening Russian-Azerbaijani cultural ties and preserving the traditions of Russian theatrical art in Azerbaijan. Azerbaijan gave him a presidential personal pension from 1 April 2005 and the President's Honorary Diploma on 9 February 2023. Other marks listed on Russian Wikipedia include the Golden Dervish prize of the Azerbaijan Theatre Union, the Humay prize of the Bakuintsy society, a 2015 Rossotrudnichestvo badge "For Friendship and Cooperation," a 2013 gold medal of St Apostle Bartholomew from the Baku and Caspian diocese, and a 2026 Russian jubilee medal for the 200th anniversary of Alexander Ostrovsky.
He also held civic roles that sat next to the stage. English and Azerbaijani Wikipedia describe him as head of the community of European Jews in Baku. He was a member of the Board of Trustees of the Baku International Center for Multiculturalism. A presidential order of 8 November 2018 listed him in a renewed composition of that board. The theatre's YouTube channel later posted him with leading actors speaking about a Year of Multiculturalism. Those appearances are of the same man. They are not a second career. They are the public face of a Russian-language company in a multicultural capital.
In interviews he was plain about what a director is for. On 9 February 2022, the day before his 74th birthday, he told Vesti.az that if a director is not authoritarian, he is talentless: if you cannot impose your will on actors who each think they know the role better than you do, you are simply without the gift. To Day.Az he said he always expected understanding and sympathy from the house, because a production is the breath of many people, designers, dressers, composers, actors, lighting, joined to surprise an informed public. He quoted the line that sympathy is given as grace is given. He said the things he would not accept were betrayal and ingratitude. On classics, he rejected the idea that interpretation spoils taste. A play, he said, is dialogue written in words. The director's task is to give it volume, form, and atmosphere, so that Mirza Fatali Akhundov, Ostrovsky, Shakespeare, and Nizami interest today's audience instead of sitting in mothballs. He cited Mayakovsky on theatre as a magnifying glass, not a reflecting mirror. That sentence is Mayakovsky's. It is not stored here as Sharovsky's own words.
His private life stayed mostly off the bill, except when he chose to speak. The pianist of the Young Spectators Theatre was a first marriage of about 14 years. His wife in later decades, and the person who spoke for the family during his last illness, was the actress Nataliya Yuryevna Sharovskaya (also Natalya Sharovskaya; also recorded as Nataliya Hashimova), a People's Artist of Azerbaijan and a member of the same Russian Drama Theatre company. Secondary biographical compilations give her birth year as 1959, with no sourced birth day used here. A 2016 theatre feature called them both native Bakuites. In a 2018 jubilee interview he said he wanted to tell the audience about his family, his ancestors, and his grandchildren. Names of children and grandchildren are not given in the sources used for this profile. They are not invented here.
In early September 2026 he was already in intensive care. On or about 3 September his wife told Trend that his condition remained grave, that he was in the intensive care unit of the Central Clinical Hospital, and that she was boundlessly grateful to President Ilham Aliyev, First Vice-President Mehriban Aliyeva, and the Heydar Aliyev Foundation. She also thanked Anar Alakbarov, assistant to the president and executive director of the foundation, for calling and asking after them. The theatre company issued its own thanks for the organisation of his treatment. Hospital statements carried by APA and Axar on 4, 7, and 8 September said his condition remained serious but stable, then stable and serious, and that comprehensive treatment continued in intensive care. No outlet consulted has named a disease as the cause of death. No resting place has been published in the sources used here. No memorial fund was announced.
On 9 September 2026 Trend reported that he had died. First Vice-President Mehriban Aliyeva posted on her official Instagram account. AzerNEWS quotes the text: "Alexander Yakovlevich Sharovsky. May God rest your soul, great Master!" The Instagram permalink was not recovered, so it is not attached as a post.
What remains is the house he ran. For a generation of Baku theatregoers, Sharovsky was the man who kept a Russian-language company alive as a living repertory, not a museum: Chekhov beside boulevard comedy, Vurgun and Akhundov beside guest work in Odessa and Rostov, and a director who said he had come to the theatre for happiness and, late in life, still said he was happy. He had played what he wanted to play, he told Day.Az, and staged what he wanted to stage. The rest, he liked to leave with Chekhov's line: do your work, and have faith.
Biography adapted from Russian, English, and Azerbaijani Wikipedia; Trend.az and AzerNEWS, 9 Sep 2026; Day.Az interviews; Vesti.az, 9 Feb 2022; APA hospital notes; rusdrama-az.com..
In their own words
“I followed what makes me happy, and now I am happy. Everything I wanted, I have played. Everything I wanted, I have staged.”
Day.Az jubilee interview, "I came to the theatre for happiness, and now I am happy" (https://news.day.az/culture/976021.html). The article title uses the same idea.
“If a director is not authoritarian, he is talentless. If you cannot impose your will on actors, each of whom thinks he knows the role better than you, then you are simply a talentless director.”
Vesti.az, 9 February 2022, published the day before his birthday. Theatre reprints of the same interview.
“From the house I always expect understanding, sympathy.”
Day.Az, "The theatre compensates for some of my sufferings" (https://news.day.az/culture/522854.html). He then quoted the line that sympathy is given as grace is given. The grace line is the quotation he cited, not a second sentence claimed as his own invention.
“For me there are things I do not accept. Those are betrayal and ingratitude.”
Same Day.Az interview, on what he would not accept in the company.
“A play is monologues or dialogues written in words. The task of the theatre, and above all of the director, is to give it volume, form, another quality.”
Same Day.Az interview, on why classics must be interpreted for a living audience rather than left in mothballs.
“As Chekhov said: do your work, and have faith.”
Same Day.Az interview, on not announcing a season's surprises too early. The line is attributed by him to Chekhov.
“The stage is a sacred place.”
Reported interview line from an Azertac interview posted by the theatre, titled as that quotation, "The stage is a sacred place," People's Artist Alexander Sharovsky (YouTube, https://www.youtube.com/watch?v=LlQSw365I1c). Used as a reported interview line, not as an epitaph written for this profile.
“Alexander Yakovlevich Sharovsky. May God rest your soul, great Master!”
Not his words. Tribute by First Vice-President Mehriban Aliyeva on her official Instagram, quoted by AzerNEWS on 9 September 2026. The Instagram shortcode was not recovered and is not attached as a post.

He stayed when others left. Baku needed that.