My grandad died in a care home too, no cause ever given out, and that silence is its own kind of grief. Watched Middlemarch on my mum's old tapes for years before I knew whose name to look for. 90 is a long run but this one still stings.
Their story
Anthony Frederick Montague Page was a British stage and film director whose career stretched from the Royal Court Theatre's early English Stage Company years to Tony-winning Broadway revivals and landmark television drama. He died on Friday, September 11, 2026, at Denville Hall in London, aged 90. WhatsOnStage and The Guardian…
Anthony Frederick Montague Page was a British stage and film director whose career stretched from the Royal Court Theatre's early English Stage Company years to Tony-winning Broadway revivals and landmark television drama. He died on Friday, September 11, 2026, at Denville Hall in London, aged 90. WhatsOnStage and The Guardian reported his death on September 18, confirming a press statement from the actors' care home.
Page was born on September 21, 1935, in Bangalore (now Bengaluru), India, the son of British brigadier Frederick Page and Pearl (nee Hall). Educated at Oakley Hall, Cirencester, and Winchester College, he read English at Magdalen College, Oxford. At 19 he travelled to Canada on a free Royal Canadian Air Force passage to visit his parents, then hitchhiked to New York, where he studied at the Neighbourhood Playhouse with Sanford Meisner. There he met Tony Richardson, who invited him to London's Royal Court.
He began as an assistant director at the Court in 1958. After George Devine fell ill, Page helped steer the house through landmark 1960s work and later served as joint artistic director with William Gaskill and Lindsay Anderson. He directed six John Osborne premieres, including Inadmissible Evidence (1964) with Nicol Williamson, A Patriot for Me (1965) and Hotel in Amsterdam (1968) with Paul Scofield. His Court credits also included the first British revival of Waiting for Godot, Beckett's Not I with Billie Whitelaw, and David Storey's Cromwell with Albert Finney and Brian Cox. Playwright David Hare later called him one of the pioneering theatre directors of his time who helped ensure the Royal Court's survival after Devine's death.
In America and on British television he directed Pueblo (1973), which won five Emmy Awards, Mickey Rooney in Bill, Jason Robards as FDR, and the acclaimed 1994 BBC Middlemarch. On Broadway and in the West End his later career reinvented him as a trusted director of American and European classics: a Tony Award for Best Direction of a Play for A Doll's House with Janet McTeer (1997); Albee collaborations with Maggie Smith including Three Tall Women, A Delicate Balance and The Lady from Dubuque; Who's Afraid of Virginia Woolf?; The Goat with Jonathan Pryce and Eddie Redmayne; and a 2009 Waiting for Godot at Studio 54 with Nathan Lane, Bill Irwin and John Goodman.
Page's 40-year relationship with artist Kenneth Butler was formalised by a civil partnership in 2006 and a marriage in 2014. He was predeceased by his sister Jane and is survived by Butler. A private cremation was planned, with a memorial at St Paul's, the Actors' Church in Covent Garden, the following spring.
Biography adapted from Wikipedia (CC BY-SA 4.0); The Guardian (Michael Coveney, 18 Sep 2026); WhatsOnStage (Tanyel Gumushan, 18 Sep 2026); Playbill; IBDB. Wikipedia ↗
In their own words
“Anthony Page was one of the pioneering theatre directors of his time. On George Devine's death he took over the artistic directorship of the Royal Court Theatre and ensured its survival. After outstanding stage productions of writers like Albee, Beckett and Osborne, he later mastered television drama, most especially to create an unforgettable Middlemarch. Great actors like Paul Scofield and Maggie Smith trusted him completely, because he was thoughtful, kind and sensitive.”
“He was the most delightful man with a towering intellect and an extraordinary ability with the text.”

Same with my nan, they never say. Sorry for your loss too.