"Mystery is very important." That's the whole career right there.
Their story
Claudia Cardinale (15 April 1938 to 23 September 2025) was an Italian actress, born in Tunisia, who became one of the defining faces of European cinema. Over a career of more than six decades she appeared in more than 175 films, working with Luchino Visconti, Federico Fellini, Sergio Leone, Werner…
Claudia Cardinale (15 April 1938 to 23 September 2025) was an Italian actress, born in Tunisia, who became one of the defining faces of European cinema. Over a career of more than six decades she appeared in more than 175 films, working with Luchino Visconti, Federico Fellini, Sergio Leone, Werner Herzog, Mauro Bolognini and Valerio Zurlini. She is remembered above all for Angelica in The Leopard, the dream woman of Fellini's 8½, Jill McBain in Once Upon a Time in the West and Princess Dala in The Pink Panther. In the 1960s she was celebrated as "the most beautiful woman in the world", yet she insisted that mystery, not exposure, was her strength.
She was born Claude Joséphine Rose Cardinale in La Goulette, a port town near Tunis, then under French rule. Her father, Francesco Cardinale, was an Italian railway worker, and her mother, Yolande Greco, was born in Italian Tripolitania. The family belonged to the large Italian community of La Goulette. She grew up speaking French and Tunisian Arabic, and only learned Italian once Italian films began casting her. She studied at the Saint-Joseph-de-l'Apparition school in Carthage with her younger sister Blanche, then at the Paul Cambon school, intending to become a teacher.
A small part in a short film by René Vautier, Anneaux d'or, led to her feature debut opposite Omar Sharif in Jacques Baratier's Goha (1958). In 1957 she won a contest for the "Most Beautiful Italian Girl in Tunisia" during an Italian film week in Tunis. The prize was a trip to the Venice Film Festival, where producers noticed her. She briefly studied at the Centro Sperimentale di Cinematografia in Rome, then signed a seven-year contract with Franco Cristaldi's company Vides. Cristaldi managed her early career and later became her husband.
Her first big success came in Mario Monicelli's comedy Big Deal on Madonna Street (1958). Italian newspapers soon called her "la fidanzata d'Italia", Italy's sweetheart. During this period she secretly gave birth to her son Patrick in London. Her studio kept the birth hidden, and for years Patrick was raised as her younger brother, until the journalist Enzo Biagi published her story. She later spoke openly about how little control she had over her own life under the contract.
The early 1960s made her an international star. She played opposite Marcello Mastroianni in Il bell'Antonio (1960), joined Alain Delon in Visconti's Rocco and His Brothers (1960), and gave a much praised performance as a young mother in Zurlini's Girl with a Suitcase (1961). Cartouche (1962), with Jean-Paul Belmondo, made her a major name in France. In 1963 she shot The Leopard for Visconti and 8½ for Fellini at the same time, moving between two very different sets. Fellini was the first director to let audiences hear her own husky voice. The same year she starred in Bebo's Girl, which won her a Nastro d'Argento, and played Princess Dala in Blake Edwards's The Pink Panther opposite David Niven.
Hollywood followed with Blindfold, Lost Command and The Professionals (all 1966) and Don't Make Waves (1967). Her best remembered international role came in Sergio Leone's Once Upon a Time in the West (1968), as the former prostitute Jill McBain opposite Henry Fonda, Charles Bronson and Jason Robards. Wary of becoming a cliché, she returned to European cinema and won David di Donatello awards for The Day of the Owl (1968) and A Girl in Australia (1971).
In the mid 1970s she began a 42-year relationship with the director Pasquale Squitieri, with whom she had a daughter, Claudia. She acted in many of his films, including Father of the Godfathers and Claretta (1984), which brought her another Nastro d'Argento. She co-starred with Klaus Kinski in Werner Herzog's Fitzcarraldo (1982). Later work included stage roles in Tennessee Williams plays, The String (2009), Signora Enrica (2010), which won her Best Actress at the Antalya Golden Orange festival, Manoel de Oliveira's Gebo and the Shadow (2012), Effie Gray (2014), the Swiss series Bulle and Netflix's Rogue City (2020).
She received an honorary Golden Lion in Venice in 1993 and an Honorary Golden Bear in Berlin in 2002, and in 2018 she was made a Knight Grand Cross of the Order of Merit of the Italian Republic. From 2000 she served as a UNESCO Goodwill Ambassador for the defence of women's rights. She published an autobiography, Io Claudia, Tu Claudia, written with Anne Mori, in 1995.
Claudia Cardinale died on 23 September 2025 at the age of 87 in Nemours, France, surrounded by her children, her agent Laurent Savry said. The cause was not made public. President Sergio Mattarella called her "an extraordinary artist, an unforgettable heroine of Italian and international cinema", and President Emmanuel Macron said France would always carry "this Italian and world star" in its heart. Her funeral was held at the church of Saint-Roch in Paris.
Biography adapted from Wikipedia (Claudia Cardinale); AP News, BBC News, USA Today, Washington Post and Variety obituaries, 23 to 24 September 2025. Wikipedia ↗
In their own words
“I never felt scandal and confession were necessary to be an actress. I've never revealed myself or even my body in films. Mystery is very important.”
On her approach to acting
“If you want to practise this craft, you have to have inner strength. Otherwise, you'll lose your idea of who you are. Every film I make entails becoming a different woman. And in front of a camera, no less! But when I'm finished, I'm me again.”
2014 interview
“I used my body as a mask, as a representation of myself.”
To Alberto Moravia, 1962
“Federico Fellini was the first one who used my voice. I think I had a very strange voice.”
On being dubbed in her early Italian films
“She leaves us the legacy of a free and inspired woman both as a woman and as an artiste.”
Her agent Laurent Savry, announcing her death, September 2025

She meant it too, never did a nude scene in 175 films.