okay so. i was flipping channels last night, not even looking for anything, and North by Northwest was just on, the crop duster part, and i stopped because i always stop for that one. then this morning i see she's gone. 102. my mum used to say Eve Kendall was the coolest woman on a train she'd ever seen. anyway. that's all, just strange timing I guess
Their story
Eva Marie Saint was an American actress whose career ran from the first days of live network television to twenty-first century blockbusters. She won the Academy Award for Best Supporting Actress for her very first film, Elia Kazan's On the Waterfront (1954), and five years later became one of Alfred…
Eva Marie Saint was an American actress whose career ran from the first days of live network television to twenty-first century blockbusters. She won the Academy Award for Best Supporting Actress for her very first film, Elia Kazan's On the Waterfront (1954), and five years later became one of Alfred Hitchcock's most memorable heroines as the double agent Eve Kendall opposite Cary Grant in North by Northwest (1959). At her death on October 6, 2026, at her home in Los Angeles, she was 102 and was widely described as the oldest living Academy Award winner and one of the last surviving stars of Hollywood's Golden Age.
She was born in Newark, New Jersey, on July 4, 1924, the younger of two daughters of John Merle Saint, a research chemist for B.F. Goodrich, and Eva Marie (Rice) Saint, a teacher. Her parents were Quakers. The family moved to Delmar, near Albany, New York, where she graduated from Bethlehem Central High School in 1942. She followed her older sister, Adelaide, to Bowling Green State University in Ohio, planning to become a teacher, until a dare sent her to audition for the campus comedy Personal Appearance. She won the lead, switched her major to drama, and graduated in 1946. The university later named a theater after her.
In New York she worked as an NBC page and tour guide, earned her first paycheck of 10 dollars applauding off camera on The Borden Show, modeled, and found small parts in radio soap operas. She studied at the Actors Studio alongside future co-stars Karl Malden and Rod Steiger, and became a regular presence in live drama on Studio One, One Man's Family and the Philco-Goodyear Television Playhouse. Critics called her "the Helen Hayes of television." In 1953 she played Thelma opposite Lillian Gish in Horton Foote's The Trip to Bountiful, on television and then on Broadway, winning a Theatre World Award and catching the attention of Kazan and producer Sam Spiegel.
Kazan cast her as Edie Doyle, the convent-educated sister of a murdered dockworker, opposite Marlon Brando's Terry Malloy. On the Waterfront won eight Oscars, including Best Picture, and Saint won Best Supporting Actress in her screen debut. Heavily pregnant, she accepted in New York on March 30, 1955, saying "I may have the baby right here," and gave birth to her son Darrell two days later. She followed with That Certain Feeling (1956) opposite Bob Hope, the drug addiction drama A Hatful of Rain (1957), which brought Golden Globe and BAFTA nominations, and Raintree County (1957) with Elizabeth Taylor and Montgomery Clift.
Hitchcock chose her over many better known candidates for North by Northwest. He lowered her voice, took her shopping for her wardrobe at Bergdorf Goodman, and turned the earnest heroine of Kazan's black and white drama into a cool, knowing spy. The film became a template for decades of spy thrillers. She then made Exodus (1960) with Paul Newman, All Fall Down (1962), 36 Hours (1964), The Sandpiper (1965), The Russians Are Coming, the Russians Are Coming (1966), Grand Prix (1966), The Stalking Moon (1968) and Loving (1970), often taking her children with her on location.
Saint deliberately limited her film work to raise her family with her husband, the television director Jeffrey Hayden, whom she met on the New York subway and married on October 28, 1951. They were married for 65 years until his death in December 2016. From the 1970s she worked mostly in television and theatre, earning Emmy nominations for How the West Was Won and Taxi!!!, playing Cybill Shepherd's mother on Moonlighting, and finally winning a Primetime Emmy in 1990 for the NBC miniseries People Like Us. On stage she appeared with Henry Fonda in First Monday in October and later appeared in Love Letters.
She returned to the big screen as Tom Hanks's mother in Nothing in Common (1986) and kept finding new audiences late in life: Because of Winn-Dixie and Don't Come Knocking (2005), Martha Kent in Superman Returns (2006), the voice of the elderly Katara in Nickelodeon's The Legend of Korra (2012 to 2014), and Winter's Tale (2014), her final theatrical film. At 93 she received a standing ovation at the 2018 Academy Awards, where she presented Costume Design and joked, "I'm older than the Academy." She held two stars on the Hollywood Walk of Fame, one for film and one for television, supported the Motion Picture and Television Fund and the Epilepsy Foundation of Los Angeles, and donated much of her memorabilia to the Academy's Margaret Herrick Library.
Saint turned 100 on July 4, 2024, celebrating with four generations of her family in Los Angeles, and marked her 102nd birthday in July 2026. She died of natural causes at her Los Angeles home on Tuesday, October 6, 2026, according to a family spokesperson. She is survived by her children, Darrell and Laurette, four grandchildren, Eli, Tyler, Molly and Stella, and two great-grandchildren, Arlo and Finley.
Biography adapted from Wikipedia (CC BY-SA 4.0); Variety (Richard Natale, Oct 6 2026); The Hollywood Reporter (Mike Barnes, Duane Byrge, Oct 6 2026); Los Angeles Times (Oct 6 2026); Academy acceptance speech database; Telev. Wikipedia ↗
In their own words
“I may have the baby right here. But I would love to thank Elia Kazan, and Sam Spiegel, Marlon Brando, Karl Malden, Boris Kaufman, all the longshoremen. Thank you.”
Oscar acceptance speech for On the Waterfront, New York, March 30, 1955 (Academy acceptance speech database)
“He came in and started teasing me. He put me off balance. And I remained off balance for the whole shoot.”
On Marlon Brando during On the Waterfront, Premiere magazine, 2000
“He didn't talk about acting. He worked with me from the outside in. My hair, my makeup, my shoes, my jewelry, my purse, my gloves, everything.”
On Alfred Hitchcock and North by Northwest, Vanity Fair, 2014
“I said, 'I can't promise you that, Hitch, because I love those dramas.'”
Recalling Hitchcock telling her never to make another 'sink-to-sink' movie, Santa Barbara Independent, 2010
“Family always came first.”
Moving Pictures Magazine, 2006, quoted in the Los Angeles Times obituary
“I just realized something: I'm older than the Academy. I'm very proud of that. Just keep moving!”
Presenting Costume Design at the 90th Academy Awards, March 4, 2018
“I certainly don't feel 100 years old. I continue to take walks out in the fresh air, like watching baseball, especially the Los Angeles Dodgers, and enjoy time with my family and friends. A good life.”
To People magazine ahead of her 100th birthday, 2024
“You know how to stay young? Go with the flow.”
To Fox News, 2014

same thing happened to me with On the Waterfront a few months back, it finds you