My dad called from Iowa to tell me. Didn't think an old jazz radio host from Romania would make it this far, but he did.
Their story
Florian Lungu, known across Romania's music world by the affectionate nickname "Mosu" (Moșu), was the country's best known jazz broadcaster, critic and musicologist, and for six decades the voice that introduced, explained and archived Romanian jazz. A pianist, composer, arranger and university teacher as well as a radio and television…
Florian Lungu, known across Romania's music world by the affectionate nickname "Mosu" (Moșu), was the country's best known jazz broadcaster, critic and musicologist, and for six decades the voice that introduced, explained and archived Romanian jazz. A pianist, composer, arranger and university teacher as well as a radio and television producer, he tied his name to nearly every Romanian jazz festival and concert from the late 1970s onward. He died on the morning of 9 November 2026, aged 83.
He was born on 5 January 1943 in Bucharest into a family of musicians. His father, Nicolae Lungu, was a composer and choral conductor who founded the Romania Choral Society in 1935 and led the choir of the Romanian Patriarchate for decades; his mother was a pianist and one of the founders of the Madrigal choir. He grew up in a house at the corner of Calea Dorobanților and Șoseaua Ștefan cel Mare. By his own account the nickname "Mosu" dated from the third grade of primary school, and at 14 he spent a night at the police station after he was caught riding a neighbour's motorcycle without a licence.
Fascinated by anything technical, he first wanted to become an engineer and studied piano for a while before being admitted in 1960 to the Ciprian Porumbescu Conservatory in Bucharest (today the National University of Music), where he studied composition with teachers including Tiberiu Olah, Dan Constantinescu, Aurel Stroe and Tudor Ciortea. He passed his State Examination in 1966 and, after a shortened military service, taught at the Music High School in Giurgiu from 1966 to 1967.
In 1967 he sat a competition at Romanian Radio for a sound engineer post. The job went to his rival candidate, Florin Bogardo, and Lungu joined the broadcaster instead as a music editor. He worked in the creation and repertoire section until 1970, then became an editor and presenter in the light music and jazz section. A dedicated jazz programme was at first impossible: the celebrated broadcaster Cornel Chiriac had defected to West Germany and continued his jazz shows on Radio Free Europe. Lungu produced "Estrada duminicală", a Sunday show of music and comic sketches he wrote for actors Dem Rădulescu and Rodica Mandache, and used it to slip a cycle of Romanian jazz into the printed radio schedule. That was the start of jazz programming that would grow, he later said, to 500 minutes a month, which amazed foreign visitors in a communist country.
Over the following decades he produced thousands of radio broadcasts (estimates in his own words and in obituaries range from 7,000 to more than 8,000) and over 1,000 television programmes. His radio cycles included "Jazz românesc", "Jazz Portret", "Jazz Lexicon", "Jazz Club", "Stereo Jazz", "Jazz Forum" and "Jazz pe... românește". On TVR he made "Jazz Alive", "Jazz Fan", "Panoramic Jazz", "Estival Jazz", "Marele Jazz" and, from 2004 to 2006, "Jazz Restitutio" on TVR Cultural. From April 2009 he returned to television with his friend Mihai (Mike) Godoroja in the weekly show "Unora le place" on TVR 1 and TVR 2, and the pair also ran the "Blue Monday" concert series at the Hard Rock Cafe in Bucharest. He was one of the organisers and keepers of the jazz sound archive of Romanian Radio and oversaw special studio and live jazz recordings.
From 1977 he presented most of the jazz and blues festivals in Bucharest and around the country, in cities including Sibiu, Brașov, Cluj, Iași, Costinești, Craiova, Timișoara, Arad, Gărâna, Lugoj and Piatra Neamț, and became famous for the jokes he told from the stage. He published thousands of articles and wrote liner notes for most Romanian jazz records. With Johnny Răducanu, Mircea Tiberian, Dan Mândrilă and others he founded the Romanian Jazz Association in 1990, and for the Electrecord label he curated the "Jazz Restitutio" (with Marius Popp) and "Jazz Diaspora" collections. He taught jazz history as an associate professor at the National University of Music in Bucharest, the Gheorghe Dima Music Academy in Cluj and the Tibiscus University in Timișoara.
A member of the Union of Composers and Musicologists of Romania, he wrote light, chamber, symphonic and jazz music, including the jazz pieces "Trifoiul cu cinci foi" (1973), "Cercuri" (1974), "Dansul obcinelor" (1976) and "Festi-Dixie-Jazz" (1976). He co-wrote the reference book "Disco Ghid Rock" (1977, revised 1979) with Daniela Caraman-Fotea and wrote "Jazz Calendar" (1995). In 2003 he received the National Audiovisual Council's Excellence Award for lifetime audiovisual work and was made a Knight of the Order of Cultural Merit by the Romanian Presidency.
He was married to Carmen, whom he called "Bimbirica", his second wife, a music director with whom he worked on radio productions from a small studio at home. His death was announced by Mike Godoroja on Facebook. No cause of death has been made public. Tributes came from Romanian Radio, from musicians including Luiza Zan and Ionel Tudor and from journalist Doru Ionescu, who said that with his passing "more than a chapter of our music closes".
Biography adapted from Romanian Radio (radioromania.ro), Rador portrait (2023), Mediafax, Jurnalul, Adevărul, Știrile ProTV/Agerpres, Ora de Sibiu, Radio România Oltenia, Observator Cultural, Romanian Wikipedia (Nicolae Lun.
In their own words
“Here, at the Radio, I felt like part of a big family. I spent more than half my life in the radio studios. I had 500 minutes of jazz a month! When foreigners came they said: it can't be, you're crazy, so much jazz in a communist country?”
On his career at Romanian Radio, quoted by Rador in 2023 (translated from Romanian)
“Jazz and more jazz, winter and summer, day and night, Her Majesty Jazz decisively marks my sleepless hours.”
Birthday confession to Jurnalul, January 2012 (translated from Romanian)
“I would like it to be known about me, beyond a dry CV, that I was in my time a man with a soul, that I passionately loved life, art and women, that I knew and told, including from the stage, a heap of good jokes, and that I did not cast a shadow on the earth in vain.”
Imagining an 'In memoriam Florian Lungu' broadcast, Jurnalul, January 2012 (translated from Romanian)
“I believe the engine of my existence has always been curiosity.”
On turning 70, Jurnalul, January 2013 (translated from Romanian)
“Jazz longa, vita brevis!”
Motto he attributed to pianist Marius Popp and often repeated

Moșu reached a lot of people most of us never knew about