Studied abroad in Bulawayo in 2003 and my host family had Sinjalo on every single night. I didn't understand half the Ndebele but Foromani's face did all the work. Still think about that show twenty years later.
Their story
Fortune Ruzungude was a Zimbabwean actor, director and arts administrator who became a household name as Foromani, also spelled Folomani, in Sinjalo, the Amakhosi-produced television comedy that captivated viewers across Zimbabwe in the early 2000s. He belonged to the first generation of performers nurtured at Amakhosi Theatre in Bulawayo under…
Fortune Ruzungude was a Zimbabwean actor, director and arts administrator who became a household name as Foromani, also spelled Folomani, in Sinjalo, the Amakhosi-produced television comedy that captivated viewers across Zimbabwe in the early 2000s. He belonged to the first generation of performers nurtured at Amakhosi Theatre in Bulawayo under the playwright and director Cont Mhlanga.
Born and raised in Makokoba, the oldest township in Bulawayo, Ruzungude was part of the group that turned Amakhosi from a karate club into one of the most influential theatre companies in the country. He recalled that the drama group was born by accident in the 1980s, when the karate members found Stanley Hall booked for a theatre workshop and joined in. He went on to appear in Amakhosi stage productions including Stitsha, Jazzman: The Story of Life and Dabulap, and from 1987 he toured Europe with the Stitsha company.
Sinjalo, directed by Pedzisai Sithole and Cont Mhlanga, paired Ruzungude's Foromani with Mackay Tickeys as Sakhamuzi and used comedy to explore everyday life between Shona and Ndebele speakers in a mixed township. Ruzungude said the show simply reflected how people lived. Its success made the two actors instantly recognisable; he remembered a trip to perform in Mozambique when crowds at the Mutare border post grew so large that police had to escort the cast away. Colleagues still quoted his catchphrase, "Kulomuntu egedini", years later.
Beyond acting he worked as a director, producer and administrator. In 2004 he directed a production titled Amanzi in Switzerland, and he served Amakhosi in several capacities. In a 2018 interview with the Sunday News he spoke candidly about the decline of the Amakhosi centre and urged that it be handed to a new generation with fresh ideas.
Ruzungude died at Parirenyatwa Hospital in Harare on 19 October 2026, according to his sister, Memory Ruzungude. His health had declined over several months, and he had moved from his Bulawayo home to his rural home in Nharira, near Chivhu, where he was to be buried. Tributes from Raisedon Baya, Priscilla Sithole, Memory Kumbota, Bhekilizwe Ndlovu and Victor Martin Simbule remembered a humble pioneer and dependable colleague who helped lay the foundations of modern Zimbabwean theatre.
Biography adapted from The Chronicle (20 October 2026), B-Metro (21 October 2026) and Sunday News (27 May 2018), via Herald Online.
In their own words
“Siphila njalo enkomponi, that's our life hence the production was called Sinjalo.”
Explaining the title of Sinjalo, Sunday News interview, May 2018

same, that show taught me more Ndebele than any class did