My mother read La Fougere et les Lys to pieces on our kitchen table in Laredo, one of the few French novels she owned in translation. She called me two hours ago, still shaken. 79 is no age for someone who was still welcoming visitors to his chateau weeks back.
Their story
Jean-Paul Desprat, French historian and novelist of the Grand Siecle and the French Revolution, died in Paris on 21 September 2026. He was 79. La Depeche du Midi reported that he died after a sudden illness, surrounded by his family. ActuaLitte and regional coverage remembered a man who turned archival…
Jean-Paul Desprat, French historian and novelist of the Grand Siecle and the French Revolution, died in Paris on 21 September 2026. He was 79. La Depeche du Midi reported that he died after a sudden illness, surrounded by his family. ActuaLitte and regional coverage remembered a man who turned archival erudition into narrative, and who kept deep roots in the Aveyron while writing for national publishers.
Born on 13 June 1947 in Drancy, then in the Seine department, Desprat came from families of hoteliers and country people: an Auvergnat father from Vic-sur-Cere in the Cantal and a Rouergate mother from the Decazeville area. He grew up in Paris with his sisters, studied at the lycee Jacques-Decour, and combined law at Paris 1 Pantheon-Sorbonne with history at Paris-Sorbonne, where teachers such as Victor-Lucien Tapie and Alphonse Dupront shaped his sense of the early modern past. He completed a state doctorate in the history of law at Paris II on the Conseil de Conscience under the polysynody of the Regency, then taught briefly before a long industrial career that ended at Saint-Gobain in 2002.
Writing began in the late 1980s on trains and in hotels between Lyon and Cologne. In 1988 Balland published Le Marquis des Eperviers, the first volume of the trilogy La Fougere et les Lys, followed by Le Camp des enfants de Dieu and Le Secret des Bourbons. The cycle already mixed seventeenth- and eighteenth-century intrigue with the family Chateau de Gironde above Port d'Agres on the Lot, which his parents had bought in 1969 and which he later inherited. Admiration for Alexandre Dumas and Honore de Balzac ran through the fiction; so did a biographer's appetite for courts, conscience, and reputation.
As a historian he wrote substantial lives of Henri IV, Cardinal de Bernis, Madame de Maintenon and Mirabeau, and later turned more fully to the Revolution with Une histoire des Girondins (Perrin, 2025) and Danton, bonhomme ou demon (Editions du Rocher, 2026). The Seuil porcelain trilogy Les Couleurs du feu, from Bleu de Sevres to Rouge de Paris, treated industrial espionage and European manufacture as historical drama. He also worked for France Inter historical dramas, translated and annotated with Philippe Godoy an Italian account of the French and Neapolitan revolutions, and prepared a French edition of Jean Paul Richter. Publishers and readers knew him as a specialist who refused to separate story from scholarship.
In Aveyron he was more than an absentee chatelain. He helped local heritage work around Decazeville, created the Prix litteraire du Pays noir in 2014, and in August 2026 still hosted an exhibition and classical concert at Gironde. Married since 1987 to Arielle Besnard-Bernadac, he is survived by their children Adele and Paul. Friends remembered courtesy, humour and learning worn lightly. His last books were already in press; the illness left other projects unfinished. Across some thirty volumes he left a map of France from the Wars of Religion to the Terror, drawn with a novelist's pace and a historian's notes.
Biography adapted from Wikipedia Jean-Paul Desprat; La Depeche du Midi (Didier Latapie, 22 Sep 2026); ActuaLitte (Hocine Bouhadjera, 22 Sep 2026); French Wikipedia biography. Wikipedia ↗
In their own words
“Etre chatelain fait penser a la noblesse. Ce n'est evidemment pas mon cas, avec nos familles de paysans et d'hoteliers dont je descends.”

That book got my grandmother through a hard winter too.