My mum kept every issue of Cosmopolitan from the 80s and 90s on her shelf. Jürg Marquard made magazines that made women feel like they could do anything.
Their story
Jürg Marquard was a Swiss publisher, magazine entrepreneur and television personality who built one of the most successful self-made media groups in the German-speaking world. Born on 13 July 1945 in Urdorf in the canton of Zurich, the son of a German-born dentist, he grew up without inherited wealth and…
Jürg Marquard was a Swiss publisher, magazine entrepreneur and television personality who built one of the most successful self-made media groups in the German-speaking world. Born on 13 July 1945 in Urdorf in the canton of Zurich, the son of a German-born dentist, he grew up without inherited wealth and decided early that he wanted a public voice of his own. As a schoolboy he already worked as a local reporter for the Limmattaler Tagblatt, covering parish meetings and village fairs for a few cents a line. After a commercial Matura at the Kantonsschule Zurich he refused the university path his father urged and, at about twenty, borrowed 2,000 Swiss francs from school friends to print the first issue of the youth music magazine Pop.
Pop struck a chord with a generation that established newspapers and magazines did not understand: bands, stars, adolescent worries and sex. Marquard sold early copies by hand in the street. Within a few years the title expanded into Germany, challenged the monopoly of Bravo, and, after mergers, became Pop/Rocky, long the second-largest youth magazine in the German-language market. He also worked as a radio and television host, including early stints presenting the Schweizer Hitparade on Radio DRS, and was nicknamed Mister Pop.
In 1981 he scored a lasting breakthrough with the German-language edition of Cosmopolitan, then built a portfolio of women's and lifestyle titles including Joy, Shape and Mädchen. From 1988 he moved into Eastern Europe as one of the first Western publishers operating behind the former Iron Curtain, with licences and titles in Hungary and Poland. In 1993, with a reported annual profit of 26.8 million Swiss francs, he called himself the highest-earning Swiss publisher. He later diversified further, including the 2005 acquisition of Germany's listed Computec Media, to balance advertising-heavy women's magazines with male-skewed gaming and IT titles. He sold youth titles to Springer when the moment was right and stepped back from some Eastern newspaper and printing assets when politics and complexity outweighed control.
Television made him a household name in Switzerland. In 2005 he co-produced and appeared as the boss on SRF's Traumjob, a Swiss adaptation of The Apprentice. From 2019 he sat as an investor on Die Höhle der Löwen Schweiz, the Swiss Shark Tank-style show, backing young founders. Friends and musicians remembered him as a rock-and-roll publisher who covered bands for years in Pop; Krokus co-founder Chris von Rohr called him a true professional with a big heart for music.
Marquard lived in Herrliberg near Zurich, married three times, and was the father of five children and stepfather to model Bianca Gubser. His third wife, Raquel Marquard (née Lehmann), confirmed his death. He died peacefully in Zurich on 14 September 2026 at the age of 81 after a long and serious illness. Swiss outlets from Blick and SRF to NZZ and 20 Minuten remembered him as a rare Swiss media entrepreneur who built an international magazine group from scratch and kept control of it to the end.
His public style could look extravagant: apartments linked to St. Moritz glamour, a Hollywood-style villa in Herrliberg, racing weekends, and a willingness to announce big profits at press conferences. NZZ's Karl Lüönd argued that behind the jet-set facade stood a conservative merchant who calculated every adventure, pressed costs, and knew when to sell. Employees described a demanding boss who granted trust slowly and then kept it. Marquard himself said a good manager needed analytical skill and gut feeling together, plus the social intelligence to understand people.
That mix of showmanship and caution helped him survive magazine cycles that destroyed many peers. He remained founder-owner rather than a hired executive, kept Marquard Media Group under his control, and late in life still enjoyed mentoring founders on national television. When he died in Zurich on 14 September 2026, Swiss journalism treated him as the country's self-made Mister Pop: the dentist's son from Urdorf who borrowed a few thousand francs, built a magazine empire, and never quite left the stage.
Biography adapted from Bluewin / Keystone-SDA; SRF; NZZ; Blick reporting via Swiss outlets; Nau.ch; Watson; 20 Minuten; German Wikipedia (CC BY-SA 4.0).
In their own words
“I always wanted to be something special.”
SRF interview in the documentary series Geboren am ... (aired around August 2019), reflecting on his childhood ambition.
“I have a nose for the zeitgeist.”
SRF Geboren am ... interview on why Pop and later Cosmopolitan succeeded.
“Total passion. Passion for what he does. He must identify one hundred percent with his task and look forward to his job every morning.”
His definition of a good manager, given around the 2005 Traumjob period and recalled in NZZ's obituary.
“Jürg was a true professional with a big heart for music. He was also never one to hold back on honesty and lived the rock 'n' roll lifestyle fearlessly.”
Tribute from Krokus co-founder Chris von Rohr to blue News after Marquard's death in September 2026.

That's beautiful. He believed in that too, from what I've read.