63. didn't know him but that Olympics song was everywhere in every clip I ever saw of Beijing 2008.
Their story
Liu Huan, one of the most recognisable voices in modern Chinese popular music, died on September 25, 2026, in Shanghai at the age of 63. His death after illness was announced by the University of International Business and Economics (UIBE) in Beijing, where he had taught Western music history for…
Liu Huan, one of the most recognisable voices in modern Chinese popular music, died on September 25, 2026, in Shanghai at the age of 63. His death after illness was announced by the University of International Business and Economics (UIBE) in Beijing, where he had taught Western music history for more than three decades, and by the Liu Huan Original Music Public Welfare Fund together with Hunan Broadcasting System's Mango V Fund. The university said he died at 9:52 a.m., surrounded by family, and described the loss as a heavy blow to both the campus and Chinese music.
Born in Tianjin on August 26, 1963, into a family of teachers, Liu grew up far from the conservatory track. He graduated from Tianjin Yaohua High School in 1981 and studied French literature at the University of International Relations in Beijing, finishing in 1985. He was almost entirely self-taught as a musician. Classmates remembered him sitting on dormitory stairs with a guitar late into the night. In 1985 he won a Beijing university French (and English) song competition, earning a sponsored trip to Paris, where he spent more time in bars listening for inspiration than shopping with classmates. After graduation he spent about a year teaching music in Shizuishan, Ningxia, an experience that deepened his feel for northwestern folk styles that later coloured his television themes.
Liu became a household name in 1987 when he sang theme songs for the hit dramas Snowing City (Sun in the Heart) and Plainclothes Cop (A Young Man's Ambition Needs No Sorrow). Over the next decade he defined the sound of Chinese television drama for a generation, including The One Who Wins the Hearts of the People Gains the Empire for Yongzheng Dynasty (1996) and Heroes' Song for The Water Margin (1998). Asking Myself a Thousand Times stayed at the top of Chinese radio charts for ten weeks. In 1990 he performed Asian Mighty Winds with Wei Wei at the Beijing Asian Games, a song many listeners treated as the unofficial Games anthem.
His biggest moment on the world stage came on August 8, 2008, at the Beijing Olympics opening ceremony, when he performed the official theme You and Me as a duet with British soprano Sarah Brightman before a global television audience. He was also featured among the many artists on the Olympic welcome song Beijing Welcomes You. In later years he became a familiar television mentor as a coach on The Voice of China and its successor Sing! China, and in 2019 he won Hunan TV's Singer, closing his final performance with a medley dedicated to Yao Beina, a former Voice of China contestant who had died in 2015. That same period he founded the Liu Huan Original Music Public Welfare Fund with Mango partners to support emerging original Chinese songwriters.
Throughout his fame Liu kept a parallel life in the classroom. He joined UIBE in July 1991, taught Western music history for more than thirty years, composed the school anthem, and retired in September 2023 as one of the university's most popular lecturers. He often said teaching gave him a stability that performing never could, and that there need not be any contradiction between being a singer and a teacher. Health challenges shadowed his later years: avascular necrosis of the femoral head led to hip surgery around 2010 and limited public appearances; Chinese media also reported heart-stent surgery in 2019. Even so, he remained a quiet presence among friends, including an appearance at the Wuzhen Dachuan Theatre Festival banquet in October 2025.
Liu married television host Lu Lu in 1988. Their daughter, Liu Yisi (nickname Sisi), was born on September 2, 1991. In accordance with his wishes, UIBE and the music fund said funeral arrangements would be simple, with no formal memorial committee or public farewell ceremony. Tributes across Chinese media recalled a rare combination of stardom, scholarly modesty, and lifelong advocacy for original Chinese songwriting.
Before the Olympic duet made him a global face, Liu had already spent two decades as the default voice of Chinese historical television. Producers sought him when a drama needed gravity without stiffness: a northern folk edge for Snowing City, a martial-band swagger for The Water Margin, a courtly solemnity for Yongzheng Dynasty. Radio programmers kept Asking Myself a Thousand Times at number one for ten weeks, proof that his television work crossed into everyday listening. Concerts came late. He waited until 2004 for a first solo stadium show, then used Shanghai in 2006 and the Great Hall of the People in 2007 to test blends of pop and classical collaboration rather than to chase a touring brand.
Health limited how often that public could see him after 2010, but it did not end the classroom habit that he treated as his true steady job. Students who were not even registered for his Western music history course still packed the room. After retirement in 2023 he remained associated with the original-music fund that carried his name, and partners said after his death that the annual sponsorship would continue. The portrait that remains is consistent across decades: the black shirt, the long hair, the refusal to treat celebrity and teaching as opposites, and a catalogue that Chinese audiences still hum when Olympic ceremonies or old television reruns return to the screen.
Biography adapted from University of International Business and Economics obituary (2026-09-26); Liu Huan Original Music Public Welfare Fund / Mango V Fund notice via Zaobao; English and Chinese Wikipedia (Liu Huan); China..
In their own words
“It's a good idea to bring music to more students in China.”
On combining his singing career with teaching Western music history (China Daily / Wikipedia citation).
“There doesn't have to be any contradictions between being a singer and a teacher, although they are totally different jobs. I can focus on how to make students have more interest in music when I am in class, after that, I do have time to write songs. I am enjoying being a teacher.”
Interview remarks on keeping his university post while starring in pop music.
“I am a teacher so I am close to the students and know their desire for music. Unlike our generation, today's students are active and curious about everything.”
On why campus music initiatives mattered to him (China Daily reporting).
“The song was perfect for the opening ceremony. The lyrics talked about peace and understanding among the people worldwide. I think this is what the Olympics call for.”
On You and Me after the 2008 Beijing Olympics opening ceremony (china.org.cn / Xinhua interview).
“Compared with a song of strong rhythm and emotion like some previous Olympic theme songs, I think a tender, delicate and sweet one is closer to the theme we want to express: harmony.”
Explaining the gentle style of You and Me (china.org.cn interview, August 2008).
“I had never thought I would be chosen to sing the song. I thought they had selected the singer long before.”
On learning only on July 22, 2008, that he would sing the Olympic theme (china.org.cn).
“I overcame myself. I was at my best that night.”
Reflecting on the Olympic opening-ceremony performance with Sarah Brightman.
“A real voice is what matters most.”
Summarising his August 2008 Sohu interview defence of plain Olympic stage clothes, where he argued that authentic singing outweighed formal dress expectations.

From social media
3Posts by Liu, and posts about them, kept here so they are not lost.