My mother in law called me this morning before I'd even had coffee, she was crying, telling me to look it up. I didn't grow up with Los Palmeras but I married into a family that played El bombón asesino at every single gathering, every birthday, and now it feels different hearing it. 76 years old. Sending love to his wife and his son, who I understand carries the band on now.
Their story
Marcos Máximo Camino was the accordionist, musical director and long-time leader of Los Palmeras, the band that carried cumbia santafesina from the dance halls of Santa Fe to stages across Argentina and beyond. Over more than five decades his accordion became one of the most recognisable sounds in Argentine tropical…
Marcos Máximo Camino was the accordionist, musical director and long-time leader of Los Palmeras, the band that carried cumbia santafesina from the dance halls of Santa Fe to stages across Argentina and beyond. Over more than five decades his accordion became one of the most recognisable sounds in Argentine tropical music, heard on hits such as "La suavecita", "Olvídala", "Cumbia sobre el mar", "Soy sabalero" and, above all, "El bombón asesino".
He was born on 31 August 1950 in the city of Santa Fe, Argentina. At his mother's urging he began studying the accordion as a small boy, around the age of five, and he later recalled the long hours of practice while his friends played in the street. His main teacher and mentor was Alberto Fernández, one of the pioneering accordionists of tropical music in Santa Fe. His great musical hero was Helí Toro Álvarez, creator of Colombia's Cuarteto Imperial, whom he first admired from afar and later counted as a friend.
On 9 December 1972 Camino joined a young group then called Sexteto Palmeras, replacing accordionist Osvaldo Zabala. He quickly took charge of the instrumental side and then the general direction of the band, saying later that he wanted to "build something more responsible". When the chance came to record a first album in 1976, he decided to adopt the name the public already used. "I considered that the name should be the one the people gave us," he remembered. Los Palmeras was born.
In 1978 the singer Rubén "Cacho" Deicas joined, beginning one of the most durable and successful partnerships in Argentine tropical music. Gold records followed through the 1980s, and "La suavecita" helped cumbia santafesina break out of its home province. From 1997 a contract with Leader Music brought national distribution and a following in the dance halls of Greater Buenos Aires. In 2004 the band recorded "El bombón asesino", written by Santa Fe producer Juan Baena, which became a national phenomenon and took Los Palmeras onto prime-time television and into every social class.
Under his direction the group recorded around 50 albums and won five Premios Gardel, two Clave de Sol awards and the Platinum Konex Award in 2015, along with many gold and platinum discs. In 2002 the band members were declared Illustrious Citizens of Santa Fe. In 2017 they recorded their classics with the Santa Fe Symphony Orchestra, and in November 2019 they played the opening ceremony of the Copa Sudamericana final in Asunción, where their song "Soy sabalero" for Club Atlético Colón, the club Camino supported all his life, reached an audience across South America.
Camino described himself as a worker of music: demanding, perfectionist and obsessive about organisation. He was also at the centre of some public debates, including the 2021 controversy over "Macho lindo", a song about boxer Carlos Monzón. His final years were hard. After Deicas suffered a stroke in January 2025, the partnership broke down, Deicas left the band and their company was dissolved later that year. Camino said the split affected him deeply and that he had experienced "the beginnings of depression".
In February 2026, after having nine stents fitted, he announced that he was leaving the stage for reasons of age and health, handing the band to his son, Marcos Camino Jr. He said he wanted to enjoy peace and quiet, his five dogs and his family, especially his wife, Sandra. Less than a month before his death he joined his former bandmates on stage once more at the first Martín Fierro de la Música awards.
Marcos Camino died on Tuesday 10 November 2026 in Santa Fe, aged 76. He was found in the band's recording studio on Alvear street; police said the death was being investigated as a suicide and an autopsy was ordered. Los Palmeras announced his death "with deep sorrow", calling him a fundamental figure whose legacy and passion for music would live forever. Cacho Deicas said goodbye to "a companion for life". Club Atlético Colón also mourned one of its best-known fans.
If you or someone you know is struggling, in Argentina you can call the free suicide prevention line 135 or 0800 345 1435.
Biography adapted from La Nación (10 Nov 2026); Clarín (10 Nov 2026); Infobae (10 and 11 Nov 2026); El Litoral (10 Nov 2026); TN (10 Nov 2026); Aire de Santa Fe; Spanish Wikipedia, Los Palmeras. Wikipedia ↗
In their own words
“I considered that the name should be the one the people gave us.”
On naming Los Palmeras in 1976, Cumbé Documental interview, May 2026 (translated from Spanish)
“I suffered a lot, a great deal. I even had the beginnings of depression, because we were working very well, this thing God sent us to live through happened and everything was destroyed, an effort of 52 years.”
On the split with Cacho Deicas, Se siente Argentina, TV Pública (translated from Spanish)
“Today I want to enjoy the peace and quiet, my dogs, I have five dogs at home, and devote all my time to my family, especially to my wife.”
Retirement announcement, February 2026 (translated from Spanish)
“There are Palmeras for a long while yet. Hang in there, Los Palmeras!”
Retirement announcement, February 2026 (translated from Spanish)
“In this company there are 25 families.”
On why the band carried on, Se siente Argentina, TV Pública (translated from Spanish)
“Nobody is going to think we are paying homage to someone who killed; it is the people who want to hear the song. The song honours the sportsman who was a champion.”
On the "Macho lindo" controversy, 2021, quoted by El Patagónico (translated from Spanish)

this is lovely, thank you for sharing it