My mother called to tell me, she still has his records in the cabinet in Madison. Otaru no Hitoyo was playing at every wedding I remember as a kid, that tremolo intro before anyone even sang a note. 93 years old, still working the guitar until the end apparently.
Their story
Masayoshi Tsuruoka (鶴岡雅義, 1933 to 2026) was a Japanese composer and requinto guitarist, and the founder and leader of the mood kayō vocal group Tsuruoka Masayoshi to Tokyo Romantica (鶴岡雅義と東京ロマンチカ). His high, tremolo-rich requinto guitar intros on songs such as "Otaru no Hitoyo" (小樽のひとよ, 1967) and "Kimi wa Kokoro no…
Masayoshi Tsuruoka (鶴岡雅義, 1933 to 2026) was a Japanese composer and requinto guitarist, and the founder and leader of the mood kayō vocal group Tsuruoka Masayoshi to Tokyo Romantica (鶴岡雅義と東京ロマンチカ). His high, tremolo-rich requinto guitar intros on songs such as "Otaru no Hitoyo" (小樽のひとよ, 1967) and "Kimi wa Kokoro no Tsuma dakara" (君は心の妻だから, 1969) became one of the defining sounds of Shōwa-era mood kayō, and he was widely described as the musician who brought the requinto guitar into Japanese popular song.
Tsuruoka was born on 2 September 1933. Japanese news reports describe him as a native of Akita Prefecture (the Akita Sakigake Shimpo names the former town of Hiraka, now part of Yokote), while in a 2014 NHK radio interview he recalled being born in China, remembering its very high sky and bright stars, and returning to Japan on a repatriation ship. On that ship he heard someone singing Koga Masao melodies to a guitar, and he decided he wanted to play. He was a precocious child who sang popular songs even when children were scolded for it, began learning guitar in middle school, and dreamed of becoming a musician, a painter or an astronomer.
He studied composition under Koga Masao and classical guitar under Abe Yasuo, and worked for several years in guitar ensembles alongside Antonio Koga. In the late 1950s, when Latin music was booming in Japan, he heard the requinto played by the Mexican group Trio Los Panchos and felt it was the guitar he wanted to play. The instrument, smaller than a classical guitar and tuned higher, was not available in Japan, so he had one specially made, and he used it to the end of his life. In 1960 he formed the Latin group Trio Los Caballeros.
His first composition as a professional was "Futari no Sekai" (二人の世界), sung by Yujiro Ishihara and released in 1965. It became a major hit and was followed by "Nakaseru ze" (泣かせるぜ) and "Aeru ja nai ka Mata Ashita" (逢えるじゃないかまたあした). In the mid 1960s (sources give 1965 or 1966) he founded Tokyo Romantica, taking the name from Koga Masao's guitar group, Koga Guitar Romantica. In 1967 the group released "Otaru no Hitoyo", with Masato Sanjō on lead vocals. Tsuruoka said the song was inspired by a band member who fell for a local woman during a three-day cabaret engagement (in Kushiro, not Otaru). It became a huge hit, reported by Sponichi at 1.5 million copies, and was followed by "Tabiji no Hitoyo" (旅路のひとよ, 1968), "Kimi wa Kokoro no Tsuma dakara" with lyrics by Rei Nakanishi, and "Kitaguni no Machi" (北国の町, 1969).
Tokyo Romantica appeared on NHK Kōhaku Uta Gassen six years in a row from 1968 to 1973, and the group were regulars on Fuji TV's Yoru no Hit Studio from its launch in November 1968. On that show Tsuruoka became a comic presence in his own right, nicknamed "the face that can stand a close-up" (アップに耐える顔) for keeping a straight, deadpan face in sketches while everyone around him laughed. The group's lineup changed many times over the decades, with singers including Hiroshi Hamana, Hiroya Hama and Hiroshi Miyauchi, and Sanjō leaving and returning more than once, but Tsuruoka and his requinto remained at the centre. In a 2014 interview he estimated he had recorded around 700 pieces on the requinto.
He received a Merit Award (功労賞) at the 56th Japan Record Awards in 2014. In later years he mentored the younger "new mood kayō" duo Hayabusa, composing songs for them including "Yogiri no Serenade" (夜霧のセレナーデ). His motto was "Seishun until death" (死ぬまで青春, youth until death), and he kept performing into his nineties. When Sanjō died in October 2017, Tsuruoka said he was now the only one of the original Tokyo Romantica left.
His final stage was his 93rd birthday live on 2 September 2026 in Chōfu, Tokyo, where Hayabusa and singer Miyoko Tashiro appeared as guests. He had decided to retire from the stage there and concentrate on composing. He became unwell after the event and was admitted to hospital in October. He died of pneumonia at 1:48 am on 1 November 2026 at a hospital in Tokyo, aged 93. His agency announced the death on 5 November. The funeral was held privately with close family, with his wife Keiko as chief mourner, and a memorial gathering was planned for a later date. Tributes came from Hayabusa, his former singer Hiroya Hama, broadcaster Kazuo Tokumitsu and singer Chiharu Matsuyama, among many others.
Biography adapted from Kyodo News via Tokyo Shimbun and Fukushima Minyu (2026-11-05); Nikkan Sports (2026-11-05); Yomiuri Shimbun (2026-11-05); Sponichi Annex (2026-11-06); NHK News (2026-11-05); Akita Sakigake Shimpo (2026.
In their own words
“死ぬまで青春 (Youth until death.)”
His lifelong motto, quoted by Nikkan Sports, 2026
“古い新しいは関係ないと思う。70歳になっても80歳になっても、自分で自分をお年寄りにしてはだめ。 (Old or new does not matter, I think. Even at 70 or 80, you must not make yourself into an old person.)”
Earlier interview quoted in Nikkan Sports obituary, 2026-11-05
“東京ロマンチカ(の初期のメンバー)は僕ひとりだけになってしまった… (I am the only one of the original Tokyo Romantica left...)”
On the death of lead singer Masato Sanjō, October 2017, per Nikkan Sports
“私にとってギターが青春ですので。青春真っ只中です。 (For me the guitar is my youth, so I am right in the middle of it.)”
NHK Radio 'Asu e no Kotoba', 2014 (listener transcription)
“絶対に音程とリズムを守れ。 (Always keep the pitch and the rhythm.)”
His most repeated advice to singer Hiroya Hama, as recalled by Hama to zakzak, 2026-11-05
“僕にとっては神様でした。 (To me, he was a god.)”
Yamato of Hayabusa, tribute to Nikkan Sports, 2026-11-05

same, that intro is unmistakable