99 years old and still practising daily. That's the whole story right there.
Their story
Maureen Jones was an Australian classical pianist and pedagogue whose career ran from a Sydney childhood debut to Europe's major concert stages, and who helped establish Musica Viva Australia as a national home for chamber music. She died in Lugano, Switzerland, in August 2026, at the age of 99. English-language…
Maureen Jones was an Australian classical pianist and pedagogue whose career ran from a Sydney childhood debut to Europe's major concert stages, and who helped establish Musica Viva Australia as a national home for chamber music. She died in Lugano, Switzerland, in August 2026, at the age of 99. English-language obituaries in Limelight (23 September 2026), The Violin Channel and Slippedisc reported the news later that month; Corriere del Ticino published an Italian-language farewell on 13 August 2026. No widely cited English source has made a specific calendar day of death public, so her death date is recorded here as August 2026.
Jones was born in Sydney on 6 June 1927 and grew up in the upper North Shore suburbs of Warrawee, Turramurra and Gladesville. She began piano at six and won Sydney Eisteddfod under-10 piano sections in 1935 and 1936 under teacher Millicent Farraher. At about ten, Edgar Bainton, director of the Sydney Conservatorium of Music, invited her to study with Alexander Hmelnitsky. She broadcast for the Australian Broadcasting Commission while still a child, and by thirteen she was performing the first movement of Beethoven's Piano Concerto No. 1 with the Sydney Symphony Orchestra in a children's concert. Contemporary Sydney papers already treated her as a familiar concert name.
After graduating she joined Richard Goldner's new Musica Viva ensemble from 1948 to 1950, alongside players including Robert Pikler and Edward Cockman, and helped build an audience for chamber music in Australia through hundreds of concerts. Musica Viva Australia CEO Anne Frankenberg later called her "fundamental to Musica Viva Australia's history," praising her musicianship and "natural glamour." Like many Australian musicians of her generation she then left for Europe, briefly living in London before settling into Swiss and Italian musical life.
In Switzerland she formed a duo in 1952 with Australian violinist Brenton Langbein, touring Switzerland and Italy. With Australian horn player Barry Tuckwell they became an admired trio; the Edinburgh Festival commissioned Don Banks's 1962 Horn Trio for them, a work that entered the standard repertoire and which they recorded alongside Brahms's Horn Trio. Jones gave recitals such as a 1957 Vienna Konzerthaus programme of Beethoven, Brahms, Debussy, Schubert and Mendelssohn. She performed Britten's Piano Concerto in its Italian premiere with the RAI Orchestra of Turin under Mario Rossi, later recalling that concert among her favourites, and she played Tippett's Piano Concerto at the 1973 BBC Proms with the Royal Philharmonic Orchestra under Norman Del Mar.
Her European private life intertwined with the Trio di Trieste. She first married pianist Dario De Rosa, with whom she developed a large four-hand repertoire and had a daughter, Nicoletta; she later married the trio's cellist, Amedeo Baldovino, who died in 1998. In 1979 she co-founded the Quintetto Fauré Di Roma with violinist Pina Carmirelli and recorded Fauré's piano quintets for Claves. Chamber partners over the decades included the Amadeus Quartet, cellist Enrico Bronzi and violinist Takaya Urakawa. Orchestral appearances included the London Symphony Orchestra, Tonhalle-Orchester Zurich and Berlin Philharmonic, for the Edinburgh Festival, BBC, RAI, Accademia Nazionale di Santa Cecilia and La Fenice, working with conductors including Pierre Boulez, Charles Dutoit and Gianandrea Gavazzeni.
Jones lived in Rome for about a decade, then taught advanced chamber music with piano at the Fiesole School of Music near Florence with De Rosa, and after eighteen years in Florence moved to Lugano. She returned regularly to Australia to perform, teach and adjudicate, including Musica Viva's 1997 Schubertiade. In 2008 she donated a collection of historic piano-four-hands scores to Fiesole. For her 90th birthday in 2017 she performed in Trieste and Fiesole with former student Massimiliano Baggio, still adding repertoire such as Brahms's two-piano arrangement of the Piano Quartet Op. 26. Italy made her a Knight of the Order of Merit of the Italian Republic. In a 2017 Musica Viva interview she said she was still practising and performing every day. After her death Musica Viva dedicated Paul Lewis's 12 October 2026 Sydney recital at City Recital Hall to her memory. Swiss and Italian coverage remembered her as the "lady of the piano."
Biography adapted from English Wikipedia (Maureen Jones); Limelight Arts 23 Sep 2026; The Violin Channel 23 Sep 2026; Slippedisc; Musica Viva Celebrating Maureen Jones (Miriam Cosic, 2017, archived); Fiesole School of Music. Wikipedia ↗
In their own words
“Fundamental to Musica Viva Australia's history.”
“Her incredible musicianship and natural glamour significantly built the audience for chamber music in this country.”
“She was still performing and still practising daily.”
“Maureen was fundamental to Musica Viva Australia's history.”
Anne Frankenberg, CEO, Musica Viva Australia, after Jones's death (Limelight, 23 September 2026)
“I'm very attached to Trieste.”
Maureen Jones to Miriam Cosic, Musica Viva interview marking her 90th birthday (2017)
“A splendid figure, an exceptional talent, a tangible example of youth outside time, a great artist, rich in vital energy who still has so much to give and provides a spur toward the future.”
Trieste Councillor for Arts and Culture, quoted in Musica Viva's 2017 birthday profile
“It is music that interests her most of all and always has.”
Miriam Cosic, Celebrating Maureen Jones, Musica Viva (31 August 2017)
“She was still performing and still practising every day.”
Summary of Jones's own account in the 2017 Musica Viva interview, reported again in 2026 obituaries
“The lady of the piano.”
Phrase used in Swiss and Italian memorial coverage after her death

From social media
2Posts by Maureen, and posts about them, kept here so they are not lost.