"Although I have played more than 180 roles, people still know me mainly as Slepejš." That's the line that stuck with me when I read about him tonight.
Their story
Miloslav Kopečný, known to audiences and colleagues alike as Miloš, was a Czech stage and screen actor whose career ran for six decades and close to 190 theatre roles. To millions of Czech viewers he was Slepejš, one of the street money changers in Vít Olmer's cult 1987 film Bony…
Miloslav Kopečný, known to audiences and colleagues alike as Miloš, was a Czech stage and screen actor whose career ran for six decades and close to 190 theatre roles. To millions of Czech viewers he was Slepejš, one of the street money changers in Vít Olmer's cult 1987 film Bony a klid, a role he reprised in the 2014 sequel. To the theatre world he was something larger: a tireless, charismatic character actor who played the Marquis de Sade, Niels Bohr, Puntila, Polonius and the dresser Norman, and who was still on stage in his eighties.
He was born on 18 September 1944 in Třebíč, in the Vysočina region, and grew up in the Nové Dvory quarter, where his father built the family house and a cannery. His father was a businessman and his mother had studied piano at the conservatory. After the communist takeover in February 1948 the family business was confiscated. Kopečný later recalled that his father spent several years digging drains before the new authorities, realising the cannery was well equipped and he was an expert, offered him the job of running it, which he did until retirement. His sister was not allowed to study.
The theatre drew him from childhood. As a grammar school student in Třebíč he acted with the local amateur company directed by Josef Gerža, alongside future professionals Jiří Pecha and Karel Pospíšil. Because of his September birthday he entered the Janáček Academy of Music and Performing Arts (JAMU) in Brno at just 17, studying drama under Josef Karlík and Vlasta Fialová. He graduated in 1965 in the role of Death in Konec masopustu.
His first engagement was at the East Bohemian Theatre in Pardubice (1965 to 1969), where he played mainly comic and musical roles. He then spent fourteen years at the F. X. Šalda Theatre in Liberec (1969 to 1983), playing Vocilka in The Bagpiper of Strakonice, Don Juan and Higgins in Pygmalion. In 1984 he joined the Činoherní studio in Ústí nad Labem, a celebrated studio stage, where he quickly became the doyen of the company. There he created what divadlo.cz calls perhaps his most famous role, the Marquis de Sade in Marat/Sade (directed by Petr Poledňák, 1988), which the company took to Paris to strong acclaim. He also led Dürrenmatt's Meteor (1989) and Frank V (1992) and played Fyodor Karamazov in The Brothers Karamazov (1990).
In 1993 he moved to Prague, guesting at Divadlo Labyrint (today's Švandovo divadlo) and joining Divadlo pod Palmovkou, his artistic home for about twenty years (1993 to 2001 and 2003 to 2014). His roles there ranged from Puntila, Lebedev in The Idiot and Polonius in Hamlet to comedy as Osgood Fielding in the musical Sugar (2009) and Mr Paravicini in The Mousetrap (2011). He worked with Divadlo v Dlouhé from before its founding, playing Leo Naphta in The Magic Mountain, Verkhovensky in Demons, Sardelli in Pratchett's Maskerade, Oto in Brecht's Refugee Conversations (2016) and, finally, the water goblin Ivan in Jirásek's Lucerna. With the Kašpar company at Divadlo v Celetné he played Niels Bohr in Copenhagen (2001, revived 2009) and, in 2003, the dresser Norman in The Dresser, which critic Jan Kerbr described as the chance of a lifetime. He also appeared at the Summer Shakespeare Festival, at the National Theatre as a guest, and for a decade with Divadlo Palace.
On screen his best known part was Slepejš in Bony a klid (1987), alongside Jan Potměšil, Veronika Jeníková and Josef Nedorost. He returned to the role in Bony a klid 2 (2014). He also appeared in Rozpuštěný a vypuštěný, Dobrodružství kriminalistiky, Specialisté and Život na zámku, and in the TV production Andělský smích. "Although I have played more than 180 roles, people still know me mainly as Slepejš," he told iDNES.cz in 2021.
He was married and had three children. His home town honoured him with the Town of Třebíč Prize in 2022, alongside ice hockey player Patrik Eliáš, and in 2025 he received the Master Prix award from the Život umělce foundation. In 2024 he recorded his memories for the Oral History of Czech Theatre project at the Theatre Institute in Prague.
Miloš Kopečný died on 7 October 2026 at the age of 82. The news was first shared by Divadlo Palace, whose company wrote that he had become part of the theatre and of their lives over ten years of performances and tours. The place and cause of his death have not been made public.
Biography adapted from divadlo.cz (Alena Hrádková, 8 Oct 2026); Blesk.cz; CNN Prima News; iDNES.cz (2021 interview and 2026 obituary); Divadlo v Dlouhé and Divadlo v Celetné actor pages; Třebíčský deník (2022); Czech Wikipe. Wikipedia ↗
In their own words
“Although I have played more than 180 roles, people still know me mainly as Slepejš.”
iDNES.cz interview, November 2021 (translated from Czech).
“Everything was taken from him by the communists, and my sister then could not study.”
On his father's cannery, iDNES.cz interview, 2021 (translated from Czech).
“Ten years of performances, tours and evenings together in the theatre. Ten years in which you became part of Palace and of our lives. Today came news that really hurts. Miloš, goodbye!”
Divadlo Palace tribute on Facebook, 7 October 2026 (translated from Czech).
“The main character in Jakub Špalek's production at Kašpar is the dresser Norman, in whom Miloš Kopečný was given the chance of a lifetime.”
Critic Jan Kerbr, Divadelní noviny, 23 December 2003, quoted by divadlo.cz (translated from Czech).

From social media
1Posts by Miloslav, and posts about them, kept here so they are not lost.