Parinda. that's all I need to say. 75.
Their story
Vishwanath Patekar, known to generations of Indian filmgoers as Nana Patekar, was an actor, writer and filmmaker whose rough voice, rapid-fire dialogue and refusal to soften his edges made him one of the most distinctive performers in Hindi and Marathi cinema. Across almost five decades he won three National Film…
Vishwanath Patekar, known to generations of Indian filmgoers as Nana Patekar, was an actor, writer and filmmaker whose rough voice, rapid-fire dialogue and refusal to soften his edges made him one of the most distinctive performers in Hindi and Marathi cinema. Across almost five decades he won three National Film Awards, four Filmfare Awards and the Padma Shri, served as an officer in the Territorial Army during the 1999 Kargil War, and in later life put much of his time and his own money into helping the families of drought-hit farmers in Maharashtra. He died in Goa on 8 October 2026 at the age of 75.
He was born on 1 January 1951 into a Marathi family in Murud-Janjira, a coastal town in what is now Raigad district, Maharashtra. His father ran a small textile painting business and loved theatre and tamasha, taking his son to plays wherever he could. When Nana was 13, the family lost almost everything after someone close to his father took his property. The boy began working after school, walking about eight kilometres to Chunabhatti to paint film posters for 35 rupees a month and one meal a day. He later said that this hunger and humiliation taught him so much that he never needed an acting school. His father, crushed by the loss, died of a heart attack when Nana was 28.
Patekar acted in plays from his school days and studied at the Sir J.J. Institute of Applied Art in Mumbai before working at an advertising agency. The director Vijaya Mehta gave him his first major stage role, and he always said he was what he was because of her. The actor Smita Patil, who knew him from Pune, pushed a reluctant Patekar towards films. He made his screen debut in Gaman (1978), played small roles in Marathi cinema, appeared in Aaj Ki Awaz (1984), Ankush (1986) and Andha Yudh (1987), and played Nathuram Godse in the British television series Lord Mountbatten: The Last Viceroy (1986).
His breakthrough came at the end of the 1980s. After a role in Mira Nair's Oscar-nominated Salaam Bombay! (1988), he played the menacing crime boss Anna Seth in Vidhu Vinod Chopra's Parinda (1989), winning the National Film Award and the Filmfare Award for Best Supporting Actor. He then wrote, directed and starred in Prahaar: The Final Attack (1991), training for three years with the Territorial Army to play an army officer. Through the 1990s he became one of Hindi cinema's most bankable character stars, winning Filmfare's Best Villain award for Angaar (1992), the National Film Award for Best Actor and the Filmfare Best Actor award for Krantiveer (1994), and a second National Award for Best Supporting Actor for Agni Sakshi (1996). In Khamoshi: The Musical (1996) he played the deaf father of Manisha Koirala's character, and he also appeared in Raju Ban Gaya Gentleman, Tirangaa, Yeshwant, Wajood, Kohram and Hu Tu Tu, sometimes singing his own songs.
The 2000s brought a second peak. He played the encounter specialist Sadhu Agashe in Ab Tak Chhappan (2004), won a second Filmfare Best Villain award for Apaharan (2005), and then surprised audiences with comedy as the soft-hearted gangster Uday Shetty in Welcome (2007) and its 2015 sequel Welcome Back. He was a scheming politician in Raajneeti (2010) and played Joint Commissioner Rakesh Maria in The Attacks of 26/11 (2013). In Marathi cinema he played the social reformer Baba Amte in Dr. Prakash Baba Amte: The Real Hero (2014) and the ageing stage actor Ganpatrao Belwalkar in Natsamrat (2016), winning Filmfare Marathi Best Actor awards for both. He voiced Shere Khan in the Hindi version of The Jungle Book (2016), appeared opposite Rajinikanth in Kaala (2018), led The Vaccine War (2023), and worked into his seventies in Housefull 5 and Vishal Bhardwaj's O'Romeo.
Off screen, Patekar joined the Territorial Army as a captain in 1988, served with the Maratha Light Infantry as a major during the Kargil War in 1999, and retired as an honorary lieutenant colonel in 2013. In September 2015, moved by a television interview with the family of a farmer who had died by suicide, he and fellow actor Makarand Anaspure founded the Naam Foundation in Pune. It began by giving direct help to widows of farmers in drought-hit Marathwada and Vidarbha and grew into a wider programme of water conservation, river rejuvenation and village development. He famously kept his own needs small, living for decades in a modest flat in Andheri, cooking his own food and quitting a 60-a-day cigarette habit at 56.
He married Neelkanti, a bank officer, in 1978, and credited her with supporting him when he earned far less than she did. Their first son, Durvasa, died in early childhood. Their son Malhar Patekar works in films. His mother, Nirmala, lived with him until her death in 2019 at the age of 99. In 2018 the actor Tanushree Dutta accused him of harassing her on a film set a decade earlier, an allegation that helped start India's MeToo movement in Bollywood; he denied it, and in 2019 Mumbai police filed a closure report.
On 4 October 2026 he made what proved to be his last public appearance, addressing a club installation ceremony in Dona Paula, Goa. In the early hours of 8 October he was found unconscious at his apartment there and rushed to Manipal Hospital, where doctors performed CPR for about 45 minutes before declaring him dead at 5:20am. His death was reported as a cardiac arrest, and a medico-legal case was registered with a post-mortem to follow. Tributes came from across India's film world and politics, with Union Minister Nitin Gadkari recalling a close friendship and praising his work for farmers' families.
Biography adapted from Sources: Wikipedia (Nana Patekar; Naam Foundation); The Economic Times, NDTV, The Hindu/PTI, Times of India, India TV News (8 October 2026); Times of India interview by Priya Gupta (26 August 2015); G. Wikipedia ↗
In their own words
“I was in Class IX but that humiliation and hunger taught me so much that I didn't need to go to any acting school.”
Times of India interview, August 2015, on painting film posters from age 13
“Fortunately, today my hobby and profession is the same, that time it was compulsion.”
Times of India interview, August 2015
“I am what I am because of Vijaya Mehta, who directed my first play.”
Times of India interview, August 2015
“Whatever I am today, I am because of her.”
On his wife Neelkanti, Times of India interview, August 2015
“I have not increased my needs at all. My needs are the same.”
On his frugal life, Times of India interview, August 2015
“I feel that social reformers and actors are like national property, they should not get divided.”
On refusing to join politics, Times of India interview, August 2015
“A farmer had committed suicide and his family was being interviewed on television. It pained me to watch this and I thought as to how I could be of some help.”
On founding the Naam Foundation, Governance Now interview
“From the beginning I don't have that fear of death.”
Times of India interview, August 2015

From social media
6Posts by Vishwanath, and posts about them, kept here so they are not lost.