Libertango bassline. 83. Damn.
Their story
Pino Presti, born Giuseppe Prestipino Giarritta in Milan on 23 August 1943, was an Italian bassist, arranger, conductor, composer and record producer whose sound runs through some of the best known Italian recordings of the 1970s. His name was rarely on the front of the record sleeve, but his bass…
Pino Presti, born Giuseppe Prestipino Giarritta in Milan on 23 August 1943, was an Italian bassist, arranger, conductor, composer and record producer whose sound runs through some of the best known Italian recordings of the 1970s. His name was rarely on the front of the record sleeve, but his bass lines and orchestral arrangements helped shape the classic period of Mina, Italy's most celebrated pop singer, and he played the bass on Astor Piazzolla's 1974 recording of Libertango, one of the most famous pieces of twentieth century instrumental music.
He was the son of the violinist Arturo Prestipino Giarritta and Antonietta Arcieri, and he grew up in a musical household. He began studying piano and music theory at the age of six. He taught himself the electric bass and, at seventeen, began working as a singer and bassist in Milan clubs while also playing in recording studios. He was among the first Italian specialists of the electric bass and one of the first musicians in Italy to play a Fender Jazz Bass. Although he held a recording contract with Durium as a singer, the demand for his playing grew so quickly that he chose to concentrate on instrumental work.
Through the 1960s he became one of the most requested session bassists in Italy, recording hundreds of songs with artists including Mina, Giorgio Gaber, Ornella Vanoni, Gino Paoli, Bruno Lauzi, Fabrizio De André, Sergio Endrigo, Mia Martini, Franco Battiato, Adriano Celentano, Milva, Caterina Caselli and Loredana Bertè. In 1969 Wilson Pickett, whose own bassist had been held up at London airport, heard him play in Sanremo and chose him for his performance at the Sanremo Music Festival and the European tour that followed. He also recorded with Shirley Bassey, on the album This Is My Life and eight singles, and worked on projects arranged by Quincy Jones.
His partnership with Mina became the defining chapter of his career. After years as her bassist in the studio and on tour, he began arranging and conducting for her in 1971. Between 1971 and her final public concerts at Bussoladomani in Viareggio in 1978 he arranged and conducted 86 of her tracks, including Grande grande grande, E poi, L'importante è finire, E penso a te and Città vuota, and albums such as Frutta e verdura, Amanti di valore, Baby Gate, La Mina, Singolare and Mina Live '78. He also wrote four songs for her: Tentiamo ancora, L'amore è un'altra cosa, Amante amore and Bignè. Italian critics described Mina's 1978 return to the stage as a triumph and singled out the orchestra he directed.
In 1974 he played electric bass with Astor Piazzolla on Libertango and on Summit (Reunión Cumbre) with Piazzolla and the baritone saxophonist Gerry Mulligan, credited under his real name, Giuseppe Prestipino. Italian music press credit him with devising the bass line of Libertango. In April 1975 he toured Europe with Mulligan and Piazzolla, playing the Olympia in Paris. He also worked with Stéphane Grappelli, Maynard Ferguson, Franco Cerri, Severino Gazzelloni, Aldemaro Romero, Eartha Kitt, Brian Auger and Tullio De Piscopo.
In 1976 he created and produced 1st Round for Atlantic Records, described as the first dance funk album made in Italy, with Funky Bump, Smile and Sunny. Funky Bump became his best known recording under his own name and later a favourite with DJs and collectors. From 1977 he was composer, arranger and conductor for Rai television shows including Auditorio A, C'era due volte and Il cappello sulle ventitré, and from the 1980s he composed television music and produced records under several pseudonyms.
Away from music he trained in Shotokan karate and Goshindo under master Hiroshi Shirai from 1967 to 1985 and held a fifth dan black belt, obtained in Rome in 1987.
From 2004 he lived in France, where he produced A La Costa Sud (2009) with 28 musicians from the French Riviera. He kept working into his eighties, co-producing a tribute album to the jazz singer Shirley Bunnie Foy, releasing Deep Colors as Mad of Jazz, and overseeing reissues including a 2024 remaster of 1st Round, the 2025 project Mina Arranger Pino Presti: Finali Strumentali, and in January 2026 the original 1974 Libertango recording.
Pino Presti died in October 2026 at the age of 83. News of his death was made public on 27 and 28 October 2026, after his funeral had already taken place. He was reported to have died in Sanremo; the exact date and the cause of death have not been confirmed in published reports.
Biography adapted from Rockol (28 Oct 2026), Fanpage (28 Oct 2026), Massimo Emanuelli (28 Oct 2026), English and Italian Wikipedia, pinopresti.it. Wikipedia ↗
In their own words
“During the flight to Italy Wilson Pickett's bassist had been blocked at London airport and during the troublesome search for a substitute once he arrived in Sanremo, Pickett listened to me while I was playing with Brenton Wood; he blocked everyone and decided that I would be the bass player for him during the performance of the song Un' Avventura, in competition at the Sanremo Music Festival.”
Pino Presti on the Rai TV show Auditorio A, recalling 1969 (English translation as quoted on Wikipedia)
“Mina was accompanied by an orchestra as that of a grand Las Vegas show.”
Nantas Salvalaggio in Il Giorno, reviewing Mina's 1978 Bussoladomani concert conducted by Presti
“A child prodigy in the 1960s, Pino Presti, barely seventeen, was already in great demand and considered a wizard of the electric bass.”
Dora Giannetti, Divina Mina (1998), translated from Italian

From social media
2Posts by Pino, and posts about them, kept here so they are not lost.