I don't really know what to say. Had Icarus on in the car more times than I can count, still don't have words for this one.
Their story
Ralph Towner was an American guitarist, pianist, composer and bandleader whose work, both alone and with the long-running ensemble Oregon, folded jazz, classical music and many international traditions into a quiet, highly personal language. A master of the classical and 12-string acoustic guitars, he recorded for ECM Records for more…
Ralph Towner was an American guitarist, pianist, composer and bandleader whose work, both alone and with the long-running ensemble Oregon, folded jazz, classical music and many international traditions into a quiet, highly personal language. A master of the classical and 12-string acoustic guitars, he recorded for ECM Records for more than 50 years and released more than two dozen albums under his own name. He died in a hospital in Rome on January 18, 2026, at the age of 85.
Ralph N. Towner was born on March 1, 1940, in Chehalis, a small city in south-west Washington state, the youngest of five children. His mother, Bernice (Caverly) Towner, was a piano teacher and church organist who gave lessons at home, and his father, Milo, was a mill worker who also played the trumpet. Milo died in 1943, when Ralph was three. Ralph began improvising at the piano as a small child, and after the family moved to Bend, Oregon, he took up the trumpet, played duets with his mother and gained early experience in swing, polka and Dixieland bands. He later recalled discovering his gift for improvisation while playing along with a school ensemble on a plastic whistle. "I had an ear for it," he told DownBeat. "I knew how it worked."
In 1958 he enrolled at the University of Oregon, where he studied classical piano and composition with Homer Keller, began playing jazz piano under the spell of the Bill Evans trio, and started jamming with a self-taught bassist named Glen Moore. Two chance moments shaped the rest of his life: meeting Moore, and hearing a fellow student play Bach on a classical guitar. After graduating in 1963 he moved to Vienna to study with the guitar and lute master Karl Scheit at the Vienna Academy of Music, returning for a second period of study in 1967 and 1968. "I managed to get to Vienna, and then I locked myself in a tiny little room and practiced and studied for seven days a week," he told Guitar World.
Towner moved to New York in 1968, working as a jazz pianist in the clubs and meeting future collaborators such as the guitarist John Abercrombie. In 1969 he played the Woodstock festival with Moore, backing the folk singer Tim Hardin, and on a Hardin session the pair met the sitar and tabla player Collin Walcott. All three joined saxophonist Paul Winter's Consort, where they met the oboist and reed player Paul McCandless. Towner took up the 12-string guitar in this period and wrote key pieces for the Consort, including "Icarus." Two of his compositions, "Icarus" and "Ghost Beads," later gave their names to features on the Moon after the Apollo 15 crew carried Winter's album Road with them.
While still with Winter, the four musicians began playing on their own, and in 1971 they formed Oregon, named for the landscape where Towner and Moore had grown up. Their early album Music of Another Present Era (1972) was nominated for a Grammy, and the band went on to define a spacious, improvised chamber jazz that drew on Indian music, folk, European classical forms and the avant-garde. Towner was the group's principal composer and played guitar, piano and synthesizer. Oregon carried on after Walcott was killed in a tour-bus crash in 1984 and recorded about 30 albums, the last being Lantern in 2017. Towner kept touring with the band until 2018.
In 1972 Towner made a celebrated cameo on Weather Report's album I Sing the Body Electric, opening Wayne Shorter's "The Moors" with an improvised 12-string introduction. The following year he began a lifelong partnership with ECM founder Manfred Eicher with Trios / Solos (1973). Diary (1974), on which he overdubbed guitar and piano duets with himself, and Solstice (1975), with Jan Garbarek, Eberhard Weber and Jon Christensen, became touchstones of the label. His ECM catalogue also included duets with Gary Burton, John Abercrombie and Gary Peacock, the live Solo Concert (1980), the solo guitar showcases Ana (1997) and Anthem (2001), Chiaroscuro (2009) with Paolo Fresu, My Foolish Heart (2017) and his final album, At First Light, recorded in Switzerland in 2022 and released in 2023.
Throughout the era of electric jazz fusion, Towner stayed loyal to acoustic instruments and intimate rooms. "It's a valid instrument," he said of the electric guitar in 1975. "I'm just not drawn to it." He described himself as a "raconteur of the abstract" and in 2023 told Premier Guitar that he had been "more obsessive than I've been curious," driven by the question of where a piece of music should go next.
In the early 1990s Towner moved to Italy after meeting the actress Mariella Lo Sardo at an Oregon concert in Palermo. They married in 1994 and lived first in Palermo and then in Rome, where he found new collaborators including the trumpeter Paolo Fresu and the singer Maria Pia De Vito. His first marriage, to Janet Towner, had ended in divorce.
Towner had recently been hospitalized with unspecified health problems when he died in Rome on January 18, 2026, six weeks before his 86th birthday. His daughter, Celeste Towner, confirmed the death and did not give a cause. He was survived by his wife, Mariella Lo Sardo, his daughter, his former wife, and Phoenix Siewert, the son of his daughter's longtime partner. A PopMatters critic once called him "a tiny orchestra unto himself," and his lyrical, contrapuntal style influenced generations of acoustic players across jazz, classical and world music.
Biography adapted from The New York Times (Hank Shteamer, 2026-01-18); DownBeat (Michael J. West, 2026-01-19); The Guardian (John Fordham, 2026-02-07); la Repubblica / AGI (2026-01-18); Wikipedia. Wikipedia ↗
In their own words
“There's something about having the freedom to basically direct the music yourself. Guitar is such a good solo instrument; there's a sense of playing an ensemble kind of music, but on your own.”
On solo playing, JazzTimes interview, 2017
“It's a valid instrument. I'm just not drawn to it.”
On the electric guitar, Guitar Player, 1975
“I've been more obsessive than I've been curious.”
Premier Guitar interview, 2023
“I managed to get to Vienna, and then I locked myself in a tiny little room and practiced and studied for seven days a week.”
On studying with Karl Scheit, Guitar World
“This is a very thrilling group to be involved in. We can play everything from the 12-tone tradition to atonal-sounding music to polkas to tangos to anything else you've run across.”
On Oregon, Innerviews, 2000
“Glen and I would always talk about how beautiful Oregon was; it felt so distant and fantasy-like.”
On naming the band Oregon, Innerviews, 2017
“The reason we continue is strictly because the music keeps improving.”
On Oregon's longevity, Innerviews

same, it's a hard song to explain to people who haven't heard it