My mom rang me the second she saw this. Said he played the Peace Palace once, fifty years at the ICJ. Never heard of him before today, feels wrong somehow.
Their story
Robert Szreder was a Polish-born violinist and pedagogue who built a second, international career in the Netherlands after leaving Poland in 1974. Known to Dutch and Polish audiences as both a concert soloist and a demanding teacher, he spent more than three decades on the faculty of Conservatorium Maastricht and…
Robert Szreder was a Polish-born violinist and pedagogue who built a second, international career in the Netherlands after leaving Poland in 1974. Known to Dutch and Polish audiences as both a concert soloist and a demanding teacher, he spent more than three decades on the faculty of Conservatorium Maastricht and gave masterclasses across Europe, Asia and the Americas.
Szreder was born in 1946 in Dęblin, Poland. He studied with professor Zenon Brzewski at the Fryderyk Chopin University of Music (then the Warsaw Academy of Music) and graduated in 1970 with distinction. While still based in Poland he collected prizes at major competitions, including the International Gaudeamus Interpreters Competition in the Netherlands and the Béla Bartók Competition in Budapest. In the late communist period he was regarded, alongside figures such as Wanda Wiłkomirska, as one of Poland's leading violin export artists, with frequent foreign tours and recordings.
Political pressure changed that path. After the upheavals of 1968 and 1970 he was pressed to declare ideological loyalty and join the party. He refused. Concerts and recording dates were cancelled. An invitation to perform for the fiftieth anniversary of the International Court of Justice at the Peace Palace in The Hague still went ahead, and he became the first, and for a long time the only, artist invited to give a recital there. In August 1974 he and his wife drove out of Poland for good. He later accepted Dutch citizenship, telling interviewers that he was "Polish born" and that boys from the ruins of Warsaw learn to manage for themselves.
From 1974 he lived in the Netherlands. He taught successively in Warsaw, the Soviet Union and the United States before settling as professor of violin at Conservatorium Maastricht from 1985, continuing as professor emeritus after about 2016. Young violinists travelled from many countries to study with him. Among those associated with his class was Piotr Jasiurkowski, who later took over masterclass work at the conservatory. Szreder also stayed linked to Polish training institutions: he taught gifted pupils such as Klara Gronet and served for years as a juror for the "Będę Wirtuozem" solo violin competition organised by the Karol Szymanowski State Music Schools in Kraków, as well as on masterclass projects including "Krakowskie Wariacje".
As a performer he appeared at festivals including the Beethoven Festival in Sweden, the Mozart Festival in the United States, Warsaw Autumn and the Holland Festival. Tours took him through Western Europe, the United States, South America, Asia, Poland, Russia and Central Europe. He made numerous radio, television, LP and CD recordings, among them Polish repertoire with pianist Bogusław Jan Strobel (Paderewski and Szymanowski sonatas and Lutosławski's Partita). A 1990 Concertzender broadcast from Amsterdam's Sonesta Koepelzaal paired him with pianist Arielle Vernède in Mozart, Szymanowski, Wieniawski, Liszt and a solo work by Theo Loevendie.
Beyond the stage he conducted ensembles in the Netherlands and abroad, sat on competition juries (including the Wieniawski and Lipiński young violinists' competition in Lublin), and from 1996 to 2015 chaired the Robert Szreder Stipendium foundation before directing Robert Szreder Young Musicians Management. Polish state honours recognised his cultural diplomacy: the Medal for Merit to Culture and, in 2015, the Officer's Cross of the Order of Polonia Restituta, presented in The Hague by Ambassador Jan Borkowski. He also received the Medal of the International Court of Justice and a Thomas More Society medal.
In later interviews he spoke frankly about divided identity, rejecting easy patriotism as a slide toward nationalism, and about feeling neither fully Dutch nor fully Polish while remaining rooted in the craft he learned in Warsaw. Conservatorium Maastricht published an In Memoriam on 18 September 2026. The Kraków music schools remembered him as an artist whose sensitivity and long teaching career left a lasting mark. Robert Szreder died on 13 September 2026, aged 79. The place and cause of death were not made public.
Biography adapted from Wikipedia; Polonia.nl (2015, 2018); Festival Bled; Concertzender; Conservatorium Maastricht In Memoriam; ZPSM Kraków memorial; Library of Congress name authority. Wikipedia ↗
In their own words
“I am Polish born.”
How he introduced himself after taking Dutch citizenship, in interviews republished by Polonia.nl
“I am not a patriot, because patriotism too easily turns into nationalism, and I detest that.”
Interview with Jarosław Kociszewski (WP.pl), excerpted by Polonia.nl in 2018
“Boys from the ruins always manage on their own.”
Reflecting on starting over in the Netherlands after leaving Poland
“You have to be ten times better than others to make it here.”
On succeeding as an immigrant musician in Dutch society (Polonia.nl headline interview, 2018)

Same, my dad had his name written on an old cassette, never explained why