My uncle went the same way, a brain hemorrhage, no warning at all. Reading that he died in Catania, so close to where my family is from in Abruzzo, it stings more than I expected for someone I only know through an obituary. Riposa in pace.
Their story
Thomas Eugene Di Nardo was a Philadelphia electrical engineer who led a second life as one of the city's most prolific music writers. For 36 years he designed high voltage outdoor wiring systems for the Philadelphia Electric Company, now Peco, while for more than four decades he wrote freelance features,…
Thomas Eugene Di Nardo was a Philadelphia electrical engineer who led a second life as one of the city's most prolific music writers. For 36 years he designed high voltage outdoor wiring systems for the Philadelphia Electric Company, now Peco, while for more than four decades he wrote freelance features, profiles and reviews about classical music, opera, jazz and much else for the Philadelphia Bulletin, the Philadelphia Daily News and The Inquirer. He died on 19 September 2026 in Catania, Sicily, aged 89.
Born in South Philadelphia on 7 August 1937 and raised in Germantown, Di Nardo showed an early gift for mathematics and physics, while teachers at Germantown Friends School encouraged him to write. He earned a bachelor's degree in electrical engineering at Tufts University and joined the utility in 1960. When storms brought down wires and poles he sometimes stayed at his desk for 24 hours straight until power was restored. His son Marc said he regarded the work as a form of service to the community.
In 1974, a music loving single father of two in need of extra income, he took a night job as a freelance classical music critic for the Bulletin. When that paper closed in 1982 he moved to the Daily News and The Inquirer, filing stories until 2017. He wrote more than 1,000 features and news stories for those papers, preferring long interviews about the people behind the music to technical criticism. He was friends with the conductors Riccardo Muti and JoAnn Falletta and interviewed Luciano Pavarotti, Yo-Yo Ma and hundreds of others. He was also a tireless champion of the Philadelphia composer Romeo Cascarino, serving as executive producer when Cascarino's opera William Penn was staged at the Academy of Music in 1982.
In retirement he gathered his interviews into two books published in 2016, Performers Tell Their Stories: 40 Years Inside the Arts and Listening to Musicians: 40 Years of the Philadelphia Orchestra, and wrote 65 musician profiles for The Philadelphia Music Book. He played piano, loved photography, history and the Phillies, and served on the board of Peace Day Philly.
Di Nardo died of a brain hemorrhage after a brief illness near the end of a long planned trip to Italy that took in Tuscany, his family's ancestral region of Abruzzo and, for the first time, Sicily. Colleagues and musicians remembered him as modest, warm and generous with praise. He was survived by his longtime partner Margie Jones, his son Marc, his daughter Lisa Di Nardo Parker, a sister and a grandson. A memorial celebration was planned for a later date.
Biography adapted from The Inquirer (Gary Miles, 15 Oct 2026), The Chestnut Hill Local (Len Lear, 8 Oct 2026), The Inquirer 2017 book review, Ross Amico.
In their own words
“What I was concerned about the most was to find out the heart and soul of these people, not so much the nitty gritty.”
On interviewing musicians, 2016 online interview quoted by The Inquirer

So sorry, that kind of news never gets easier to read.