70. Saw Russian Ark years back at a film festival here in Arizona, that one shot still gets me every time I think about it. Thinking of his daughter tonight, wishing her strength through this.
Their story
Vladimir Nikolayevich Baranov (Russian: Владимир Николаевич Баранов) was a Soviet and Russian actor of stage and screen whose career ran for half a century, from the Yaroslavl drama stage in the 1970s to the Ryazan Youth Theatre, where he was still performing in the last days of his life. He…
Vladimir Nikolayevich Baranov (Russian: Владимир Николаевич Баранов) was a Soviet and Russian actor of stage and screen whose career ran for half a century, from the Yaroslavl drama stage in the 1970s to the Ryazan Youth Theatre, where he was still performing in the last days of his life. He played more than 70 stage roles in Yaroslavl and Leningrad (later Saint Petersburg), 29 more in Ryazan, and 88 roles in film and television. Millions of Russian viewers knew his face from the long running police series Streets of Broken Lights, where he played the local beat officer Pavel Tochilin, and from Secrets of Investigation, Bandit Petersburg and Agent of National Security. Many more knew his voice without knowing his name: he was the Russian dubbing voice of Disney's Winnie the Pooh from 2004.
Baranov was born on 26 May 1956 in Ryazan, then in the Russian SFSR, into a large family with four children. His mother worked as a forensic expert. His father, an agronomist who headed the regional agriculture department, died three days after Vladimir was born. After finishing Ryazan secondary school No. 34 in 1974 he left for Yaroslavl and entered the Yaroslavl Theatre School, where his teachers included People's Artists of the USSR Valery Nelsky and Firs Shishigin.
On graduating in 1976 he joined the Fyodor Volkov Yaroslavl Drama Theatre, the oldest theatre in Russia, and spent three years there in plays by Bazhov, Shukshin, Rozov and Gorbatov. In 1979 the celebrated director Zinovy Korogodsky invited him into the troupe of the Leningrad Youth Theatre (the Bryantsev TYuZ) and at the same time enrolled him in the third year of his studio at the Leningrad State Institute of Theatre, Music and Cinema, from which he graduated in 1981. He stayed at the Bryantsev theatre until 1996, playing everything from the puppy Kutya and the Little Humpbacked Horse's boy to Dromio in The Comedy of Errors and Swiss Cheese in Mother Courage. From 1996 to 1999 he worked at the Youth Theatre on the Fontanka, and from 1999 for more than a decade at the Experimental Stage led by Anatoly Praudin, where his roles included Knurov in Ostrovsky's Without a Dowry, Menshikov in Tsar Pjotr, the poet Mikhail Kuzmin in Singing Ghosts and Winnie the Pooh in The House at Pooh Corner. The Petersburg Theatre Journal critic Tatyana Dzhurova wrote that his arsenal was sparing, a fixed gaze of pale blue eyes and a velvety voice with metallic notes, but that it was enough to fix his characters in the memory.
His screen debut came in 1982, when director Gennady Glagolev cast the 26 year old in the leading role of young Sergei Korolev, the future chief designer of the Soviet space programme, in the biographical film Take-off (Razbeg). A year later he played the fighter pilot Syomushkin in Semyon Aranovich's acclaimed war drama Torpedo Bombers. In 1986 he appeared in two disaster films, Glagolev's Wingspan and Dmitry Svetozarov's Breakthrough, in which he had one of the leads as the tunneller Sherstobitov. He played the lead in Mikhail Nikitin's drama The New Scheherazade (1990) and the young militia lieutenant Kolya Ryzhov in Viktor Sergeyev's crime comedy The Genius (1991), a role many viewers still remembered him for. In Alexander Sokurov's single take film Russian Ark (2002) he appeared as Emperor Nicholas II.
Like many actors he worked little in film in the mid 1990s, but from the late 1990s he became a familiar face in Russian crime television, above all as the beat officer Tochilin in Streets of Broken Lights, a role he played across many seasons between 2004 and 2014. He also lent his voice to Russian dubs of Disney's Pooh films and series, including My Friends Tigger and Pooh and Winnie the Pooh (2011), and the 2018 film Christopher Robin.
In 2013 Baranov returned to his native Ryazan and joined the Ryazan State Regional Youth Theatre (the Theatre on Sobornaya), where he created 29 roles, among them Werner in Lermontov's Princess Mary, Friar Laurence in Romeo and Juliet, General Ivolgin in Dostoevsky's The Idiot, Papa Carlo in The Golden Key and the Mayor in Gogol's The Government Inspector. In 2022 he was named an Honoured Worker of Culture and Art of Ryazan Oblast.
Baranov died on 10 October 2026 at the age of 70. The Ryazan Youth Theatre announced his death the same day, calling him a radiant, bright and kind man and an actor of rare talent and unsurpassed charm. His daughter told TASS that he had been ill for a short time. The exact cause of death was not made public. According to his daughter, a farewell will be held in Saint Petersburg on 13 October 2026 and he will be cremated.
Biography adapted from Ryazan State Regional Youth Theatre; Russian Wikipedia; RIA Novosti; Gazeta.ru; Newsroom24; News.ru; RZN.info; RT (TASS); AiF; Petersburg Theatre Journal.
In their own words
“Today the actor of our theatre Vladimir Nikolayevich Baranov passed away. A radiant, bright, kind man, an actor of rare talent and unsurpassed charm.”
Ryazan State Regional Youth Theatre, announcing his death, 10 October 2026 (translated from Russian)
“Not a single character played by Vladimir Nikolayevich left anyone indifferent; audiences both laughed and cried. He knew how to touch some hidden strings of our souls and draw out openness and sincerity.”
Ryazan Youth Theatre statement, via Gazeta.ru, 10 October 2026 (translated)
“Each of his roles, both on stage and on screen, is vivid, filled with deep meaning regardless of its scale, and unforgettable.”
Ryazan Youth Theatre statement, via Newsroom24, 10 October 2026 (translated)
“An impossible loss. In our theatre he recorded a funny and charming announcement for the audience before the start of the performance. And yesterday, when his voice sounded, we could not hold back our tears.”
Ilya Taleev, Ryazan Youth Theatre colleague, to AiF, 11 October 2026 (translated)
“Vladimir Nikolayevich was ill. Not for long, but he was ill.”
His daughter, to TASS, 11 October 2026 (translated)
“Vladimir Baranov is one of those who fire not buckshot but a bazooka.”
Critic Tatyana Dzhurova, Petersburg Theatre Journal No. 48 (translated)

From social media
2Posts by Vladimir, and posts about them, kept here so they are not lost.