Came to Terminator 2 in my thirties, years after everyone else apparently. Didn't expect the line about Sarah Connor's own mother dying, or how much the T-1000 scenes still work. 71 is no age.
Their story
William Howard Peter Wisher Jr., known to friends as Bill, was an American screenwriter, producer, and occasional actor whose partnership with James Cameron helped define modern science fiction cinema. Born on May 23, 1955, and raised in Brea, California, a small north Orange County town, he grew up with an…
William Howard Peter Wisher Jr., known to friends as Bill, was an American screenwriter, producer, and occasional actor whose partnership with James Cameron helped define modern science fiction cinema. Born on May 23, 1955, and raised in Brea, California, a small north Orange County town, he grew up with an early interest in theater and performance. As a teenager he met Cameron through a mutual friend, Sharon Williams, who later became Cameron's first wife. The two bonded over films and science fiction, kicked around Brea with mutual friend Randy Frakes, and began teaching themselves how movies were made.
Wisher first planned to be an actor. He appeared in Cameron's early short Xenogenesis (1978) and worked in local theater. After a brief early marriage and divorce in his mid-twenties, he decided to pursue writing instead of returning to college for a traditional degree. He collected UCLA creative writing syllabi, bought the books, audited work at home, and taught himself screenplay craft. He and Cameron shared an apartment in the San Fernando Valley in the early 1980s while they developed what became The Terminator (1984). Cameron had written a long treatment; Wisher fleshed out police-station and early Sarah Connor sequences. He received an "Additional Dialogue" credit and co-wrote the novelization, and Cameron cast him as the LAPD officer whose cruiser the Terminator steals. Wisher later joked that the SAG card from that cameo mattered as much as the writing credit.
When rights and financing finally allowed a sequel, Cameron called Wisher to co-write Terminator 2: Judgment Day (1991). Working under a tight July 4 release deadline, they invented the story together in the same room, then split a treatment and reassembled a full screenplay in about six and a half weeks. Their radical idea was to turn Schwarzenegger's T-800 into a protector of young John Connor and to invent the liquid-metal T-1000 as its opposite. Wisher received a full "Written by" credit with Cameron. He also appeared on screen again as the Galleria photographer who snaps pictures of the T-800 rising after being thrown through a store window. Between the Terminator films he played news reporter Bill Tyler in Cameron's The Abyss (1989).
T2's success opened a two-decade career as a credited writer and a busy Hollywood script doctor. He co-wrote Judge Dredd (1995) with Steven E. de Souza (story with Michael De Luca), The 13th Warrior (1999) with Warren Lewis, and both Exorcist prequels with Caleb Carr: Exorcist: The Beginning (2004) and Dominion: Prequel to the Exorcist (2005). He was an executive producer on Live Free or Die Hard (2007) and co-wrote Pierce Brosnan thriller I.T. (2016). Uncredited revision work over the years included Die Hard with a Vengeance, Broken Arrow, Eraser, Mercury Rising, Pumpkinhead, and others. In interviews he insisted that action films only work when they are dramatic stories first: characters and themes, then car chases and gunshots.
Wisher described himself as a Roman Catholic with a Zen Buddhist topping, a product of Jesuit schooling that taught him intellectual honesty, and a writer who kept returning to redemption stories. He was married to Deborah Lynn Wisher for 22 years. He died peacefully at home on July 14, 2026, at the age of 71. His family remembered his kindness, humor, and imagination as much as the films. Terminator producer Gale Anne Hurd called him integral to The Terminator and "such an all around great guy." The stories he helped shape, especially Judgment Day's blend of spectacle and human stakes, continue to reach new audiences on every format that follows.
Biography adapted from Wikipedia; Dignity Memorial (McAulay & Wallace); Deadline; TheWrap; Rolling Stone; Radio Gabriel (2019); Under the Radar (2017); TMDB.
In their own words
“William believed that stories have the power to connect people across generations. While the world celebrates the unforgettable films he helped create, we will remember him for his kindness, his humor, his brilliant imagination, and the love he gave so freely to his family and friends.”
Family statement after his death, reported by Deadline and TheWrap, July 2026
“Such terribly sad news…Bill was not only integral to THE TERMINATOR but he was such an all around great guy. RIP”
Gale Anne Hurd, Terminator producer, after Wisher's death (Deadline)
“It's a dramatic film. T2 is not an action film in my mind - even though there's plenty of action in it.”
Wisher reflecting on Terminator 2; quoted in Rolling Stone obituary coverage of his 2017 remarks (hyphenated here without em dash)
“The Terminator is very much like It's a Wonderful Life. It's a story that says your life makes a difference. On the surface you're nobody, but you could be the most important person in the world.”
Wisher on The Terminator's theme, widely recirculated in tribute posts after his death
“We were young and broke and had all the enthusiasm in the world and everything in front of us.”
On making Xenogenesis with Cameron; TheWrap obituary
“That was a daunting decision at the time.”
On flipping the T-800 into a hero for T2; quoted in Rebecca Keegan's Cameron biography The Futurist, via TheWrap
“I like action films because they're fun and because you know they're hyper real. You can have a character who can be the architect of their destiny in a way that you can't in real life. They're not just silly movies, they're mythical.”
Radio Gabriel interview, 2019
“Nobody cares how big an explosion is... none of it matters if you don't care about the characters.”
Radio Gabriel interview on character-first action writing, 2019

T2 holds up better than most films twice its budget today.