Watched the 2018 summit live on the news with my husband, and the camera lingered on that stone with the Korean lettering before anyone explained what it said. Years later I learned it was his work, Minche script, written in one breath he said. Seventy years old. That image stuck with me longer than most of the actual politics from that day.
Their story
Yeo Tae-myeong (여태명, 余泰明), known by his pen name Hyobong (曉峰), was a South Korean calligrapher, painter, seal carver and letter artist who gave the free, unpolished handwriting of ordinary Joseon-era people a name and a place in modern art: Minche (민체, 民體), the "people's script". He died on 16…
Yeo Tae-myeong (여태명, 余泰明), known by his pen name Hyobong (曉峰), was a South Korean calligrapher, painter, seal carver and letter artist who gave the free, unpolished handwriting of ordinary Joseon-era people a name and a place in modern art: Minche (민체, 民體), the "people's script". He died on 16 October 2026 at the age of 70.
He was born in 1956 in Baegun-myeon, Jinan County, North Jeolla Province. He first picked up a brush in the fourth grade of elementary school, when he joined the school calligraphy club and a teacher told him he wrote well. In sixth grade he took first place in a Jinan County art competition, and in middle school he began painting in watercolour. After graduating from Jeonju High School, he majored in Korean painting in the art education department of Jeonju University and went on to study painting at the same university's graduate school. Through those years he never put down the brush, and he also studied seal carving and literati painting.
For more than 30 years he taught at the College of Fine Arts of Wonkwang University in Iksan, where he later became professor emeritus. Tired of copying the classical models of Wang Xizhi and others, he went looking for something new and found it in old bookshops and antique stores: letters, novels, gasa verses and household records written in Hangul by the grandmothers and grandfathers of the Joseon era. He collected and studied around 1,000 such manuscripts over roughly a decade, presented the concept of Minche to the academic world in 1992, and built his own body of work on it. Where the palace script (Gungche) bows its head like a court lady before the king, he liked to say, Minche walks through the market with its head held high after a cup of makgeolli. At first many dismissed it as badly written, but in time it became a recognised genre of Hangul calligraphy.
He wanted calligraphy to leave the glass display case and live in daily life. In 1998 he developed computer fonts based on Minche, including "Hyobong Gaettongi-che", which later became familiar to millions as the title lettering of the KBS 2TV variety show "2 Days & 1 Night", as well as "Chukje-che". He wrote the "Jeonju" signboards at the hanok-style Jeonju tollgate, making the consonant small and the vowel large on the inbound side so that a child returning home seems to fall into a mother's embrace, and reversing the proportions on the outbound side as a wish for success. He also wrote the signboard of the Jeonju District Court.
His best-known piece is the phrase "Planting Peace and Prosperity" (평화와 번영을 심다) carved on the memorial stone beside the pine tree planted by Moon Jae-in and Kim Jong-un on the Military Demarcation Line at Panmunjom during the inter-Korean summit of 27 April 2018. He received the request six days before the summit, sent versions in three styles, and the Minche version was chosen. He later called it the most secret and most glorious writing of his sixty years with the brush, written in a single breath without rehearsal.
Yeo crossed freely between calligraphy, ink painting, seal carving, letter design and calligraphy performance. His 1998 work "Yeo Tae-myeong Is Geosigi" scrambled Hangul letters, old characters, the alphabet and arrows, and his 2014 solo exhibition "Letters Came to Me" paired the verses of eleven poets, among them Ahn Do-hyun, Shin Kyung-rim and Do Jong-hwan, with ink and colour. He held solo exhibitions in Jeonju, Seoul, Paris, Berlin and Beijing, and his work appeared in the National Museum of Modern and Contemporary Art's 2020 survey of modern Korean calligraphy, "Calligraphy in Korean Modern and Contemporary Art". He served as president of the Korea Calligraphy Design Association and the Korean National Calligraphers Association, headed the Yeo Tae-myeong Letter Formation Research Institute and other studios, and was a visiting professor at the Central Academy of Fine Arts in Beijing.
He was also an artist who acted on his convictions. After the Sewol ferry disaster he wrote "The truth does not sink" on a life jacket at Gwanghwamun, and he took up his brush in the squares during the impeachment movements against Park Geun-hye and, after the martial law declaration of 3 December 2024, Yoon Suk Yeol. His honours included the Jeolla Art Award, the Dong-A Art Award, the Jeonju City Arts Award and the Korea Art Award.
His death was reported on 16 October 2026; the cause was not made public. He was survived by his wife, Seo Gyeong-ju, his sons Yeo Gang-mo and Yeo Hyeok-mo, his daughter-in-law Lee Yu-na and his brother Yeo Tae-heon. His funeral was held at the Seoul St. Mary's Hospital funeral hall, with the procession on 18 October, and he was laid to rest at the family burial ground in Baegun, Jinan, after passing through Cheonan Memorial Park. His students remember his parting advice: each should live by their own eyes, write their own hand, and one day share a bowl of makgeolli under the pavilion tree.
Biography adapted from Yonhap News (2026-10-16); Jeonbuk Ilbo (2020-03-08, 2026-10-16); Jeonbuk Domin Ilbo (2026-10-16); Jeolla Ilbo; Hankyoreh (2026-10-27); JoongAng Ilbo; ABC News (2026-10-17); Korean Wikipedia; Namuwiki. Wikipedia ↗
In their own words
“In my sixty years of calligraphy, 'Planting Peace and Prosperity' was the most secret and the most glorious writing. It was written in the Minche I studied all my life, in a single breath, without any rehearsal.”
Interview with Jeonbuk Ilbo, March 2020 (translated from Korean)
“I got the request six days before the summit. I sent it in three styles: the Hunminjeongeum and Yongbieocheonga style, the Wanpanbon style, and Minche. Of the three, the Minche version was chosen.”
Interview with JoongAng Ilbo photographer Kwon Hyuk-jae (translated)
“In an old bookshop there was the writing of grandmothers and grandfathers from long ago. It was the writing of the common people, written with all their sincerity. Collecting and studying it is how Minche came about.”
JoongAng Ilbo interview (translated)
“Tradition is not something fixed. It is what has changed and developed. We must learn today's trends and graft them onto tradition, and then for those who come 100 or 200 years later, what we developed will become tradition.”
Interview with Jeonbuk Ilbo, March 2020 (translated)
“You live your way and I will live mine. Let us each work hard, and later share a bowl of makgeolli under the pavilion tree.”
His advice to students, recalled by a former student in Hankyoreh, October 2026 (translated)

It really was striking, I remember commentators mentioning the stone too