"Thank you, dear father of Vivaldi studies." That's the whole obituary right there.
Their story
Antonio Fanna was an Italian musicologist and businessman from Treviso who did more than almost anyone to bring the music of Antonio Vivaldi back from two centuries of neglect. In 1947, while still a student, he founded the Istituto Italiano Antonio Vivaldi with the conductor Angelo Ephrikian, and over the…
Antonio Fanna was an Italian musicologist and businessman from Treviso who did more than almost anyone to bring the music of Antonio Vivaldi back from two centuries of neglect. In 1947, while still a student, he founded the Istituto Italiano Antonio Vivaldi with the conductor Angelo Ephrikian, and over the following decades it published the complete instrumental works of the Venetian composer.
Fanna was born in Treviso on 7 April 1926. He studied economics at Ca' Foscari University in Venice while also taking courses in conducting and experimental composition at the Benedetto Marcello Conservatory. Attending rehearsals of the orchestra of La Fenice, he met Ephrikian, and in 1946 Ephrikian showed him a newly published catalogue of Vivaldi's compositions. The two young men decided to bring the forgotten music back to life.
The institute was founded early in 1947, and on 18 March that year Fanna, as its president, signed a contract with the publisher Ricordi. The composer Gian Francesco Malipiero became artistic director and editor of the series. The institute's archive of some 22,000 photographic frames of Vivaldi's manuscripts was kept at Villa delle Rose in Selvana, near Treviso, where copyists transcribed the scores. By 1972 the edition had reached its 530th score, completing the instrumental works. In 1968 Ricordi published Fanna's thematic catalogue of Vivaldi's instrumental music, whose F. numbers were widely used until Peter Ryom's RV catalogue replaced them.
In 1978, the 300th anniversary of Vivaldi's birth, Fanna gave the institute to the Fondazione Giorgio Cini on the island of San Giorgio Maggiore in Venice, where he remained its director. Under him the institute began critical editions of Vivaldi's sacred and secular vocal music and his operas, working with scholars such as Michael Talbot, Peter Ryom and Reinhard Strohm, and became a world centre of Vivaldi research. In 1997 he handed the direction to his son, Francesco Fanna.
Antonio Fanna died on 23 October 2026, a few months after his 100th birthday. Il Gazzettino and Il Giornale della Musica marked his death, and the conductor and scholar Federico Maria Sardelli thanked him as the "dear father of Vivaldi studies". His work lives on whenever a Vivaldi score is placed on a music stand.
Biography adapted from Italian Wikipedia (CC BY-SA 4.0), Il Giornale della Musica (25 October 2026) and Il Gazzettino (24 October 2026). Wikipedia ↗
In their own words
“Thank you, dear father of Vivaldi studies.”
Federico Maria Sardelli's tribute, reported by Il Giornale della Musica, 25 October 2026 (translated from Italian)

Sardelli said that about him, not the other way round, but yeah, says it all.