84. Retalhos de Cetim played at my aunt's wedding.
Their story
Benito di Paula, born Uday Vellozo on 28 November 1941 in Nova Friburgo, in the mountains of Rio de Janeiro state, was one of the best-selling and most recognisable Brazilian singers of the 1970s. A self-taught pianist, singer and songwriter, he built a style of his own by sitting at…
Benito di Paula, born Uday Vellozo on 28 November 1941 in Nova Friburgo, in the mountains of Rio de Janeiro state, was one of the best-selling and most recognisable Brazilian singers of the 1970s. A self-taught pianist, singer and songwriter, he built a style of his own by sitting at the piano and pounding out samba with romantic melodies, jazz-tinged chords and a showman's flair. Hits such as "Retalhos de Cetim", "Charlie Brown", "Mulher Brasileira", "Do Jeito que a Vida Quer" and "Ah! Como Eu Amei" made him a household name, and reports at his death credited him with more than 50 million records sold.
He was the son of José Vellozo, a railway worker at the Leopoldina line, and Maria, in a humble family with 13 children. His father, of Romani (cigano) descent, played piano, mandolin and guitar at home and ran a carnival block, and the boy learned music by watching him. As a teenager he sang at the Hotel Avenida in central Nova Friburgo at the invitation of Alfredo Motta, and together they chose the stage name Benito, later adding "di Paula" to give it an Italian ring.
At 17 he went to serve in the Brazilian Army in Rio de Janeiro and lived on the Morro da Formiga in Tijuca. He worked as a crooner in Rio nightclubs such as the Balalaika in Copacabana, singing everything but jazz, before friends invited him to earn more in Santos and São Paulo. There he played piano in bars and clubs, including the Catedral do Samba in Bixiga, and São Paulo became his artistic home.
His first recording, "Final", was made with Portinho e sua Orquestra, and singles followed on the Continental label. In 1969 "Canção para o Nosso Amor" became the theme of the TV Tupi telenovela Nino, o Italianinho, and in 1970 "Faça de Mim uma Ilha" won the Chico Viola prize from TV Record. Copacabana Records released his first LP in 1971. It included Chico Buarque's "Apesar de Você", and under the military dictatorship the record was withdrawn from shops.
The breakthrough came with "Retalhos de Cetim", released as a single in 1973 and soon recorded by Jair Rodrigues, the Paul Mauriat orchestra and guitarist Charlie Byrd. The live album Gravado ao Vivo (1974) carried "Charlie Brown", a song he spent five years writing after discovering the Peanuts comics in an Italian boarding house in Santos. It became an international hit, covered by Two Man Sound and Sylvia Vrethammar. In 1975 he hosted Brasil Som 75 on TV Tupi, launched "Mulher Brasileira" and joined Gilberto Gil, Paulinho da Viola, Jorge Ben Jor and Beth Carvalho in Brazil's delegation to MIDEM in Cannes. In 1976 he won the Troféu Imprensa as best singer.
Critics labelled his blend of samba, piano and romantic arrangements "samba-joia", a term he always rejected as pejorative. He called himself a "sambeiro" and a "pianeiro", insisted that popularity did not lessen the worth of his music, and answered rumours that he was ill or even dead with the 1977 song "Osso Duro de Roer". He performed in suits and tuxedos as a tribute to the elegance of Ataulfo Alves, and wrote homages to Ataulfo, Luiz Gonzaga (who called him his stepson), Vinicius de Moraes, Tom Jobim and Ayrton Senna.
In the 1980s he recorded for WEA, RGE and Copacabana. "Ah! Como Eu Amei" returned him to the charts in 1981, and "Amigo do Sol, Amigo da Lua" became a theme in the Globo telenovela A Gata Comeu. His 1985 album Nação spoke for Indigenous Brazilians and greeted the return to democracy. After Baileiro (1996) he went 13 years without a new record while still touring. A new generation rediscovered him through covers by Grupo Revelação, Alcione and Paulinho Moska, and in 2009 he recorded his first DVD at Vivo Rio for EMI.
Later years brought both loss and renewal. In 2014 his longtime home in Morumbi was expropriated for São Paulo's metro, and in September 2019 his son André Vancellote Vellozo died aged 36. Working closely with his son, singer and pianist Rodrigo Vellozo, he released the album O Infalível Zen on his 80th birthday in 2021, followed by the tribute record Benito 80 and the 2023 EP Do Jeito que a Vida Quer. In the 2025 São Paulo carnival the samba school Águia de Ouro paraded the theme "Em Retalhos de Cetim, a Águia de Ouro do jeito que a vida quer" in his honour, with Benito riding on the final float. In July 2026 he took part in Benito 85, a show created by Rodrigo to mark his upcoming 85th birthday.
Benito di Paula died on 18 October 2026 in São Paulo, aged 84, at the Hospital 9 de Julho, where he was being treated for prostate cancer diagnosed about a year earlier. His survivors include his son Rodrigo Vellozo and his granddaughter Aurora. His songs, still sung in samba circles across Brazil, keep the voice and the piano of a man who said simply that he played "out of necessity".
Biography adapted from Wikipedia (English and Portuguese); Folha de S.Paulo (18 Oct 2026; 10 Oct 1997 interview); CNN Brasil; O Globo; Extra; Gshow; g1; Estadão (18 Oct 2026); UOL (2019).
In their own words
“Music has to be eternal. It is not chewing gum that you chew and throw away.”
Interview with Folha de S.Paulo, 10 October 1997 (translated from Portuguese)
“I am not a soda bottle to be labelled. It is a lack of culture in whoever said that. To this day I perform in a tuxedo and bow tie.”
Asked by Folha de S.Paulo in 1997 whether it bothered him to be called samba-brega or cafona (translated)
“I say I am not a sambista, I am a sambeiro. I am not a pianist, I am a pianeiro.”
Folha de S.Paulo interview, 1997 (translated)
“I wanted to be the Beatles. What could be more commercial than them?”
Responding to accusations that his music was too commercial, Folha de S.Paulo, 1997 (translated)
“The people lack culture. I am the people, thank God. I lived on the Morro da Formiga, in the favela, in the dives of Santos. My diploma is from life.”
Jornal da Tarde, Palavra Cruzada section, 23 November 2009 (translated)
“I play neither by reading music nor by ear. I play out of necessity!”
Joking on The Noite with Danilo Gentili, SBT, June 2017 (translated)
“Everything I lived was worth it. I remember every scene. Everything changed. If I made mistakes, I made them my way.”
Lyric from his song "Meu Retrato", released 2021 (translated)

same, my parents danced to that one