84 is a good long run, and he spent most of it saying the same true thing until people finally listened. Thinking of Kathy, 43 years is no small thing either.
Their story
Joseph Allen "Country Joe" McDonald (1942 to 2026) was an American singer, songwriter, guitarist and activist who co-founded the San Francisco psychedelic band Country Joe and the Fish and wrote "I-Feel-Like-I'm-Fixin'-to-Die Rag", the darkly comic protest song that became one of the defining anthems of opposition to the Vietnam War.…
Joseph Allen "Country Joe" McDonald (1942 to 2026) was an American singer, songwriter, guitarist and activist who co-founded the San Francisco psychedelic band Country Joe and the Fish and wrote "I-Feel-Like-I'm-Fixin'-to-Die Rag", the darkly comic protest song that became one of the defining anthems of opposition to the Vietnam War.
He was born in Washington, D.C., on January 1, 1942, and grew up in El Monte, California, the son of Worden McDonald, an Oklahoma-born telephone company worker, and Florence (née Plotnik), the daughter of Russian Jewish immigrants who later served for many years as the City Auditor of Berkeley. Both parents had been Communist Party members in their youth and named their son after Joseph Stalin. In the 1950s his father lost his job after being called before the House Un-American Activities Committee. Joe learned music on his father's Hawaiian guitar, began writing songs as a teenager and led the Arroyo High School marching band.
At 17 he enlisted in the U.S. Navy and spent three years stationed in Japan, an experience that left him with lasting sympathy for people in uniform. After a year at Los Angeles State College he moved to Berkeley in the early 1960s, busked on Telegraph Avenue, played on Gert Chiarito's Midnight Special show on KPFA, and formed the Instant Action Jug Band with Barry "The Fish" Melton and the Berkeley String Quartet. He joined the Free Speech Movement and the early protests against the Vietnam War.
In 1965 he and Eugene "ED" Denson launched Rag Baby, a magazine about the Bay Area folk scene. A "talking issue" record made for the magazine carried the first version of "I-Feel-Like-I'm-Fixin'-to-Die Rag", a song he said he wrote in well under an hour. Country Joe and the Fish played their first show under that name on November 5, 1965, at UC Berkeley alongside the Fugs and Allen Ginsberg. Denson suggested the band name and the nickname "Country Joe", having heard that Stalin was called that during the Second World War.
Signed to Vanguard Records, the band moved from jug-band folk to electric acid rock. Their debut, Electric Music for the Mind and Body (1967), is regarded as a landmark of psychedelic rock and produced their only Billboard singles chart entry, "Not So Sweet Martha Lorraine". They played the Monterey Pop Festival in June 1967, the Human Be-In, the Avalon Ballroom and the Fillmore, and followed with I-Feel-Like-I'm-Fixin'-to-Die (1967), Together (1968), Here We Are Again (1969) and CJ Fish (1970). The "Fish Cheer" that opened their signature song became the "F-U-C-K" cheer in 1968, which got the band dropped from a festival tour and cancelled from The Ed Sullivan Show, and later led to his arrest and a fine for obscenity in Worcester, Massachusetts.
His defining moment came at Woodstock in August 1969, when he led the crowd of roughly 400,000 through the cheer and sang "Fixin'-to-Die Rag" alone with an acoustic guitar. The performance, shown in the 1970 Woodstock film with a bouncing ball over the lyrics, made the line "One, two, three, what are we fighting for?" known around the world.
The Fish broke up around 1970 and McDonald went on to more than 30 solo albums, beginning with Thinking of Woody Guthrie (1969), one of the first major tribute albums to his hero. He set Robert W. Service's war poems to music on War War War (1971), recorded Paris Sessions (1973) and Paradise with an Ocean View (1975), relaunched Rag Baby Records with Bill Belmont, worked with Jerry Garcia on Superstitious Blues (1991) and Carry On, and kept recording into the 2010s with Time Flies By (2012) and 50 (2017). He also appeared in the films Zachariah, Gas-s-s-s and More American Graffiti, and in the 1993 miniseries Tales of the City.
Activism ran through his whole life. He testified for the defence at the Chicago Seven trial in 1970, where the judge forbade him to sing, so he recited the lyrics instead. He toured with the antiwar FTA Show alongside Jane Fonda and Donald Sutherland, campaigned with Save the Whales and Greenpeace, and later protested the Iraq War with Cindy Sheehan. He became one of the most devoted musical allies of Vietnam veterans, recording songs such as "Agent Orange", playing countless benefits, and leading the effort to build the Vietnam Veterans Memorial in Berkeley, unveiled in 1995.
McDonald was married four times and had five children: Seven Anne with Robin Menken, Devin and Tara with Janice Taylor, and Emily and Ryan with Kathy, his wife of 43 years. In the late 1960s he was romantically involved with Janis Joplin, who asked him to write her a song; the result was "Janis".
Country Joe McDonald died at his home in Berkeley, California, on March 7, 2026, aged 84, from complications of Parkinson's disease, surrounded by his family. No public memorial was planned at the time of the announcement.
Biography adapted from Wikipedia; The New York Times (2026-03-08); Rolling Stone (2026-03-08); USA Today (2026-03-08); The Guardian obituary by Adam Sweeting (2026-03-10); Associated Press via NBC News (2026-03-09).
In their own words
“It's essentially punk before punk existed.”
On I-Feel-Like-I'm-Fixin'-to-Die Rag, to The New York Times
“Some people alluded to peace and stuff, but I was talking about Vietnam.”
On Woodstock, to The Associated Press, 2019
“My family were the only communists in the entire area, and we lived a very isolated life.”
Let It Rock magazine, 1974
“I was just thrilled to be a part of this new counterculture and new tribe because I had never really felt comfortable in the other tribes that I was a part of growing up and in the Navy.”
Aquarium Drunkard interview, 2018
“Many remembered the ugly confrontations that had happened during the war years in the city. Yet the atmosphere proved to be one of reconciliation, not confrontation.”
Writing about the 1995 dedication of the Berkeley Vietnam Veterans Memorial

it really isn't, that stood out to me too