Not someone I knew much about outside of Etienne, but that video still looks ahead of its time. 1987 and she was already doing things people say Madonna copied.
Their story
Guesch Patti, born Patricia Yolande Ghislaine Porrasse in Neuilly-sur-Seine on 16 March 1946, was a French dancer, singer, songwriter, choreographer and actress. To millions of listeners across Europe she was the voice and the moving body of "Étienne", the 1987 single that topped the French Top 50, reached number one…
Guesch Patti, born Patricia Yolande Ghislaine Porrasse in Neuilly-sur-Seine on 16 March 1946, was a French dancer, singer, songwriter, choreographer and actress. To millions of listeners across Europe she was the voice and the moving body of "Étienne", the 1987 single that topped the French Top 50, reached number one in Italy and sold well over a million copies. To the people who worked with her, she was above all a dancer who happened to have a hit record, an artist who described herself as a "chameleon" and who wanted to "work quietly with all the arts".
Her father, Jean Porrasse (1923 to 1995), was an artistic agent and director at Pathé-Marconi, and her mother was named Linda. Her godfather was the actor Bernard Blier. She studied classical ballet as a child and at the age of nine became a "petit rat", a pupil of the Paris Opera Ballet. Roland Petit engaged her at fifteen. About eight years later she left classical ballet for contemporary dance, working with Joseph Russillo, Carolyn Carlson, Pina Bausch, Karlheinz Stockhausen and Sylvano Bussotti, and in 1976 with Anne-Marie Reynaud's Four solaire and Odile Azagury. She also danced on French television, accompanying singers such as Nana Mouskouri and Sylvie Vartan.
Singing ran alongside the dancing from early on. In 1964 and 1965 she recorded four EPs with her husband, the pianist and singer Yves Gilbert, under the name Yves et Patricia. They were married from 1964 to 1974. In 1984 she co-founded the trio Dacapo with Lydie Callier and won the Radio Mont-Blanc discovery prize at a festival in Dijon. Around this time she took the stage name Guesch, from a Basque nickname (Gaixoa) her grandfather had given her, with Patti as a short form of Patricia.
Her solo breakthrough came in June 1987 with "Étienne", for which she wrote the words to music by Vincent Bruley. The black and white video, directed by Lydie Callier, showed her in a provocative, highly choreographed striptease and was banned from broadcast in several countries. The song spent five weeks at the top of the French Top 50, reached number three in Switzerland, number six in Austria and number nine in West Germany, and was certified gold in France. On 19 December 1987 she won the Victoire de la musique for female revelation of the year, ahead of Vanessa Paradis and Maurane, and she later received the Prix Vincent-Scotto. The song also tangled her in a long legal dispute after she signed with two producers at once, a case settled by a court in 1995.
Her first album, Labyrinthe (1988), included the follow-up single "Let Be Must the Queen", which reached number 25 in France. Nomades followed in January 1990, with a European tour and concerts in the United States and Canada, but the singles did not chart. Gobe (1992) was recorded in Minneapolis at Prince's studios with his former drummer Bobby Z as producer. Critics admired it but it sold poorly. Blonde (1995) moved toward electronic sounds and featured Étienne Daho, Françoise Hardy and Matthieu Chedid. The British director Peter Greenaway used "La Marquise", "Blonde" and "La Chinoise" in his 1996 film The Pillow Book. Her fifth album, Dernières Nouvelles (2000), was followed in 2002 by a DVD mixing songs, choreography and a mock interview, and the same year she recorded "Dans tes yeux" with Chilly Gonzales.
From 2001 she stepped back from the music industry. She told AFP that the huge success of "Étienne" had swallowed the rest of her career, and on France 3 in 2002 she said that the pressure of fame had not suited her character at all and that she disliked prizes because artists are unique and should not be in competition. She returned to dance with Elle sourit aux larmes, five solos by Odile Azagury, Odile Duboc, Pascale Houbin, Daniel Larrieu and Dominique Mercy, and built a stage career in theatre: The Vagina Monologues, Brecht and Weill's The Threepenny Opera directed by Christian Schiaretti, Michel Vinaver's Par-dessus bord, Jésus Camacho 404 284 and Allegro ricordando directed by Georges Lavaudant. She appeared in films by Claude Lelouch (Une pour toutes), Luís Galvão Teles (Elles, with Miou-Miou, Marthe Keller, Marisa Berenson and Carmen Maura), Viviane Candas (Suzanne) and Audrey Estrougo (Toi, moi, les autres), and in Gabriel Aghion's TV film Monsieur Max. In 2006 she sat on the jury of France 2's Dancing Show, and in 2010 she was on the jury of the first Prix Barbara. Her later stage pieces included RE-VUe (2014) and the contemporary dance work Per au travers, which toured until 2020.
Guesch Patti died in Paris (15th arrondissement) in the night of 21 to 22 June 2026, aged 80, after a long illness, as announced by her manager Sébastien d'Assigny. Her funeral took place on 3 July 2026 at the Père-Lachaise crematorium, with the ceremony relayed outside for the public. Her coffin, painted in bright colours by the artist Élodie Lachaud, bore the words "Glad to be there". The actress Isabelle Nanty attended, and the choreographer Daniel Larrieu danced in her honour.
Biography adapted from Wikipedia (en, fr); franceinfo/AFP (22 June 2026); RTS (23 June 2026); Le Monde (22 and 23 June 2026); Le Figaro; Midi Libre; Gala; melty.fr; BFM TV (2018); SACEM museum. Wikipedia ↗
In their own words
“I don't want to live again what I went through with Etienne. I want to protect myself from another media frenzy. I'm done playing.”
To AFP in 2001, translated from French ("Je n'ai pas envie de vivre à nouveau ce que j'ai connu avec Etienne... J'ai fini de jouer"), as quoted by franceinfo
“I think a kind of pressure fell on me that did not suit my character at all.”
On France 3 in 2002, translated from French, as quoted by franceinfo
“Artists are unique. They don't have to be in competition.”
Explaining why she hated awards, France 3 talk show On ne peut pas plaire à tout le monde, 26 April 2002, translated from French
“Work quietly with all the arts.”
How she described what she loved to do, calling herself a chameleon, as quoted by franceinfo (translated from French)

she really did do it first, the dance in that video is unreal