my mom called me and she was properly crying, said she read Fence back in grad school and it messed her up in a good way. I'd never heard the name till today. 88 years old, she was still writing into the 2010s, that's kind of incredible.
Their story
Ila Arab Mehta was a Gujarati novelist and short story writer whose quiet, disciplined pen gave Gujarati fiction some of its first artistic portraits of women claiming their own identity. Born in Bombay (now Mumbai) on 16 June 1938, she was the daughter of the well known Gujarati writer Gunvantrai…
Ila Arab Mehta was a Gujarati novelist and short story writer whose quiet, disciplined pen gave Gujarati fiction some of its first artistic portraits of women claiming their own identity. Born in Bombay (now Mumbai) on 16 June 1938, she was the daughter of the well known Gujarati writer Gunvantrai Acharya and the elder sister of the novelist and playwright Varsha Adalja. Her family came from Jamnagar, and she went to school in Jamnagar, Rajkot and Mumbai.
She took a BA in Gujarati and Sanskrit with first division from Ramnarain Ruia College in 1958, winning the Tuljagauri Krishnalal Zaveri scholarship, and completed her MA in the same subjects in 1960. She then taught Gujarati at Ruia College from 1960 to 1967.
In 1964 she married Dr Arab Mehta, a doctor, and kept his first name alongside her own for the rest of her writing life. The couple had a son, Dr Salil Mehta, and a daughter, Sonali. In 1965 her father died suddenly, leaving his novel Ramat Ramade Ram unfinished. The family asked Ila, who had already been writing for magazines such as Akhand Anand, Navneet and Stree Jeevan, to complete it. She wrote the final chapters in a fortnight, and that task launched her own career as a novelist.
Her first novel, Trikonani Tran Rekhao, appeared in 1969, followed by Thijelo Aakar (1970), Radha (1972), Ek Hata Diwan Bahadur (1976), Batris Laxno (1976), Aavati Kal No Suraj (1977), Varsadar (1978), Ane Mrityu (1979), Shabne Naam Hotu Nathi (1981) and many more. After a few years at home with her young children, she joined St. Xavier's College, Mumbai, as a lecturer in Gujarati in 1971 and taught there until she retired in 2000. She often rose at four in the morning to write before her day of teaching and family life began.
Her best known book, Batris Putlini Vedana (1982), is a story of a woman's search for her own identity. Critics have called it the first woman-centred novel of Gujarati literature, and BBC Gujarati described it as the first artistic novel in the language to voice a woman's search for her own self. It later received the Darshak Award. Later novels such as The New Life (2004) and Zili Main Kumpal Hatheliman (2007) won first prizes from the Maharashtra Gujarati Sahitya Akademi. Her novel Vaad was translated into English by Rita Kothari as Fence, published in 2015.
She was also a prolific short story writer. Collections including Ek Cigarette Ek Dhupsali (1981), Vienna Woods (1989), Bhagya Rekha (1991), Balvo Balvi Balvun, Yom Kippur (2006) and Ila Arab Mehtano Varta Vaibhav (2009) carried her stories across Israel, Africa and Europe. She compiled Mrityu Naam Parpoto Mare (1984), an anthology of writing on death by many authors, and edited a selection of her sister Varsha Adalja's best stories. She also wrote radio and television plays.
Her work was honoured by the Gujarati Sahitya Parishad, the Gujarat Sahitya Akademi and the Maharashtra Gujarati Sahitya Akademi, among others. In 2000 she was invited to London by the Gujarati Literary Academy, UK, and in 2011 the Sahitya Akademi and Sahitya Sangam hosted her in its Meet the Author series in Mumbai. Though she was known as an excellent speaker who had won elocution prizes as a student, she kept away from literary politics and most literary meetings, saying she wanted nothing to distract her from reading and writing. Her guiding phrase, her family's tributes recalled, was "Live and let live".
Ila Arab Mehta died in Mumbai on 6 October 2026, aged 88. Her son Dr Salil Mehta confirmed the news, and her funeral took place the next day at the Santacruz Hindu crematorium in Mumbai. The cause of death was not made public. She was survived by her son, her daughter and her grandchildren. Gujarati newspapers, BBC Gujarati and literary bodies mourned her as a writer who gave a steady, unshowy voice to ordinary women caught in everyday life and trying to find their own way.
Biography adapted from Sahitya Akademi Meet the Author booklet (26 March 2011); Gujarati Mid-day (7 October 2026); Bombay Samachar (7 October 2026); BBC News Gujarati (October 2026); The Indian Express (18 July 2015); Wikip.
In their own words
“...Nothing to distract me from my reading & writing”
On why she avoided literary meetings, quoted in the Sahitya Akademi Meet the Author booklet, 2011
“Live and let live”
Her guiding phrase, as recalled in Gujarati Mid-day's obituary (translated from Gujarati)
“A moment of pain? Which moment? The moment when Makarand compelled her to throw away the picture she bought from the exhibition? ... Makarand had left her only that? But was she a helpless, suffering weak creature?”
Excerpt from her fiction printed in the Sahitya Akademi Meet the Author booklet, 2011

Fence is the English translation of Vaad, worth tracking down if you can find it