My uncle brought back a Frozen Sky record from a trip to Milwaukee sometime in the eighties and my dad played it until the grooves wore thin. I never once heard anyone play guitar and bass at the same time like that. 77 is no age when you still had that much left in your hands.
Their story
Jack Richard Grassel was an American jazz guitarist, multi-instrumentalist, composer, author and music educator from Milwaukee, Wisconsin. Over a professional life that began when he was six years old, he gave more than 13,000 performances, recorded 21 CDs, wrote 70 compositions and 23 instruction books, and built the Music Occupations…
Jack Richard Grassel was an American jazz guitarist, multi-instrumentalist, composer, author and music educator from Milwaukee, Wisconsin. Over a professional life that began when he was six years old, he gave more than 13,000 performances, recorded 21 CDs, wrote 70 compositions and 23 instruction books, and built the Music Occupations program at Milwaukee Area Technical College (MATC). Musicians across the Midwest knew him for his perfect pitch, his punishing daily practice routine, and the three-neck guitar he invented that combined bass, six-string guitar and mandolin in a single instrument.
Grassel was born in Milwaukee on September 3, 1948, to Lawrence and Ruth (nee Rinas) Grassel, into a family full of working bandleaders. His grandfather Joe led a band, as did his great-uncle Ruby, his aunts Adeline and Iris, and his uncle Percy in Park Falls. At two he was reaching up to his mother's piano to copy songs from the radio by ear. His father bought him a small accordion and lessons, entered him in the American Accordionists competition in Chicago, and by six he had his first paid engagements on the Bar O Ranch Show. At eleven he won the 1959 Wisconsin State Accordion Competition.
School band director Jim Brusky gave him free lessons on upright bass, and in 1961 he joined a rock band of seventh graders, The Triumphs, on electric bass. By fourteen he was teaching a full roster of bass students at Milwaukee's Modern Music Store while playing three gigs a week. In high school his band The Rivieras played the soul and rhythm and blues of James Brown, Bobby Bland and the Isley Brothers in downtown Milwaukee bars. In 1968, after two years of college, he wandered into Discount Records, where the clerk Mitchell Covic introduced him to jazz with a stack of fifteen discount records. Grassel bought a guitar and, by his own account, practiced fifteen hours a day for six months.
From the late 1960s to the early 1980s he was one of the busiest working musicians in Milwaukee, playing up to 27 gigs a week: Broadway touring shows, the Ringling Brothers Circus and Holiday on Ice bands, studio commercials, a morning radio band, symphony dates, school jazz concerts and a six-night jazz residency at the Pfister Hotel. He played with the Milwaukee Symphony Orchestra from 1969 to 2003 and backed stars including Luciano Pavarotti, Bob Hope, Rosemary Clooney, Jay Leno, Nancy Wilson, Cab Calloway, Tom Jones and Doc Severinsen. He also worked with Slide Hampton, Stanley Jordan and Ed Thigpen, recorded a duo album with the guitar great Tal Farlow, and was a lead voice in the inventive 1980s Milwaukee jazz group What on Earth.
Teaching ran alongside the playing. Grassel helped create the jazz degree program at the Wisconsin Conservatory of Music, and in 1983 he became chairman of music at MATC, where he designed the Music Occupations degree and taught composition, arranging, improvisation, ear training, music history and the music business until a major illness in 2004. His records on his own Frozen Sky label, beginning with Magic Cereal, earned him a spot in Guitar Player magazine's New Talent section, and in 2000 readers of Guitar One magazine voted him one of the ten best guitarists in America. He won six WAMI awards as Wisconsin's Jazz Artist of the Year.
In 1998 he met the singer and actress Jill Jensen at one of his shows, greeting her with a line she would quote for the rest of her life: "Hi Jill, I'm Jack. Let's go find a hill." They married on December 29, 1999, made their home in the Racine area, and performed as the duo Jack and Jill Jazz across the Americas, wintering on Isla Mujeres, Mexico, from 2000 to 2020. They recorded five albums together. In 2013 he built the triple-neck instrument so the duo could sound like a full band, often adding harmonica, keyboard and vocals.
Grassel's later years carried heavy losses. His two sons, Andrew and Benjamin, died within a year of each other in 2022, and he suffered a stroke in January 2025. He worked through daily therapy and returned to the stage with Jensen for a standing-room-only concert at the Villa Terrace museum in Milwaukee on August 16, 2026. Ten days later, on August 26, he suffered a fatal medical event while driving in Caledonia, Wisconsin, and his car crossed the centerline in a head-on collision that also killed another driver. He died that night at Froedtert Hospital, aged 77, a week before his 78th birthday. He was cremated, and several hundred people attended a celebration of his life near Racine on October 18, 2026.
Biography adapted from Wilson Funeral Home obituary; Shepherd Express (Kevin Lynch, Sep 2026); FOX6 News Milwaukee; WGTD; Racine County Eye; jackgrasseljilljensen.com; JazzTimes; Wikipedia. Wikipedia ↗
In their own words
“I didn't need music teachers. Until then, I thought everybody could hear things like I could.”
Jack Grassel on discovering he had perfect pitch, from his autobiography on jackgrasseljilljensen.com
“My world changed.”
Jack Grassel on his 1968 introduction to jazz records at Discount Records in Milwaukee, from his autobiography
“Hi Jill, I'm Jack. Let's go find a hill.”
Grassel's first words to Jill Jensen in 1998, as she recalled to FOX6 News Milwaukee
“Music was what he really had to do. I've never seen anyone so devoted and passionate about something like he was for teaching and music.”
Jill Jensen to FOX6 News Milwaukee, September 2026
“Jack has never taught in an ordinary manner and is always looking for new teaching strategies so that his students have opportunities to learn by hearing, practicing, and performing.”
Hannah Pickett, dean of liberal arts at Milwaukee Area Technical College, quoted in the Shepherd Express
“Honor him by understanding that music is something we make, not own.”
Jill Jensen in her announcement of his death
“He just strove to get better in music. He never stopped learning.”
Jill Jensen to the Shepherd Express, September 2026

That SuperAx sound, nobody else had it.