My mom called me about this, she knew I'd want to hear it straight away since I'm the one over here. First thing I thought of was that Isle of Dogs score, the drumming under everything. I don't know Japan well but his music made me feel like I did, just for the length of a film.
Their story
Joji Hirota was a Japanese percussionist, composer, singer and shakuhachi player who spent more than half a century in England and did as much as anyone to bring the thunder of taiko drumming to European audiences. Born in Otaru on the northern island of Hokkaido in 1948, he came to…
Joji Hirota was a Japanese percussionist, composer, singer and shakuhachi player who spent more than half a century in England and did as much as anyone to bring the thunder of taiko drumming to European audiences. Born in Otaru on the northern island of Hokkaido in 1948, he came to Britain in 1972 with Stomu Yamashta's Red Buddha Theatre, made London his home and became a familiar presence at WOMAD, on Peter Gabriel's Real World label, in Lindsay Kemp's dance theatre and on film and game soundtracks. He died in London on 6 September 2026, at the age of 78.
Music came to him early. His father sang Japanese folk songs as a hobby and gave him a child-sized shakuhachi when he was five. At primary school he played in a fife and drum band, then in brass bands through junior high and high school, adding timpani and cymbals to the recorder and drums he already knew. He began formal percussion study at eleven and was composing his own pieces by thirteen. His taiko teacher, the Hokkaido master Itto Ohba, told him not to copy his teacher's style but to build his own music on what he had learned, advice Hirota followed for the rest of his life. He took up the piano in his last year of high school to prepare for music college and entered the Kyoto Municipal University of Arts (now Kyoto City University of Arts).
In his fourth year at university he was introduced to Stomu Yamashta, who was taking his Red Buddha Theatre to the Avignon festival. Hirota joined as music director and percussionist, and the production toured France, Britain and the United States, setting a box office record in London. He later said that without Yamashta's invitation he might have stayed with the Nagoya Philharmonic Orchestra playing Beethoven's Fifth for the rest of his life. After returning briefly to Japan he was drawn back to London by British musicians he had met, and in 1977 he became music director and solo percussionist of the Lindsay Kemp company, touring Europe, the Americas and Japan. His score for Kemp's Onnagata helped the company win the Time Out award for best dance company in 1991. He released his first album, Sahasurara, in 1976 under the name George Hirota, followed by The Wheel of Fortune in 1981.
From the 1980s Hirota became one of the busiest session and library musicians in London. He met the former Genesis guitarist Anthony Phillips on a television session in 1980, and in the 1990s the two wrote and performed music for Anglia Television's Survival wildlife films, later collected on the album Wildlife. He played WOMAD from 1986 and, at Real World's 1992 Recording Week, formed the trio Trísan with Pól Brennan of Clannad and the Chinese flautist Guo Yue; their album was nominated by Tower Records in New York for best contemporary instrumental album. His Real World solo album The Gate (1999) set taiko, shakuhachi and voice against a string ensemble. He also worked with Pete Lockett in the duo Taiko to Tabla, played and co-composed for a Royal Shakespeare Company Macbeth, and recorded a long series of albums for ARC Music, from Japanese Folk Songs (2007) to Prayer's Tale (2021).
His taiko group, founded in the 1980s and known over the years as Joji Hirota and the Taiko Drummers, Hiten Ryu Daiko and the London Taiko Drummers, became one of the best known in Europe. It opened Live Earth at Wembley Stadium on 7 July 2007 as part of a massed ensemble of drummers, opened an Amnesty International anniversary ceremony in London in 2008, toured the Gulf, Israel, Africa and much of Europe, and closed the Japan Matsuri festival in Trafalgar Square. His playing was heard by millions who never knew his name, on the soundtracks of The Last Samurai, 47 Ronin, Martin Scorsese's Silence, Wes Anderson's Isle of Dogs and the video game Ghost of Tsushima.
After the 2011 Tohoku earthquake and tsunami he created Beyond the Requiem, toured three devastated prefectures with the London Metropolitan Orchestra and recorded Japanese Folk Songs II with children's choirs from schools damaged by the tsunami. He gave annual memorial concerts for years afterwards. Japan honoured his work abroad with an ambassador's commendation in 2004 and a commendation from the emperor and empress in 2012.
Joji Hirota died suddenly in London on 6 September 2026. Tributes reported that the cause was an aneurysm. He was survived by his wife, Michi, and his daughter, Kazumi. Anthony Phillips remembered a man of sweet nature and gentle demeanour, with a mischievous dry sense of humour and an unforgettable laugh, and the London Metropolitan Orchestra wrote that whenever he played, the room changed. His funeral was set for 21 October 2026 at Chiltern Parks Greenacres Living Memorial Park.
Biography adapted from London Metropolitan Orchestra tribute (5 October 2026); Rythmes Croisés (5 October 2026); Anthony Phillips, Remembering Joji (September 2026); Backdigit (25 September 2026); Real World Records artist . Wikipedia ↗
In their own words
“I happen to be a Japanese man, but as a musician I am drawing on all these traditions to create my own style.”
Real World Records artist biography
“I create Taiko music in a new contemporary style while keeping the grace and high energy of the traditional Taiko music of this heritage. I believe I have achieved this with my Taiko team.”
ARC Music, on the album Japanese Taiko, April 2017
“Cooperation, good spirit, musicality, higher skills and continuity of training.”
What he looked for in a taiko drummer, ARC Music, 2017
“I thought that Peter is a really nice and warm person, and I continue to admire and respect his work and personality.”
Recalling meeting Peter Gabriel at the 1992 Real World Recording Week, Real World 25, 2014
“Joji was a wonderful man and brilliant musician. He was possessed of a sweet nature, gentle demeanour, kind, thoughtful and with a mischievous dry sense of humour and unforgettable laugh!”
Anthony Phillips, Remembering Joji, September 2026
“He was generous, precise and full of joy. Whenever he played, the room changed.”
London Metropolitan Orchestra tribute, 5 October 2026

Isle of Dogs got me into taiko in the first place, honestly.