I don't really know what to say. Read about her documentaries just now, never seen one myself, but 71 feels too soon.
Their story
Liza Key was a South African festival director, documentary filmmaker and screenwriting mentor who stood at the centre of Johannesburg's film culture in the last years of apartheid. As director of the Weekly Mail Film Festival she used the event to challenge state censorship, and she went on to make…
Liza Key was a South African festival director, documentary filmmaker and screenwriting mentor who stood at the centre of Johannesburg's film culture in the last years of apartheid. As director of the Weekly Mail Film Festival she used the event to challenge state censorship, and she went on to make documentaries about two of the most contested figures in the country's recent history, the assassin Dimitri Tsafendas and the chemical weapons chief Wouter Basson.
Liza Jane Key was born in 1954 and raised in Witbank in the Eastern Transvaal, now Mpumalanga. She was educated at a convent school and then at the University of Natal, which she left before completing her degree to see the world as a ship's hand. She arrived in Johannesburg in the mid 1980s and soon found her way into the city's alternative film world.
In 1988 she took charge of the Weekly Mail Film Festival, founded by the anti-apartheid newspaper the year before, and ran it for seven years with programme director Trevor Steele Taylor. Working with the festival's lawyer, Lauren Jacobson, she won exemptions from the censors to screen banned documentaries and international films, persuaded directors such as Paul Schrader, Costa Gavras and Peter Greenaway to visit South Africa, and built a short film competition from which a new generation of filmmakers emerged. In 1993 she staged Limits of Liberty, an anti-censorship festival at the Wits Theatre that asked what a free South Africa should permit.
When festival funding ended after the 1994 elections, Key turned to her own films. A Question of Madness, made with the journalist David Beresford and the photographer Ellen Elmendorp, told the story of Tsafendas, who killed Prime Minister Hendrik Verwoerd in 1966 and spent decades in prison after being declared insane. It screened at IDFA in Amsterdam in 1999, and Key befriended Tsafendas, visiting him until his death that year and making a submission about him to the Truth and Reconciliation Commission. The Man Who Knew Too Much (2002) examined Basson, and she also made a film about the musician David Kramer and the Karoo musicians around him, which led her in her fifties to a master's degree in ethnomusicology. From 1998 she ran Scrawl, a screenwriting workshop programme in Cape Town that paired young South African writers with experienced tutors from abroad. Her last work was research and writing for Mandy Jacobson's seven part series The Trials of Winnie Mandela, shown on Netflix.
Key shared the last 25 years of her life with the theatre director Janice Honeyman, with homes in Parkview, Johannesburg, and Pringle Bay. She spent many of her final years caring for her mother, Marian, in Pietermaritzburg.
Liza Key died in Johannesburg on 11 October 2026, aged 71, after suffering from brain cancer. Friends remembered a shy but fearless woman whose festivals helped open South African cinema to the world, and her archive of festival papers and films is held by the University of Cape Town Libraries.
Biography adapted from Daily Maverick obituary (25 October 2026), IDFA archive, UCT Libraries.
In their own words
“It is important, I believe, to try and understand [Tsafendas] if we are to understand ourselves, our country and our times.”
Submission to the Truth and Reconciliation Commission, quoted in the Daily Maverick
