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Liza Key

Film

Liza Key

† 2026 · Documentary filmmaker and festival director

“She pushed films past apartheid's censors and gave South African stories room to breathe.”

Portrait: Ellen Elmendorp, via Daily Maverick

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Liza Key was a South African festival director, documentary filmmaker and screenwriting mentor who stood at the centre of Johannesburg's film culture in the last years of apartheid. As director of the Weekly Mail Film Festival she used the event to challenge state censorship, and she went on to make…

Liza Key was a South African festival director, documentary filmmaker and screenwriting mentor who stood at the centre of Johannesburg's film culture in the last years of apartheid. As director of the Weekly Mail Film Festival she used the event to challenge state censorship, and she went on to make documentaries about two of the most contested figures in the country's recent history, the assassin Dimitri Tsafendas and the chemical weapons chief Wouter Basson.

Liza Jane Key was born in 1954 and raised in Witbank in the Eastern Transvaal, now Mpumalanga. She was educated at a convent school and then at the University of Natal, which she left before completing her degree to see the world as a ship's hand. She arrived in Johannesburg in the mid 1980s and soon found her way into the city's alternative film world.

In 1988 she took charge of the Weekly Mail Film Festival, founded by the anti-apartheid newspaper the year before, and ran it for seven years with programme director Trevor Steele Taylor. Working with the festival's lawyer, Lauren Jacobson, she won exemptions from the censors to screen banned documentaries and international films, persuaded directors such as Paul Schrader, Costa Gavras and Peter Greenaway to visit South Africa, and built a short film competition from which a new generation of filmmakers emerged. In 1993 she staged Limits of Liberty, an anti-censorship festival at the Wits Theatre that asked what a free South Africa should permit.

When festival funding ended after the 1994 elections, Key turned to her own films. A Question of Madness, made with the journalist David Beresford and the photographer Ellen Elmendorp, told the story of Tsafendas, who killed Prime Minister Hendrik Verwoerd in 1966 and spent decades in prison after being declared insane. It screened at IDFA in Amsterdam in 1999, and Key befriended Tsafendas, visiting him until his death that year and making a submission about him to the Truth and Reconciliation Commission. The Man Who Knew Too Much (2002) examined Basson, and she also made a film about the musician David Kramer and the Karoo musicians around him, which led her in her fifties to a master's degree in ethnomusicology. From 1998 she ran Scrawl, a screenwriting workshop programme in Cape Town that paired young South African writers with experienced tutors from abroad. Her last work was research and writing for Mandy Jacobson's seven part series The Trials of Winnie Mandela, shown on Netflix.

Key shared the last 25 years of her life with the theatre director Janice Honeyman, with homes in Parkview, Johannesburg, and Pringle Bay. She spent many of her final years caring for her mother, Marian, in Pietermaritzburg.

Liza Key died in Johannesburg on 11 October 2026, aged 71, after suffering from brain cancer. Friends remembered a shy but fearless woman whose festivals helped open South African cinema to the world, and her archive of festival papers and films is held by the University of Cape Town Libraries.

Biography adapted from Daily Maverick obituary (25 October 2026), IDFA archive, UCT Libraries.

In their own words

“It is important, I believe, to try and understand [Tsafendas] if we are to understand ourselves, our country and our times.”

Submission to the Truth and Reconciliation Commission, quoted in the Daily Maverick

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Liza Key, photographed by her friend Ellen Elmendorp
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I don't really know what to say. Read about her documentaries just now, never seen one myself, but 71 feels too soon.

Candles

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7 people are remembering Liza here. Every candle here is someone saying they were glad Liza lived. No account needed; it takes a moment and it stays here.

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Callum Allen🇺🇸4h ago
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Shirley James🇨🇦11h ago

Death

Liza Key died in Johannesburg on 11 October 2026, at the age of 71, after suffering from brain cancer, according to her obituary in the Daily Maverick. The University of Cape Town Libraries, which holds her archive, recorded the date as 10 October. She died at the Parkview home she shared with Janice Honeyman. Tributes came from colleagues including Weekly…

Liza Key died in Johannesburg on 11 October 2026, at the age of 71, after suffering from brain cancer, according to her obituary in the Daily Maverick. The University of Cape Town Libraries, which holds her archive, recorded the date as 10 October. She died at the Parkview home she shared with Janice Honeyman. Tributes came from colleagues including Weekly Mail founding editor Anton Harber, filmmaker Harriet Gavshon and journalist Charlotte Bauer, who called her a dizzying disruptor of anything considered politely appropriate.

Early life

Liza Jane Key was born in 1954 and grew up in Witbank in the Eastern Transvaal, now part of Mpumalanga. She was schooled at a convent, where by her friends' accounts she was often in trouble, and went on to the University of Natal. Before finishing her degree she left to see the world, working as a ship's hand. She…

Liza Jane Key was born in 1954 and grew up in Witbank in the Eastern Transvaal, now part of Mpumalanga. She was schooled at a convent, where by her friends' accounts she was often in trouble, and went on to the University of Natal. Before finishing her degree she left to see the world, working as a ship's hand. She arrived in Johannesburg in the mid 1980s and was drawn into the city's alternative film scene.

Career

Key took the reins of the Weekly Mail Film Festival in 1988, a year after it was founded by the anti-apartheid newspaper the Weekly Mail, and directed it for seven years alongside programme director Trevor Steele Taylor. With the festival's lawyer, Lauren Jacobson, she argued each year before the Publications Appeal Board for exemptions to screen banned films, and screenings…

Key took the reins of the Weekly Mail Film Festival in 1988, a year after it was founded by the anti-apartheid newspaper the Weekly Mail, and directed it for seven years alongside programme director Trevor Steele Taylor. With the festival's lawyer, Lauren Jacobson, she argued each year before the Publications Appeal Board for exemptions to screen banned films, and screenings were followed by debates that sometimes included the censors themselves. With the support of the exiled ANC's cultural figures, she brought filmmakers including Paul Schrader, Costa Gavras and Peter Greenaway to South Africa, and the festival's short film competition helped launch a new generation of South African filmmakers. In 1993 she and her team staged Limits of Liberty, an anti-censorship festival at the Wits Theatre.

After funding dried up following the 1994 elections, Key became a documentary director. A Question of Madness (also known as The Furiousus), produced by her brother Philip Key for Key Films and narrated with David Beresford, was a 52 minute portrait of Dimitri Tsafendas, the man who assassinated Hendrik Verwoerd in 1966. It was shown at the International Documentary Film Festival Amsterdam in 1999. The Man Who Knew Too Much (2002) followed Wouter Basson, the head of South Africa's chemical weapons programme, who was acquitted in 2002. She made around ten films in all, some as episodes of series, including a film about David Kramer that led to her later master's degree in ethnomusicology on Karoo musicians.

From 1998 she convened Scrawl, annual screenwriting workshops at Monkey Valley near Noordhoek in Cape Town, where emerging writers worked with tutors from abroad; the actor Alan Rickman was among those who took part and became a friend. Her final project was the research and writing for Mandy Jacobson's seven part documentary series The Trials of Winnie Mandela, released on Netflix.

Personal life

Friends described Key as intensely shy in public, to the point that she could not make speeches, but a generous and lively host at home, where she cooked for artists, journalists and filmmakers and played Schubert on the piano. Her relationship with the theatre and film director Janice Honeyman began in 2001, and the couple lived in Parkview, Johannesburg, and…

Friends described Key as intensely shy in public, to the point that she could not make speeches, but a generous and lively host at home, where she cooked for artists, journalists and filmmakers and played Schubert on the piano. Her relationship with the theatre and film director Janice Honeyman began in 2001, and the couple lived in Parkview, Johannesburg, and Pringle Bay in the Western Cape. She spent much of her last years in Pietermaritzburg caring for her mother, Marian, who died in 2026. She was survived by Honeyman and by her brothers Philip and Gordon Key and their families.

Legacy

Key's Weekly Mail Film Festival is remembered as one of the defining cultural events of transition era Johannesburg, a place where banned work reached the public and where debates about censorship and freedom of expression were tested in practice. Her research on Tsafendas brought renewed attention to a largely forgotten prisoner and informed Harris Dousemetzis's biography The Man Who Killed…

Key's Weekly Mail Film Festival is remembered as one of the defining cultural events of transition era Johannesburg, a place where banned work reached the public and where debates about censorship and freedom of expression were tested in practice. Her research on Tsafendas brought renewed attention to a largely forgotten prisoner and informed Harris Dousemetzis's biography The Man Who Killed Apartheid. Her papers, together with an archive of close to 250 films connected to the Weekly Mail Film Festival, are preserved at the University of Cape Town Libraries.

Questions people ask about Liza

Who was Liza Key?
Liza Key was a South African documentary filmmaker who directed the Weekly Mail Film Festival from 1988, using it to challenge apartheid censorship. She later made films about Dimitri Tsafendas and Wouter Basson.
How did Liza Key die?
She died after suffering from brain cancer, according to her Daily Maverick obituary. She died at her home in Johannesburg.
When did Liza Key die?
She died on 11 October 2026. Her obituary was published by the Daily Maverick on 25 October 2026.
How old was Liza Key?
She was 71. She was born in 1954 and grew up in Witbank.
What films did Liza Key make?
Her films included A Question of Madness, about Verwoerd's assassin Dimitri Tsafendas, and The Man Who Knew Too Much (2002), about Wouter Basson. Her final work was research and writing for The Trials of Winnie Mandela.
Who was Liza Key's partner?
Her partner of 25 years was the South African theatre and film director Janice Honeyman.

Written by People Forever from Wikipedia (CC BY-SA 4.0) and the reporting cited. Updated . Spotted a mistake? Tell us.

Timeline

  1. 1 January 1954
    Born, raised in Witbank, Eastern Transvaal
  2. 1 January 1988
    Became director of the Weekly Mail Film Festival
  3. 1 January 1993
    Staged the Limits of Liberty anti-censorship festival
  4. 1 January 1998
    Began the Scrawl screenwriting workshops
  5. 1 January 1999
    A Question of Madness screened at IDFA
  6. 1 January 2001
    Began her relationship with Janice Honeyman
  7. 1 January 2002
    Released The Man Who Knew Too Much
  8. 11 October 2026
    Died in Johannesburg, aged 71
  9. 11 October 2026
    Died in Johannesburg, South Africa
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