Just put on Under the Volcano again last night, had no idea until this morning. Albert Finney was extraordinary in that and I didn't even know the producer's name until today. Strange how these things find you right before the news.
Their story
Moritz Borman (16 April 1955 to 1 July 2026) was a German film producer and film financier who spent more than four decades making movies in Hollywood. Born in Hamburg, he produced or executive produced more than 25 feature films, from John Huston's Under the Volcano in 1984 to five…
Moritz Borman (16 April 1955 to 1 July 2026) was a German film producer and film financier who spent more than four decades making movies in Hollywood. Born in Hamburg, he produced or executive produced more than 25 feature films, from John Huston's Under the Volcano in 1984 to five films with Oliver Stone and two entries in the Terminator franchise. He died in Munich on 1 July 2026, aged 71, while his final film was in production there.
Borman began in German television as a producer and director before moving to Los Angeles, where he became a Directing Fellow at the American Film Institute in 1977. In Los Angeles he produced programmes for European television and commercials for American and European advertising agencies. His first feature credit came on Huston's adaptation of Malcolm Lowry's novel Under the Volcano, starring Albert Finney and Jacqueline Bisset. The film drew two Academy Award nominations, for Finney's performance and for its score, and from that point Borman concentrated on feature films. He followed it with The Lightship (1985), starring Robert Duvall and Klaus Maria Brandauer, and Homer and Eddie (1989), with Whoopi Goldberg and James Belushi.
In the 1990s he turned to film financing and the acquisition of film libraries. In 1997 he founded Pacifica, a Los Angeles company backed by German media funds, which financed and produced films such as Clay Pigeons, Where the Money Is, Up at the Villa, The Crow: Salvation and Neil LaBute's Nurse Betty, which premiered at the 2000 Cannes Film Festival. In 2000 Pacifica merged with Intermedia Films, run by Nigel Sinclair and Guy East, to form IM Internationalmedia AG, which listed on the Frankfurt Neuer Markt in May 2000. Borman was named the company's chief executive in March 2002. The group was behind studio and independent pictures including The Wedding Planner, K-19: The Widowmaker, Phillip Noyce's The Quiet American, The Life of David Gale, Basic, National Security and Terminator 3: Rise of the Machines. The Quiet American earned Michael Caine a best actor Oscar nomination.
After stepping back from running Intermedia, Borman returned to hands-on producing. Beginning with Alexander in 2004, he became one of Oliver Stone's closest producing partners, going on to produce World Trade Center (2006), W. (2008), Savages (2012) and Snowden (2016). Stone later said Borman "was instrumental in allowing us to make Alexander." Borman also returned to the Terminator series as a producer of Terminator Salvation (2009), and his later credits included The Nutcracker in 3D, Escobar: Paradise Lost, The Little Prince and Playmobil: The Movie (2019). As of 2023 his films had grossed close to 2 billion US dollars worldwide.
Away from the set, Borman was a member of the Academy of Motion Picture Arts and Sciences and, for more than 30 years, chairman of the Tony Fitzjohn/George Adamson African Wildlife Preservation Trust, which supports conservation work at Mkomazi in Tanzania and Kora in Kenya.
In his final years Borman worked with his longtime producing partners Eric Kopeloff and Philip Schulz-Deyle on a legal drama about the agrochemical company Monsanto, directed by John Lee Hancock for Netflix and starring Jonathan Bailey, Lakeith Stanfield and Laura Dern. He died in Munich on 1 July 2026, where the film was being shot. His partners said he died of apparent natural causes and that he had been "immensely proud to see the project finally enter production." They pledged to finish the film in his spirit.
Tributes described a producer who preferred to work out of the spotlight. Kopeloff and Schulz-Deyle said he "helped shape the landscape of independent filmmaking, building creative and financial bridges between Europe and Hollywood," and would be remembered "for his generosity, optimism, integrity, and unwavering passion for cinema." Oliver Stone called him "both a close friend and a great producer who rarely brought attention to his craftsmanship in all things," adding: "A stoic man to the end. I much loved and admired him."
Details of Borman's private family life were not made public in the reports of his death, which sent condolences to "Moritz's family, his friends, and the many colleagues around the world whose lives he touched."
Biography adapted from Deadline (2 and 3 July 2026), Variety (2 July 2026), The Hollywood Reporter (2 July 2026), Wikipedia, Neue Zurcher Zeitung (29 September 2012), cinema.com biography, Rotten Tomatoes (2 January 2008). Wikipedia ↗
In their own words
“I can tell you this much, this is the story everybody has been waiting for. Namely, we're in the future.”
Borman to Empire in 2008 about Terminator Salvation, as reported by Rotten Tomatoes.
“Schwarzenegger is governing California. He will not be, as a person, in the film.”
Borman to Wired in 2008 on whether Arnold Schwarzenegger would appear in Terminator Salvation.
“He was both a close friend and a great producer who rarely brought attention to his craftsmanship in all things. He will be greatly missed.”
Oliver Stone to Deadline, 3 July 2026.
“A stoic man to the end. I much loved and admired him.”
Oliver Stone to Deadline, 3 July 2026.
“As both a producer and entrepreneur, Moritz helped shape the landscape of independent filmmaking, building creative and financial bridges between Europe and Hollywood.”
Joint statement by producing partners Eric Kopeloff and Philip Schulz-Deyle, July 2026.
“He will be remembered not only for his achievements, but also for his generosity, optimism, integrity, and unwavering passion for cinema.”
Kopeloff and Schulz-Deyle statement, July 2026.

That film still holds up, 1984 and it never ages.