Used the Museo Galileo website for a paper on Galileo's telescopes back in college, had no idea one man built that whole digital archive from nothing. Read the old NYT piece about him growing his own olives near Vinci and still writing everything by hand. Small detail but it stuck with me for years.
Their story
Paolo Galluzzi was an Italian historian of science who spent almost four decades turning a modest Florentine collection of old instruments into the Museo Galileo, one of the world's leading centres for the study of Galileo Galilei and Leonardo da Vinci. Born in Florence on 23 April 1942, he died…
Paolo Galluzzi was an Italian historian of science who spent almost four decades turning a modest Florentine collection of old instruments into the Museo Galileo, one of the world's leading centres for the study of Galileo Galilei and Leonardo da Vinci. Born in Florence on 23 April 1942, he died in his home city on 29 October 2026, aged 84, after an illness.
Galluzzi studied philosophy at the University of Florence under the renowned Renaissance scholar Eugenio Garin and graduated in 1968, the year of the student revolts. He was among the first students in Italy to specialise in the history of science, a field that was not yet formally recognised, and he later recalled that Galileo was seen at the time as a hero for his struggle to make reason independent of Church control. His lifelong interest in Leonardo began, by his own account, almost by chance: after university he was hired to run the Biblioteca Leonardiana in Vinci, Leonardo's birthplace, and he said that without that job he might have devoted himself to Newton instead.
From 1970 to 1980 he worked as a staff researcher of Italy's National Research Council (CNR) at the Lessico Intellettuale Europeo in Rome, where he produced a pioneering digital lexicon of Galileo's works. He taught history of science at the University of Siena from the 1979 to 1980 academic year until 1994, and from 1994 to 2010 he was full professor of history of science at the University of Florence. He gave seminars and courses at the Institute for Advanced Study in Princeton, UCLA, the University of Hamburg, the Centre Koyre and the Ecole des Hautes Etudes in Paris, New York University and MIT.
In 1982 Galluzzi succeeded Maria Luisa Righini Bonelli as director of the Istituto e Museo di Storia della Scienza in Florence. He later described inheriting a single member of staff and one floor of the medieval Palazzo Castellani beside the Uffizi. Over the following decades he rearranged the Medici and Lorraine collections thematically, expanded the library, launched the journal Nuncius in 1986 (which he edited from 1991 to 2007) and created a season of travelling exhibitions, beginning with La Fabbrica del Pensiero in 1989 and the Leonardo and Renaissance engineers shows of the mid 1990s. The museum's website was one of the first in Italy.
In November 2009 Galluzzi announced that two of Galileo's fingers and a tooth, removed from the scientist's body in 1737 and lost since 1905, had been rediscovered after a collector bought them at auction. They went on show when the institution reopened on 11 June 2010, after two years and more than 8 million euros of renovation, under its new name, Museo Galileo. Galluzzi called Galileo a secular saint and a hero and martyr to science. Under his direction the museum came to draw some 300,000 visitors a year and became known for digital projects such as Galileo//thek@ and Leonardo//thek@, which put the manuscripts of both geniuses online.
His exhibitions included The Mind of Leonardo at the Uffizi (2006 to 2007), Galileo: Images of the Universe from Antiquity to the Telescope (2009) and a 2018 to 2019 Uffizi show on Leonardo's Codex Leicester. He chaired the international scientific committee appointed by the Nobel Foundation to create the Nobel Museum in Stockholm, presided over the National Edition commissions for Leonardo's manuscripts and drawings and for Galileo's works, and led the national committee for the 500th anniversary of Leonardo's death in 2019. He also presided over the Fondazione Rinascimento Digitale, the Fondazione Scienza e Tecnica and the Fondazione Antonio Ruberti, and served as president of the Italian Society for the History of Science (SISS).
His books and edited volumes include Tra atomi e indivisibili (2011), Liberta di filosofare in naturalibus (2014), The Italian Renaissance of Machines (Harvard University Press, 2020) and Decoding Leonardo's Codices (2022, with Alessandro Nova). He was a member of the Accademia Nazionale dei Lincei, the Royal Swedish Academy of Sciences and the American Philosophical Society. Honours included the Gold Medal for Merit in Culture (2003), Grand Officer of the Order of Merit of the Italian Republic (2005), Florence's Fiorino d'Oro (2011) and, in May 2026, the SISS lifetime achievement award.
Galluzzi stepped down as director in 2021 and became honorary president of the Museo Galileo. He was married to Lynne and had two daughters. A lover of books with a personal library of more than 20,000 volumes, he collected wine, mostly French, and produced olive oil from his estate near Vinci. Announcing his death, the Museo Galileo remembered him as a cornerstone of its history who had led it for decades with extraordinary vision, passion and scientific rigour.
Biography adapted from Written from ANSA, Museo Galileo, SISS, Toscana Notizie, The New York Times, Reuters, AP, CNN and Wikipedia (CC BY-SA 4.0). Wikipedia ↗
In their own words
“He's a secular saint, and relics are an important symbol of his fight for freedom of thought.”
On Galileo's relics, The New York Times, July 2010
“He's a hero and martyr to science.”
On Galileo, The New York Times, July 2010
“The idea of having relics of science is very similar, is a mirror of the relics of religion.”
Interview with Reuters ahead of the Museo Galileo reopening, June 2010
“There is a description from 1905 by the last person to have seen these objects. It provides us with a very detailed description of the container and the contents inside.”
On authenticating Galileo's rediscovered fingers and tooth, CNN, November 2009
“But with time, the generations lost knowledge of what was actually inside the container.”
Telephone interview with the Associated Press, November 2009

that NYT profile was great, the wine collecting too