I only found A Family in Dongbei this past winter, watched it late at night with subtitles, and now I read that Peng Yu has died at 92. Her Chen Jiuxiang felt like somebody's actual grandmother.
Their story
Peng Yu (彭玉, Péng Yù) was a Chinese stage, film and television actress whose warm, plain-spoken portrayals of mothers and grandmothers made her one of the most familiar faces on Chinese screens. Millions of viewers knew her as Chen Jiuxiang, the sharp-tongued but soft-hearted "Aunt Niu" of the sitcom A…
Peng Yu (彭玉, Péng Yù) was a Chinese stage, film and television actress whose warm, plain-spoken portrayals of mothers and grandmothers made her one of the most familiar faces on Chinese screens. Millions of viewers knew her as Chen Jiuxiang, the sharp-tongued but soft-hearted "Aunt Niu" of the sitcom A Family in Dongbei (东北一家人), and Chinese media called her "the screen's first mother" (荧屏第一母亲). She died in Zhuhai, Guangdong, on 7 October 2026 at 10:27 in the morning, according to the Actors' Committee of the China TV Artists Association. Chinese reports gave her age as 93 in the traditional reckoning; she was born on 26 January 1934, so she was 92 by the Western count.
Peng Yu was born in Hulan District, Harbin, Heilongjiang, into the family of a railway worker. She loved singing and dancing as a child, and at teacher training school she was the class arts officer, writing, directing and acting in plays with classmates. Her father strongly opposed her acting. She later recalled that when he once came across her rehearsing in a park on his way home from work, he said nothing and kicked her when she got home. After that she practised and performed in secret.
After graduating she taught primary school for about a year, then quietly auditioned for an amateur drama troupe. At 17 she made her stage debut with a single scene as the Red Army soldier's sister in How the Steel Was Tempered, and her seriousness in that small part won her a place in a professional troupe. She became an actress with the Harbin Drama Theatre (哈尔滨话剧院), where she spent more than a decade on stage. For a long time she told her father she was only copying scripts for the troupe.
Her film debut came in 1964, when director Xie Tieli cast her in Never Forget (千万不要忘记). Only 29, she played the scheming mother-in-law of the male lead, the first of the many older women she would play. The film took her to Beijing, and she was received by Premier Zhou Enlai; only then, she said, did her father feel proud of her. The same role brought trouble. In 1966, at the start of the Cultural Revolution, she was denounced for having played a "wicked old woman" and sent to a farm for reform, leaving the stage and screen for years.
She returned to the theatre in 1977 in Harbin Under the Night Curtain (夜幕下的哈尔滨). Her revival was cut short when her husband, Harbin Drama Theatre actor Zhao Wenxin, suffered a cerebral haemorrhage in the late 1980s. Peng Yu took early retirement, turned down every offer and nursed him at home for about eight years. "My husband is the only one," she said. "Only while he is alive is my home a complete home." He died in 1995.
In her sixties she made a decision that surprised many: she moved to Beijing to start again, becoming one of the oldest "Beijing drifters" (北漂) in Chinese show business. Her first part there had only two words of dialogue, and she worked on them so hard that the director remembered her. In 2000 director Ying Da cast her as Chen Jiuxiang opposite Li Qi in A Family in Dongbei, which aired from 2001 and became a classic of Chinese family comedy. In 2001 she also appeared in Yang Yazhou's The Empty Mirror (空镜子).
The same year her role as the silent, resilient mother Liu in the film The Full Moon (月圆今宵) won her the Golden Goblet for Best Actress at the 5th Shanghai International Film Festival and the Golden Rooster Award for Best Supporting Actress at the 21st China Golden Rooster Awards. She was 67, fifty years after her first stage appearance. In 2003 she led Yang Yazhou's television drama Romance (浪漫的事) as the romantic mother, earning a Feitian Award nomination and the nickname "the romantic mother" (浪漫妈妈). Later series included Dad and Mom, Brothers and Sisters (老爸老妈兄弟姐妹), Running After Happiness (追着幸福跑), I Marry Along With Mom (我和老妈一起嫁), Who Will Look After Mom (谁来伺候妈) and Parents at Home (家有父母). She received the China TV Good Actor Ruby Award in December 2016, and her last screen appearance was in the 2019 film Yiqie Ru Ni (一切如你). She held the rank of National First-Class Actor and served as an adviser to the Actors' Committee of the China TV Artists Association.
Her private life was as celebrated as her roles. After Zhao Wenxin's death, her younger daughter Zhao Jiaqi encouraged a match with Chen Jiurong, a neurosurgeon at China Medical University in Shenyang who was the widower of her late husband's sister. The two married in the early 2000s and spoke openly in interviews about romance in old age. They lived in Shenyang, then in Beijing for work and in Zhuhai during the winters. Both of her daughters, Zhao Lingqi and Zhao Jiaqi, became actresses, and grandsons Zhang A'liang and Meng Asai also went into acting.
Peng Yu said she never minded being typecast as an old woman, treating every small part as a chance. Critics remembered her acting for a single quality: naturalness. Her tone, her walk and the way she sat down to sort vegetables all seemed taken straight from life, which is why audiences trusted that the mothers she played were the mothers in their own homes.
Biography adapted from China TV Artists Association Actors Committee via CCTV/CNR; China Newsweek; ifeng; NetEase; Sina 2005; CCTV 2005; Chinanews 2008; Wikipedia.
In their own words
“I really loved stage performance so much back then. (我那时候真是太喜欢舞台表演了。)”
Recalling rehearsing in secret against her father's wishes, as quoted by China Newsweek (2026)
“My husband is the only one. Only while he is alive is my home a complete home. (我丈夫是唯一的,只有他活着,我这个家才是完整的家。)”
Explaining why she gave up her career to nurse Zhao Wenxin after his stroke
“I think in love you shouldn't always talk about repayment. You should give without cost and without asking for a result. I am a very traditional person.”
Interview reported by Sina News, June 2005
“My profession is actress, but my sex is woman. Whatever a Chinese woman can do, I can do. I can be a good wife and a good mother.”
Speech at her second husband Chen Jiurong's class reunion, recounted on CCTV, 2005
“A play is a play, life is life; you can't sink into it. (戏是戏,生活是生活,不能陷进去。)”
Her rule when playing sad roles, quoted by China Newsweek
“Children, rest assured. I only want your father. I don't want anything from your family.”
To Chen Jiurong's children before their marriage, as reported in Chinese media
“We walked hand in hand on the beach, and I told my husband this is the 'holding hands' the song sings about. Isn't this the romantic thing?”
On life with Chen Jiurong in Zhuhai, Shenyang Evening News, 2008

From social media
5Posts by Yu, and posts about them, kept here so they are not lost.