ok so I did not grow up with this band at all, I'm from Ohio, but my college roommate was Australian and she used to play Beds Are Burning while she cooked, like every single time, and I never asked her why and now I kind of wish I had. anyway I read he was 70. pancreatic cancer. that's young honestly. I don't really have a point here I just keep thinking about her kitchen and that song playing. ok that's it I guess
Their story
Robert George Hirst, known to millions as Rob Hirst, was born on 3 September 1955 in Camden, New South Wales, and grew up in the Sydney suburb of Mosman, where he went to primary school alongside the future Australian cricket captain Allan Border. When he was 12, doctors found a…
Robert George Hirst, known to millions as Rob Hirst, was born on 3 September 1955 in Camden, New South Wales, and grew up in the Sydney suburb of Mosman, where he went to primary school alongside the future Australian cricket captain Allan Border. When he was 12, doctors found a benign tumour in his right leg. After the surgery he was given his first drum kit, and he never really stopped playing.
At high school he met Jim Moginie, who would become his closest songwriting partner. In 1972 the pair, with Andrew "Bear" James on bass, began rehearsing in the north shore home of Moginie's adoptive parents, first as Schwampy Moose and then as Farm. While studying arts and law at the University of Sydney, Hirst placed an advertisement in The Sydney Morning Herald for a singer. Peter Garrett answered it. With guitarist Martin Rotsey and manager Gary Morris, often called the sixth member, the band became Midnight Oil in 1976.
Hirst was the engine room of one of the most ferocious live bands Australia has produced. His kick drum sat slightly ahead of the beat and his snare a fraction behind, and he sang high harmonies over Garrett's declamatory lead. His drum solo on Power and the Passion, recorded in 1982 for the breakthrough album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, became his signature. On stage much of it was played on a corrugated iron water tank he brought back from the desert during the band's Blackfella/Whitefella tour of remote Aboriginal communities in 1986.
He was just as important as a writer. His name appears on Beds Are Burning, The Dead Heart, Forgotten Years, King of the Mountain, Short Memory, Blue Sky Mine and Power and the Passion. Often he brought the skeleton of a song, a lyric and melody, and Moginie fleshed it out. In 1985 he rewrote a Moginie track at the last minute as Hercules, an elegy for the Greenpeace ship Rainbow Warrior. Forgotten Years, which Garrett ranked among the great Australian anti-war songs, drew on the experiences of Hirst's father and grandfather. Beds Are Burning won an APRA Gold Award and was later voted the third best Australian song in APRA's 2001 poll. Midnight Oil were inducted into the ARIA Hall of Fame in 2006.
Hirst also helped build the band's stubborn, five-against-the-world identity. Midnight Oil refused to appear on Countdown, and their politics on Aboriginal land rights, the environment, nuclear disarmament and asbestos mining ran through his lyrics. "We were very demanding on everyone around us, including each other," he once said.
Outside the Oils he never stopped working. In the 1990s he formed Ghostwriters with Hoodoo Gurus bassist Rick Grossman and guitarist Andrew Dickson. From 2000 he played with the blues band Backsliders, then formed the Angry Tradesmen with Dom Turner, a duo project with former Olympic athlete Paul Greene, and the instrumental surf band the Break with Moginie, Rotsey, Brian Ritchie and Jack Howard. He wrote a book, Willie's Bar & Grill, about the tour Midnight Oil made of North America after the September 11 attacks in 2001.
After Garrett left for federal politics in December 2002, the band went quiet. They returned in 2017 with a world tour, and when they recorded again in 2019 Hirst arrived first with First Nation and Gadigal Land, which won APRA Song of the Year in 2021. Midnight Oil played their last show on 3 October 2022 at Sydney's Hordern Pavilion, a set of close to four hours.
About six months later, in 2023, Hirst was diagnosed with stage three pancreatic cancer and given a short prognosis. He outlived it by years, released new music with Moginie and Hamish Stuart, and in 2025 spoke publicly about his illness and his support for voluntary assisted dying in New South Wales. He said his life had been better than anyone could ask for.
Hirst died peacefully, surrounded by loved ones, on 20 January 2026, aged 70. Peter Garrett, Moginie and Rotsey wrote that they were shattered: "For now there are no words but there will always be songs." Days later he was appointed a Member of the Order of Australia in the Australia Day Honours, an honour his family said he knew of before he died. He is survived by his wife Lesley Holland, their daughters Lexi and Gabriella, and his eldest daughter, the singer Jay O'Shea.
Biography adapted from The Guardian (Sian Cain; Andrew Stafford, 20 January 2026), AAP via The Canberra Times, ABC News, The Sydney Morning Herald, news.com.au, Midnight Oil statement, Wikipedia. Wikipedia ↗
In their own words
“We were very demanding on everyone around us, including each other. We were hard to deal with; we antagonised and irritated a lot of people.”
On Midnight Oil's stubborn spirit, to Andrew Stafford (The Guardian)
“It's been absolutely better than anything anyone could ever ask for. And so, if my life is attenuated by this tiny little tumour that threatens to do me in, then I will still consider myself incredibly fortunate.”
On his life, to The Australian, 2025
“Why should you have to die in terrible, drawn-out pain? When you've had this amazing life, a life like I've had, why should end-of-life be so horrific when there's an alternative?”
On voluntary assisted dying, to The Australian, 2025
“I feel very fortunate that I've got to this point, and who knows, I might have a bit longer, which will be a bonus.”
To AAP, November 2025, two and a half years after diagnosis
“I don't have much breath power, so I can't play the big rock 'n' roll kit anymore but I can strum away and write songs and I'm lucky that I can still do that.”
To AAP, 2025
“Nothing's as precious as a hole in the ground.”
His defining line in Blue Sky Mine, written for victims of the Wittenoom asbestos disaster

that's a real memory though, don't need a bigger point than that