My sister called from Kochi before it was even on the news here. All I could think of was that tiger charging across the screen, Pulimurugan, we watched it together the one time I went home.
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Shaji Kumar was an Indian cinematographer whose camera work shaped some of the biggest commercial hits in Malayalam cinema, most famously Pulimurugan, the 2016 Mohanlal film that became the first Malayalam movie to cross 100 crore rupees at the box office. Over a quarter of a century he served as…
Shaji Kumar was an Indian cinematographer whose camera work shaped some of the biggest commercial hits in Malayalam cinema, most famously Pulimurugan, the 2016 Mohanlal film that became the first Malayalam movie to cross 100 crore rupees at the box office. Over a quarter of a century he served as director of photography on more than 50 feature films in Malayalam, Tamil and Hindi. He died in Kochi on 10 November 2026, aged 57.
He came into films as a protege of the noted cinematographer Vipin Mohan, assisting on a number of productions before going independent. His first film as cinematographer was Uthaman in 2001, directed by Anil Babu. Through the 2000s he became a dependable name on the Malayalam screen, shooting Valkannadi, Pakalpooram, Pattanathil Sundaran, Vellinakshatram, Naran, Athbhutha Dweepu, Baba Kalyani, Nasrani, Robinhood and Pokkiri Raja.
He was a favourite collaborator of directors including Joshiy, Shaji Kailas, V. M. Vinu, M. Padmakumar and Vysakh, and later of younger filmmakers such as Tharun Moorthy. In Tamil cinema he worked extensively with the actor Prashanth, and his work on Ponnar Shankar in 2011 was critically praised, alongside Mambattiyan and Saahasam. His forest action sequences in Pulimurugan were widely noticed and earned him the Best Cinematographer award at the 2016 Asiavision Awards. Later credits included Ramaleela, Odiyan, Madhura Raja, Pathonpatham Noottandu, Bandra and the 2025 Mohanlal hit Thudarum.
Colleagues noted that he began his career shooting on film and carried his feel for light, colour and framing into the digital era, adapting as cameras and grading changed while many of his contemporaries struggled with the transition. He gave big budget spectacles and smaller productions the same care.
Two days before his death he fell ill on the set of an upcoming Dileep film in Alappuzha. He was given initial treatment there and moved to a private hospital in Kochi, where his condition improved enough for him to leave intensive care. Around midnight he collapsed again while walking to the washroom, and he died in the early hours of Tuesday 10 November 2026. No official cause of death was published. His body was taken to a friend's flat in Kochi so colleagues and admirers could pay their respects.
His final completed works were the Mohanlal film Athimanoharam, directed by Tharun Moorthy and due in cinemas on 24 December 2026, and the Suresh Gopi film Ottakkomban. Tributes from across the Malayalam industry remembered him as one of its most reliable craftsmen behind the camera.
Biography adapted from Wikipedia (CC BY-SA 4.0); Mathrubhumi; Onmanorama; The Times of India; Indian Express Malayalam.

That scene held up every time I rewatched it too.