75 years old. That's the number that keeps hitting me. Praying for Julia and the boys right now.
Their story
Willie Colón (born William Anthony Colón Román, 28 April 1950 to 21 February 2026) was an American trombonist, bandleader, singer, composer, arranger and producer who helped create the sound of New York salsa. Born in the South Bronx to Puerto Rican parents, he signed with the young Fania Records label…
Willie Colón (born William Anthony Colón Román, 28 April 1950 to 21 February 2026) was an American trombonist, bandleader, singer, composer, arranger and producer who helped create the sound of New York salsa. Born in the South Bronx to Puerto Rican parents, he signed with the young Fania Records label as a teenager and spent nearly six decades at the top of Latin music. His partnerships with the singers Héctor Lavoe and Rubén Blades produced some of the most celebrated records in the genre, including "Che Che Colé", "Calle Luna, Calle Sol", "Aguanilé" and the album Siembra, and his solo hit "El gran varón" made him a star again in the late 1980s. Away from the stage he was a civil rights and community activist, a political candidate, a mayoral adviser and, late in life, a sworn deputy sheriff.
Colón grew up in the Bronx and spent summers with relatives in Puerto Rico, near Manatí on the road to Ciales, where he heard the island's folk music. He started on the trumpet as a boy and switched to the trombone, drawn by the all trombone sound of Mon Rivera and the playing of Barry Rogers. By his mid teens he had a recording contract, and at 17 he released his first album, El Malo (1967), on Fania. Johnny Pacheco, Fania's main producer, recommended a young singer named Héctor Lavoe for the record. Critics and older musicians found the raw mix of jazz, rock, R&B, mambo and Puerto Rican rhythms unorthodox, but young Nuyoricans embraced it, and the album went on to sell more than 300,000 copies.
Between 1967 and 1973 Colón and Lavoe made a run of albums that defined the early salsa sound, among them The Hustler, Guisando, Cosa Nuestra, the Christmas record Asalto Navideño, La Gran Fuga, El Juicio and Lo Mato. Colón cultivated a gangster image on the album covers, calling himself El Malo, long before that look was common in popular music. His hard edged trombone front line set the band apart from other Fania groups. After the two split as a band in the mid 1970s, Colón kept producing and arranging Lavoe's solo records, including La Voz, De Ti Depende and Comedia, which featured "El Cantante".
In 1977 Colón began working with the Panamanian singer and songwriter Rubén Blades. Their albums Metiendo Mano!, Siembra (1978), which includes "Pedro Navaja" and is regarded as one of the best selling salsa records ever made, and Canciones del Solar de los Aburridos (1981) brought social commentary into dance music. In the same period he produced two albums with Celia Cruz, Blades's concept album Maestra Vida and records for Ismael Miranda, Soledad Bravo and others. He launched his own career as a lead singer with Solo (1979) and followed it with Fantasmas, Corazón Guerrero, Criollo and Tiempo Pa' Matar. His 1989 album Top Secrets produced "El gran varón", a song by Omar Alfanno about a son rejected by his father that became one of his biggest hits. He kept recording through the 1990s, including Tras la Tormenta (1995) with Blades, and released El Malo Vol. II: Prisioneros del Mambo in 2008. His website credited him with some 40 productions and more than 30 million records sold.
Colón was active in public life from the age of 16. He was a special assistant to New York Mayor David Dinkins, ran unsuccessfully in the 1994 Democratic primary against Representative Eliot Engel, received more than 101,000 votes for New York City Public Advocate in 2001, and spent about twelve years as Mayor Michael Bloomberg's liaison to the Latin Media and Entertainment Commission. He served on the Latino Commission on AIDS, chaired the Association of Hispanic Arts, and in 1995 joined the national board of ASCAP. In later years he campaigned against the governments of Hugo Chávez and Nicolás Maduro in Venezuela and became an outspoken conservative voice on social media. In 2014, at 64, he graduated from the Westchester County police academy and was sworn in as a deputy sheriff, later rising to deputy lieutenant.
His honours included Yale University's Chubb Fellowship (1991), the Latin Recording Academy's Lifetime Achievement Award (2004), the International Trombone Association's Lifetime Achievement Award (2010), the Ellis Island Medal of Honor (2018) and induction into the International Latin Music Hall of Fame and the Latin Songwriters Hall of Fame. He was portrayed by John Ortiz in El Cantante, the Héctor Lavoe biopic starring Marc Anthony and Jennifer Lopez.
Colón died on 21 February 2026 at NewYork-Presbyterian Westchester Hospital in Bronxville, New York, aged 75. The New York Times reported that he had been hospitalised for breathing problems related to interstitial lung disease, and his family asked for donations to the interstitial lung disease program at Columbia University in his memory. He was survived by Julia Colón Craig, his wife of 49 years, four sons, a sister, six grandchildren and three great grandchildren. Rubén Blades, the Latin Recording Academy and Bad Bunny were among those who paid tribute. A public funeral Mass was held at St. Patrick's Cathedral in New York on 9 March 2026, followed by a private burial.
Biography adapted from Wikipedia (English and Spanish, Willie Colón); McMahon, Lyon and Hartnett Funeral Home obituary via Legacy.com (28 Feb 2026); The New York Times (21 Feb 2026); Reuters (21 Feb 2026); Associated Press . Wikipedia ↗
In their own words
“La salsa no es un ritmo, es un concepto. (Salsa is not a rhythm, it is a concept.)”
Widely quoted remark by Colón on the nature of salsa, cited on Spanish language Wikipedia.
“While we grieve his absence, we also rejoice in the timeless gift of his music and the cherished memories he created that will live on forever.”
Colón family statement announcing his death on his Facebook page, 21 February 2026, as reported by Reuters.
“Acabo de confirmar lo que me resistía a creer: Willie Colón efectivamente ha fallecido. (I have just confirmed what I refused to believe: Willie Colón has indeed died.)”
Rubén Blades on X, 21 February 2026.
“Willie Colón has probably done more than anyone since Tommy Dorsey to keep the trombone before the public.”
Gerald Sloan, University of Arkansas, in the International Trombone Association journal on Colón's 2010 Lifetime Achievement Award.
“He was the sound of the Puerto Rican community in New York, finding its voice culturally and politically.”
Felix Contreras, NPR Music, in his appreciation of 21 February 2026.

same, 75 is no age these days