Sanford and Son was the one show my dad and grandfather could watch together without arguing. Every Saturday rerun, our little kitchen in Jersey, grandpa doing Fred Sanford's voice before the line even landed. 95 years old. Didn't know the name until today but I knew every word he gave Fred.
Their story
Bernie Orenstein was a Toronto-born television writer and producer who spent nearly half a century making Americans laugh. With his longtime partner Saul Turteltaub he wrote and produced That Girl, The New Dick Van Dyke Show, Love, American Style, Sanford and Son and its spin-offs, and created What's Happening!!, Carter…
Bernie Orenstein was a Toronto-born television writer and producer who spent nearly half a century making Americans laugh. With his longtime partner Saul Turteltaub he wrote and produced That Girl, The New Dick Van Dyke Show, Love, American Style, Sanford and Son and its spin-offs, and created What's Happening!!, Carter Country and Chicken Soup. Late in life he became a novelist and a teacher of television history at Long Island University in Brooklyn. He died on September 14, 2026, at the age of 95, his family announced.
Bernard Orenstein was born in Toronto on February 5, 1931, the youngest of five boys. He had no middle name. "We were too poor for that," he joked. His father sold women's clothing and had a gambling problem, and his mother was a homemaker. As a boy he acted on CBC radio programs. After appearing in a University of Toronto show called The All Varsity Revue, he dropped out of university and went into the new medium of television, appearing on CBC variety shows. "I had nerve as opposed to talent," he later said of those early years.
He acted and wrote for the CBC variety program The Barris Beat, produced by Norman Jewison, and that work led him to New York in 1965, where he joined the writing staff of the CBS prank show Candid Camera. He carpooled with fellow writer Joan Rivers. He then moved to Los Angeles to write for ABC's The Les Crane Show, and when it was cancelled he joined The Hollywood Palace, writing material for stars including Bing Crosby, Judy Garland and Fred Astaire during a three-year stint.
In 1967 he was offered the pilot of a Pat Boone afternoon talk show and brought in Saul Turteltaub, whom he had met in New York. It was the start of a partnership that lasted more than 30 years and became one of the most enduring comedy teams in American television, even though the two rarely wrote in the same room. "I would write one act, he would write the other act, and we'd put it together and make sure they fit," Orenstein explained. Their first sales were scripts for Hey, Landlord, Good Morning, World and That Girl. Orenstein also wrote for The Monkees, and in 1968 the pair wrote and produced The Beautiful Phyllis Diller Show, hiring a young Lorne Michaels to help.
They became writer-producers of That Girl, the Marlo Thomas comedy now remembered as a landmark in the portrayal of independent women on television. In 1971 they moved to Arizona to produce The New Dick Van Dyke Show for Carl Reiner, from whom Orenstein said he learned a great deal about comedy, before returning to Los Angeles to produce Love, American Style.
In 1974 Norman Lear asked them to take over Sanford and Son, starring Redd Foxx, and they produced it from its fourth season until it ended in 1977. Orenstein said Foxx was "very protective of us, the two white Jewish guys writing a Black show." With Bud Yorkin they formed TOY Productions, which put What's Happening!!, Carter Country and 13 Queens Boulevard on ABC. For What's Happening!!, inspired by the film Cooley High, Orenstein spotted Fred Berry and cast him as Rerun.
Later credits included the Sanford spin-offs Grady and Sanford Arms, One of the Boys with Mickey Rooney, Dana Carvey and Nathan Lane, One in a Million, E/R with Elliott Gould and a young George Clooney, You Again? with Jack Klugman and John Stamos, Foley Square for Diane English, Kate & Allie, Baby Talk, and Chicken Soup with Jackie Mason and Lynn Redgrave. After two years as story consultants on Cosby, his last American series, he left television.
He then completed his college degree, taught the history of television at Long Island University Brooklyn, where he mentored students in the TV Writers Studio MFA program, bred thoroughbreds, and wrote two novels, Fender Mason (2011) and Black Sheep (2013). His lectures on the influence of African American performers on television drew on his years with Sanford and Son, What's Happening!! and Cosby.
On February 18, 1979, he married actress Barbara Rhoades at L'Orangerie in West Hollywood. In 1995 they moved to Weston, Connecticut, with their son Alec. He is survived by his wife, his children Lisa, Barbara, Jenny and Alec, eight grandchildren and four great-grandchildren. His family said he "lived with boundless creativity, humor and love, always keeping family close and finding joy in every moment."
Asked in 2016 how he would like to be remembered, he answered: "By the body of work and the fact that I never hurt anybody."
Biography adapted from The Hollywood Reporter (Mike Barnes, 15 Oct 2026); Variety (Tanya Fedak, 13 Oct 2026); Television Academy Foundation, The Interviews (2016) and bio; Wikipedia (Bernie Orenstein, Barbara Rhoades, CC BY. Wikipedia ↗
In their own words
“By the body of work and the fact that I never hurt anybody.”
Asked how he would like to be remembered, Television Academy Foundation interview, 2016
“I would write one act, he would write the other act, and we'd put it together and make sure they fit. Often he would write a whole script and I would write a whole script.”
On working with Saul Turteltaub, 2016 interview, quoted by The Hollywood Reporter
“I had nerve as opposed to talent.”
On his early days performing on CBC television
“We got along with him famously. He was very protective of us, the two white Jewish guys writing a Black show.”
On Redd Foxx and Sanford and Son
“We made sure it was the final season by getting her married, a lesson we should have learned on That Girl.”
On Kate & Allie
“As a writer there's a great advantage: you're never out of work. You can always sit down at the typewriter or computer.”
Television Academy Foundation interview, 2016
“Although I wrote hundreds of scripts and produced, I don't know, 40 shows, I'd say only four or five of them were really successful. It's not an easy business.”
Reflecting on his career, 2016 interview

same in our house, my abuelo too