My comparative lit professor at Illinois assigned Ordinea iubirii in the Canadian edition back in 2023, and I still have my copy full of notes. Read the news on my phone in a parking lot and just sat there a minute. Never met him, never even emailed him, but his book changed how I read Robinson Crusoe for good.
Their story
Constantin Dram (20 October 1958 to 7 October 2026) was a Romanian literary critic, literary historian, editor, publicist and university professor whose working life was bound to the city of Iași and to its Alexandru Ioan Cuza University (UAIC). A member of the Writers' Union of Romania (Iași branch), he…
Constantin Dram (20 October 1958 to 7 October 2026) was a Romanian literary critic, literary historian, editor, publicist and university professor whose working life was bound to the city of Iași and to its Alexandru Ioan Cuza University (UAIC). A member of the Writers' Union of Romania (Iași branch), he was best known for his studies of Mihail Sadoveanu, for his series of critical volumes Lumi narative (Narrative Worlds), and for decades of teaching comparative literature to students of the Faculty of Letters.
He was born on 20 October 1958 in Războieni, in Neamț County, in the hills of Moldavia where Sadoveanu's prose is set. Between 1973 and 1977 he attended the Petru Rareș high school in Piatra Neamț. From 1978 to 1982 he studied philology at the University of Iași, specialising in Romanian and Italian language and literature, and graduated in June 1982 with a perfect average of 10, with a diploma thesis coordinated by the linguist Dumitru Irimia. His first appearance in print came in 1981, with poetry published in the Iași magazine Cronica.
After graduation he taught Romanian literature at Industrial High School No. 1 in Pașcani from 1982 to 1990. After the fall of communism he moved into publishing, working from 1990 to 1999 as editor, editor in chief and then director of the Junimea publishing house in Iași. In those years he also published fiction of his own: Fuga Marelui Regizor (1992), adaptations of saints' lives (1997) and the novel Milionar la marginea imperiului (1998).
He returned to the University of Iași in 1997 as an associate lecturer while completing a doctorate in philology under Professor Liviu Leonte. His thesis on the poetics of the love story in Mihail Sadoveanu, defended in 2002, became the book Mihail Sadoveanu. Modelul istorisirii de dragoste. At the Faculty of Letters he rose from lecturer (1999) to associate professor (2004) and full professor (2009) in the Department of Comparative Literature, and from 2016 he supervised doctoral theses. His courses covered literature as a document of the imaginary, the novel, the imaginary of the Romanian short story, theatrical imaginary, and modernity and postmodernity.
His critical work grew into more than two dozen books, as author or coordinator. They include the five volumes of Lumi narative (1998 to 2021), Devenirea romanului (2003), Omul miloșian (2008), on the poet Ion Miloș, Ordinea iubirii. De la Banchetul la Robinson Crusoe (2009), Muzeul de imagini (2012), Singurătăți de genul masculin, Cartea Iașilor (2016), Iașii scriitorilor (2021) and Mihail Sadoveanu, perioada ieșeană (2023). He also coordinated collective volumes on the Teodoreanu brothers, on Sadoveanu, on Ion Creangă, on gastronomy and literature, on the comic, on memoir literature, on Marin Preda and on the Romanian literature of Bessarabia.
For many years he was a permanent contributor to Convorbiri literare, where he held the column Critica prozei, and he wrote for Cronica, Cronica veche, Bucovina literară and Contact Internațional. He sat on juries for the Writers' Union and on the national prose and story competitions named after Mihail Sadoveanu and Ion Creangă, and he served on the scientific board of the Museum of Romanian Literature in Iași. From 2020 to 2024 he directed the Alexandru Ioan Cuza University Press.
His work won the special criticism prize of Convorbiri literare (for Lumi narative), the literary history and criticism prize of the Iași International Book Fair in 2003 (for Devenirea romanului), and prizes of the Iași branch of the Writers' Union in 2013 and 2018. In September 2025 the UAIC Senate approved the title of Professor Emeritus for him.
Outside the university he was a familiar speaker in county libraries, from the Gheorghe Asachi library in Iași to the libraries of Neamț and Vaslui, and he never lost touch with his home region. He was a regular guest at the Sadoveanu Days in Tupilați, and he helped his friend Ion Asaftei find the name of the Hanul Răzeșilor inn there.
Constantin Dram died on Wednesday, 7 October 2026, at the age of 67. BZI reported that he died of an incurable illness. The Faculty of Letters, the Writers' Union of Romania and the Gheorghe Asachi County Library paid tribute to him. The Writers' Union wrote that Romanian literature had lost a demanding voice, a cultivated spirit and a fine connoisseur of literature, and his faculty colleagues promised to keep alive the memory of a warm man and a good colleague.
Biography adapted from Uniunea Scriitorilor din România, In memoriam Constantin Dram (7 Oct 2026); Ziarul de Iași (7 Oct 2026); BZI.ro (7 Oct 2026); TeleM Regional (7 Oct 2026); Știrea de Iași (7 Oct 2026); Vestea.net (7-8 . Wikipedia ↗
In their own words
“Myths are myths. Some of them are based on a cosmeticised or even false reality, while others lack the dose of truth they should have.”
On the legends around novelist Ionel Teodoreanu, interview with Weekend Adevărul, 19 June 2022 (translated from Romanian).
“He belonged to the category of writers who did not manage to distance themselves from their intimate life, but wrote what he felt.”
On Ionel Teodoreanu and his character Dănuț from La Medeleni, Weekend Adevărul, 2022 (translated from Romanian).
“He developed a plea culturally; he did not limit himself to stringing together dry or factual arguments.”
On Teodoreanu's courtroom speeches as a lawyer, Weekend Adevărul, 2022 (translated from Romanian).
“And the novel in general, as the supreme epic construction, proves its strength once again.”
From his review of Gabriel Chifu's novel Punct și de la capăt in Convorbiri literare, reproduced by Polirom in 2015 (translated from Romanian).

That book did the same for me in grad school. Strange how far his work traveled.