My husband brought home the Kenny Rogers record in 1978 and we played The Gambler so many times on our old turntable in Katong that the grooves wore thin. Didn't know the name Don Schlitz for years, just knew every word of that song. Funny how a tune from Nashville ended up in our little flat in Singapore.
Their story
Don Schlitz was an American songwriter whose first recorded song, "The Gambler," became one of the best known story songs in country music and a signature hit for Kenny Rogers. Over five decades he wrote or co-wrote 25 No. 1 country singles and some 50 top 10 hits, earning two…
Don Schlitz was an American songwriter whose first recorded song, "The Gambler," became one of the best known story songs in country music and a signature hit for Kenny Rogers. Over five decades he wrote or co-wrote 25 No. 1 country singles and some 50 top 10 hits, earning two Grammy Awards, three Country Music Association Song of the Year awards and four straight ASCAP Country Songwriter of the Year titles. He was a member of the Songwriters Hall of Fame, the Nashville Songwriters Hall of Fame, the North Carolina Music Hall of Fame and the Country Music Hall of Fame, and in 2022 he became the only non-artist songwriter ever made a member of the Grand Ole Opry.
Schlitz was born on August 29, 1952, in Durham, North Carolina, and grew up there, graduating from Durham High School in 1970. He began writing songs at 16 and later said he had been born at the right time, hearing the Beatles, the Rolling Stones, Bob Dylan, Motown, Roger Miller and Johnny Cash on his transistor radio and on Durham area stations. He spent three semesters at Duke University and worked in the university computer center, where his boss, Fred Crumpton, told him that if he had no family ties he would go to Nashville. Schlitz took the advice and moved to Nashville at age 20, arriving, as the story goes, with about $80 in his pocket.
In Nashville he worked as the all-night computer operator at Vanderbilt University, using a typewriter in the computer lab during quiet hours to write songs he later described as well metered, well rhymed and horrible. He knocked on publishers' doors for years. The established songwriter Bob McDill became his mentor and was, for a time, the only person willing to listen to his new songs, advising him that inspiration would bring ten songs a year but that his job was to write 40 or more that could get on the radio. Bobby Bare was another early champion.
In August 1976, after telling McDill he was blocked, Schlitz was shown an open guitar tuning. Walking two or three miles home in the heat with his guitar case, he composed "The Gambler" in his head and typed it on his father's old Smith-Corona, everything but the last verse. He spent six weeks on endings before deciding, in his words, to respect the listener. Several artists recorded the song for producer Larry Butler, including Bobby Bare and Johnny Cash, but Kenny Rogers' 1978 version became a No. 1 country hit and a pop crossover. It won Schlitz the Grammy for Best Country Song and the CMA Song of the Year, inspired a series of television films starring Rogers, and in 2018 was added to the Library of Congress National Recording Registry. Its chorus, "You got to know when to hold 'em, know when to fold 'em," passed into everyday speech; Schlitz liked to point out that it was not an old saying, he had written it.
He went on to become one of Nashville's most consistent hitmakers. With Paul Overstreet he co-wrote Randy Travis' "On the Other Hand" and "Forever and Ever, Amen" and Keith Whitley's "When You Say Nothing at All," later a hit again for Alison Krauss. His songs were recorded by The Judds, Mary Chapin Carpenter ("I Feel Lucky," "He Thinks He'll Keep Her," "I Take My Chances"), Tanya Tucker ("Strong Enough to Bend"), Alabama ("40 Hour Week (For a Livin')"), John Conlee, Michael Johnson, Bobby Bare, the Nitty Gritty Dirt Band, Garth Brooks, Reba McEntire, Ronnie Milsap and George Strait. President George H. W. Bush's office commissioned him to write a theme for the Points of Light program, and "Point of Light" became a top 3 country hit for Randy Travis in 1991. He returned to Kenny Rogers with "The Greatest" and wrote the music and lyrics for the Broadway musical The Adventures of Tom Sawyer, which opened in 2001.
Schlitz was one of the first performers at Nashville's Bluebird Cafe, and in 1985 he, Thom Schuyler, J. Fred Knobloch and Paul Overstreet originated the songwriters in the round format that became the venue's trademark. For years he held a Tuesday night show there called "Don for a Dollar." He also recorded three albums of his own: Dreamers' Matinee (Capitol, 1980), Live at the Bluebird Cafe (2001) and Allergic to Crazy (2010). Kenny Rogers summed up his influence at the 2012 Songwriters Hall of Fame ceremony: "Don doesn't just write songs, he writes careers."
Away from the stage he served on the Songwriters Hall of Fame board and, most recently, its President's Advisory Committee, and he often rose early to sing for the homeless at Nashville's Room in the Inn. Invited to join the Grand Ole Opry by Vince Gill in June 2022 and inducted that August, he performed there often in his last years, joking that audiences might not know who he was but they knew his songs.
Don Schlitz died on April 16, 2026, at a Nashville hospital after a sudden illness. He was 73. The Opry dedicated its April 18 show to him, Representative Steve Cohen sang "The Gambler" on the floor of the U.S. House in tribute, and a celebration of life was held on April 25 at the Country Music Hall of Fame and Museum. He was survived by his wife, Stacey, his daughter Cory and son Pete, four grandchildren, his brother Brad and his sister Kathy.
Biography adapted from AP, Billboard, Rolling Stone, Songwriters Hall of Fame, Country Music Hall of Fame, Library of Congress, Durham Herald-Sun, Wikipedia. Wikipedia ↗
In their own words
“I spent six weeks writing scenarios for the end of the song. Finally, I decided to respect the listener, and I wrote the last eight lines and let the listener decide what happened.”
On finishing "The Gambler," to ASCAP
“Oh, it's like the old saying: 'You gotta know when to hold 'em, know when to fold 'em.' I'm going, that wasn't an old saying. I actually wrote that.”
On hearing his lyric quoted on the news (Rolling Stone)
“You'll get ten songs a year from inspiration, but your job is to write 40 or more songs that could get on the radio.”
Advice from mentor Bob McDill that Schlitz took to heart (Library of Congress interview)
“I wanted to find an honest way of saying something that came from my heart.”
Quoted by The New York Times, April 2026
“He basically kicked the door down for me.”
On Kenny Rogers' recording of "The Gambler" (Durham Herald-Sun, 2017)
“Don doesn't just write songs, he writes careers.”
Kenny Rogers, Songwriters Hall of Fame induction, 2012

That's lovely, same record played at my parents' wedding reception here in Lagos