My Turkish neighbour in Cedar Rapids used to translate his poems for me over coffee, and one line always stuck, the one about choosing a plain voice over a simple one. I never saw his films, I only knew the poet from Sydney. Ninety years, and he kept writing in his own language the whole way through.
Their story
Nihat Ziyalan was a Turkish poet, novelist, short-story writer and actor who became one of the most recognisable screen villains of Yeşilçam, the golden age of Turkish popular cinema, before spending the second half of his life in Sydney, Australia, writing poetry in Turkish. Born in Adana on 26 February…
Nihat Ziyalan was a Turkish poet, novelist, short-story writer and actor who became one of the most recognisable screen villains of Yeşilçam, the golden age of Turkish popular cinema, before spending the second half of his life in Sydney, Australia, writing poetry in Turkish. Born in Adana on 26 February 1936, he died in Sydney on 11 October 2026 at the age of 90. His death was first announced by Kaktüs Dergisi, a Turkish-language magazine published in Sydney, and was reported on 12 October 2026 by Sözcü, Medyascope, Yeni Şafak, Takvim and other Turkish outlets.
Ziyalan was the eldest of six children. He grew up in Adana during the Second World War in a one-room house in a neighbourhood courtyard, finished middle school, trained for a time at the İzmir Air Force Non-Commissioned Officer School and later attended the city's Erkek Lisesi (boys' high school). As a teenager he read Sait Faik, Kerime Nadir and Orhan Veli and began writing poems. His first published poem, written in 1953 after the sinking of the submarine Dumlupınar, appeared in the Adana newspaper Bugün, and he went on to publish in the Adana magazine Salkım. In those years he formed a close bond with two other young men from Adana, the future filmmaker Yılmaz Güney and the poet Özdemir İnce. The three were remembered as "the three musketeers" and became blood brothers.
His poems appeared in the arts and literature pages of the Ankara magazine Pazar Postası, home to the poets who in 1956 were first described as the İkinci Yeni (Second New) movement, and later in Yeditepe, Dost, Öküz, Adam Öykü and Papirüs. After his military service he joined the Adana City Theatre as an apprentice actor and, when that company closed, acted with the Ankara Art Theatre (Ankara Sanat Tiyatrosu). His first poetry collection, Asık Yüzlünün Biri, was published in 1963.
In 1966 Yılmaz Güney invited him to Istanbul, and Ziyalan moved into film. His first picture was At Hırsızı Banuş (1967), which Guney made for the actress Mualla Özbek. Over the following decade he appeared in a long run of Yeşilçam productions, most often as the "kötü adam", the bad guy. Reports of his total vary, from about 60 films to about 150. His credits include Bin Yıllık Yol, Seyyit Han, Azrail, Umutsuzlar, Sev Dedi Gözlerim, Üç Kağıtçılar, Babaların Günahı and Bebek Gibi Maşallah, and he was especially remembered as Nedim in Sezercik Aslan Parçası (1972). He played opposite stars including Kadir İnanır, Hülya Koçyiğit, Ediz Hun, Lale Belkıs, Türkan Şoray, Fatma Girik and Selma Güneri. His last film was Azap, directed by and starring Türkan Şoray.
Ziyalan refused to take part in the wave of sex films that swept Yeşilçam at the end of the 1970s, and in 1980 he left Turkey for Australia, where he sought asylum and settled in Sydney. There he returned fully to literature. He kept writing for Turkish literary magazines and for Aydınlık Kitap, and published poetry that moved from scenes of his Adana childhood to his life on the other side of the world: Güvercin Uçuşu (1980), Avustralya'dan Şiir (1985), Sevgili Şiir (2007), Tomurcuk Sevda (2009), Çapkın Çiçekli (2015), Eve Götür Beni Nehir (2018) and Sevdakeş (2021). He also wrote the novels Güneşle Damgalı (2000) and Menekşeli Konak (2004) and the story collections Kısa Pantolonlu Sevda (2001) and Severim Pazartesileri. In 2009 he received the first Çukurova Award for his literary work and for promoting his home region of Çukurova.
In his later years friends opened a YouTube channel for him, where he read his poems and shared memories of writers such as Yaşar Kemal and Aziz Nesin. Introducing it, he wrote that older fans would remember him from Yeşilçam, that he had lived in Sydney for nearly 40 years, and that in poetry he had "chosen the hardest" path and a plain, unadorned voice. He was the father of the poet, writer and physician Mustafa Ziyalan. The cause of his death was not made public. Tributes from readers, writers and film fans remembered him as the handsome bad guy of Turkish cinema who, off screen, was the genuine good man of those villain roles.
Biography adapted from Turkish Wikipedia (Nihat Ziyalan); Sözcü (12 Oct 2026); Medyascope (12 Oct 2026); Yeni Şafak (12 Oct 2026); Takvim (12 Oct 2026); Wikidata Q111015168; Nihat Ziyalan official YouTube channel descriptio.
In their own words
“Old-timers will remember me from Yeşilçam. I have been living in Sydney for nearly 40 years.”
Translated from his own introduction to the official Nihat Ziyalan YouTube channel.
“I turned to poetry and chose the hardest road. To reach you through poetry I chose a plain voice. I am not saying simple, I am saying plain.”
Translated from his introduction to the official Nihat Ziyalan YouTube channel.
“Nihat Ziyalan was a true worker and intellectual of Yeşilçam, the real good man of the bad-guy roles.”
Tribute on X by Ö. İskender Özturanlı (@Aleksis), 12 Oct 2026, translated.
“Goodbye, our friend beyond the oceans. You kept the heart of Turkish alive on another continent. Goodbye, poet.”
Tribute on X by Levent Karataş (@timucin_levent), 12 Oct 2026, translated.

That line about plain not meaning simple is the one that gets me too.