98 years old, and he was still out there living near his family in Ireland. My mom had The Naked Ape on her shelf my whole childhood. Thinking of Jason and his family tonight.
Their story
Desmond Morris was an English zoologist, ethologist, author, television presenter and surrealist painter whose 1967 book The Naked Ape changed how millions of readers thought about themselves. Over a career of more than 70 years he wrote dozens of books, fronted several hundred hours of television and staged more than…
Desmond Morris was an English zoologist, ethologist, author, television presenter and surrealist painter whose 1967 book The Naked Ape changed how millions of readers thought about themselves. Over a career of more than 70 years he wrote dozens of books, fronted several hundred hours of television and staged more than 50 solo exhibitions of his paintings, moving with unusual ease between the laboratory, the zoo, the studio and the screen.
Desmond John Morris was born on 24 January 1928 in Purton, a village near Swindon in Wiltshire, the only child of Harry Morris, a First World War veteran and writer of children's fiction, and his wife (née Hunt). The family moved to Swindon in 1933. As a boy he found his great-grandfather's Victorian microscope in the family attic, and the tiny shapes he saw through it fed both his love of natural history and the biomorphic forms of his later art. His father, whose lungs had been damaged in the war, died when Desmond was 14, a loss he later said began a lifelong distrust of the establishment. He was educated at Dauntsey's School in Wiltshire.
After national service in the British Army, during which he lectured in fine arts at Chiseldon Army College, he held his first one-man show at the Swindon Arts Centre in 1948 and went to study zoology at the University of Birmingham. In 1950, still a student, he shared an exhibition with Joan Miró at the London Gallery and made two surrealist films, Time Flower and The Butterfly and the Pin. He then joined Niko Tinbergen at Oxford, earning a doctorate in 1954 for research on the reproductive behaviour of the ten-spined stickleback. In 1952 he married Ramona Baulch, an Oxford history graduate who became his researcher and co-author for the rest of his career.
In 1956 Morris moved to London Zoo to head the Granada Television and Film Unit for the Zoological Society of London. There he presented Zoo Time, which ran to about 500 programmes, and later 100 episodes of Life in the Animal World for BBC2. He encouraged a chimpanzee named Congo to paint, organised exhibitions of ape art, and from 1959 to 1967 served as the Zoological Society's Curator of Mammals. In 1964 he gave the Royal Institution Christmas Lectures on animal behaviour, and in 1965 he published The Mammals: A Guide to the Living Species.
In 1967, as he became director of the Institute of Contemporary Arts, he published The Naked Ape: A Zoologist's Study of the Human Animal, written in about four weeks. The book looked at human beings as a zoologist would look at any other primate and became an international bestseller, with sales estimated at 18 million copies. It was placed on the Catholic Church's index of forbidden books, which Morris took as flattery, and in 2011 Time magazine included it among the 100 best non-fiction books written in English since 1923. Its success allowed the family to move to Malta, where they lived for several years, before Morris returned to Oxford in 1973 to work with Tinbergen and to serve as a Research Fellow at Wolfson College until 1981.
Sequels and studies of human behaviour followed, including The Human Zoo (1969), Intimate Behaviour (1971), Manwatching (1977), Gestures (1979), The Soccer Tribe (1981), Bodywatching (1985) and books on cats, dogs, horses and babies. He wrote and presented television series such as The Human Race, The Animals Roadshow, Animal Country, The Human Animal (1994) and The Human Sexes (1997). As vice-chairman of Oxford United from 1978 he designed the club's ox-head badge. Critics including the geneticist Adam Rutherford later argued that some of his evolutionary explanations were speculative and untestable.
Alongside science and broadcasting, Morris painted throughout his life in a surrealist style. His work entered public collections including the Tate, and in 2017 BBC Four broadcast the documentary The Secret Surrealist. In later years he wrote extensively about surrealism, including The Lives of the Surrealists (2018), The British Surrealists (2022) and 101 Surrealists (2024). He counted David Attenborough among his closest friends.
Ramona Morris died in 2018, a loss he described not as a bereavement but as an amputation. He then left Oxford and moved to Ireland to live near his son Jason and his family on the edge of the Curragh in County Kildare. He kept painting and writing at a prodigious rate, and in 2022 opened the Dún Laoghaire Institute of Visual Arts (DIVA), which houses his Surrealist Gallery.
Desmond Morris died in hospital in Naas, County Kildare, on 19 April 2026, at the age of 98. No cause of death was made public. His son said he had been writing and painting right up until his death, calling him a great man and an even better father and grandfather. In keeping with his wishes there was no large funeral; he was cremated in a ceremony attended only by his family. He was survived by his son Jason, his daughter-in-law Annie and four grandchildren.
Biography adapted from Wikipedia (CC BY-SA 4.0); The Guardian; The Irish Times; BBC News; The New York Times.
In their own words
“It is the biological nature of the beast that has moulded the social structure of civilisation, rather than the other way round.”
The Naked Ape (1967)
“I still consider myself a serious artist, but a very minor one, and I'm a minor artist because I've been doing too many other things.”
Interview with The Guardian, 2007
“Quite simply, I wanted to know everything there was to know about every mammal in the world.”
On his years as Curator of Mammals at London Zoo
“No religious conversion could have been more dramatic.”
On hearing Niko Tinbergen lecture on ethology
“I tried to create a private world in which my own, invented organisms evolved and developed like a personal flora and fauna from my imagination.”
Animal Days (1979), on his paintings
“If there were a Nobel prize for gesticulation, a Neapolitan would win it.”
On his studies of human gesture

98 is a full life, well lived by the sound of it.